{"id":38932,"date":"2019-10-31T22:26:50","date_gmt":"2019-10-31T19:26:50","guid":{"rendered":"https:\/\/prohoster.info\/blog\/mechtayut-li-nejroseti-o-dzhokonde\/"},"modified":"2019-10-31T22:26:50","modified_gmt":"2019-10-31T19:26:50","slug":"mechtayut-li-nejroseti-o-dzhokonde","status":"publish","type":"post","link":"https:\/\/prohoster.info\/cs\/blog\/news\/mechtayut-li-nejroseti-o-dzhokonde","title":{"rendered":"Sn\u00ed o Mona Lise um\u011bl\u00e1 inteligence?","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

Cht\u011bl bych se, ani\u017e bych se pono\u0159il do technick\u00fdch detail\u016f, trochu dotknout ot\u00e1zky, zda mohou neuronov\u00e9 s\u00edt\u011b dos\u00e1hnout n\u011b\u010deho v\u00fdznamn\u00e9ho v um\u011bn\u00ed, literatu\u0159e a zda je to skute\u010dn\u011b tvo\u0159ivost. Technick\u00e9 informace se snadno sh\u00e1n\u011bj\u00ed, existuj\u00ed i zn\u00e1m\u00e9 aplikace, jako p\u0159\u00edklad. Zde se pokus\u00edm pouze pochopit samotnou podstatu jevu, v\u0161e, co zde bylo naps\u00e1no, nen\u00ed v\u016fbec novinka, ale pokus\u00edm se pouze trochu formalizovat n\u011bkter\u00e9 my\u0161lenky. Budu zde pou\u017e\u00edvat term\u00edn neuronov\u00e9 s\u00edt\u011b v obecn\u00e9m smyslu jako synonymum pro AI, neodd\u011bliteln\u011b spojen\u00e9 s strojov\u00fdm u\u010den\u00edm a v\u00fdb\u011brov\u00fdmi algoritmy.<\/p>\n

Podle m\u00e9ho n\u00e1zoru je t\u0159eba ot\u00e1zku tvo\u0159ivosti neuronov\u00fdch s\u00edt\u00ed zva\u017eovat nejen z hlediska informatiky a d\u011bjin um\u011bn\u00ed, ale tak\u00e9 filosofie a psychologie. Nejd\u0159\u00edve je t\u0159eba definovat, co to tvo\u0159ivost je, jak vznik\u00e1 n\u011bco zcela nov\u00e9ho; a v z\u00e1sad\u011b to v\u0161e \u00fast\u00ed do probl\u00e9mu pozn\u00e1n\u00ed, konkr\u00e9tn\u011b jak vznik\u00e1 nov\u00e9 pozn\u00e1n\u00ed, objev, ur\u010dit\u00fd symbol nebo obraz. V um\u011bn\u00ed, stejn\u011b jako v \u010dist\u00e9 v\u011bd\u011b, m\u00e1 skute\u010dnou hodnotu novost. <\/a><\/noindex><\/p>\n

Um\u011bn\u00ed a literatura, (pravd\u011bpodobn\u011b tak\u00e9 hudba) nazna\u010duj\u00ed, \u017ee metody pozn\u00e1n\u00ed, mo\u017en\u00e1 ne zcela rovnopr\u00e1vn\u00e9 nyn\u00ed, jsou podobn\u00e9 t\u011bm v\u011bdeck\u00fdm. V\u0161echny se vz\u00e1jemn\u011b neust\u00e1le ovliv\u0148uj\u00ed a jsou \u00fazce propojen\u00e9. V n\u011bkter\u00fdch epoch\u00e1ch se pozn\u00e1n\u00ed sv\u011bta skute\u010dn\u011b uskute\u010dnilo prost\u0159ednictv\u00edm um\u011bn\u00ed nebo literatury, zat\u00edmco d\u0159\u00edve bylo \u00fapln\u011b v r\u00e1mci n\u00e1bo\u017eensk\u00e9 tradice. Tak nap\u0159\u00edklad v Rusku 19. stolet\u00ed mocn\u00e1 literatura v podstat\u011b nahradila filozofickou antropologii a soci\u00e1ln\u00ed filosofii, zprost\u0159edkovan\u011b prost\u0159ednictv\u00edm um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed, zam\u00fd\u0161lej\u00edc\u00edho nad probl\u00e9my spole\u010dnosti a \u010dlov\u011bka. A jako strukturovan\u00fd orienta\u010dn\u00ed bod, kter\u00fd postavil na po\u0159ad dne velmi aktu\u00e1ln\u00ed problematiku lidsk\u00e9 existence, kter\u00e1 byla pozd\u011bji rozvinuta zn\u00e1m\u00fdmi filozofick\u00fdmi sm\u011bry, je dodnes vysoce cen\u011bna. Nebo na za\u010d\u00e1tku 20. stolet\u00ed vznikl\u00e9 um\u011bleck\u00e9 modernistick\u00e9 a avantgardn\u00ed sm\u011bry, kter\u00e9 nelze posuzovat odd\u011blen\u011b od jejich ideov\u00e9ho obsahu, a kter\u00e9 p\u0159edznamen\u00e1valy zlom tradice, vznik nov\u00e9ho sv\u011bta a nov\u00e9ho \u010dlov\u011bka. V\u017edy\u0165 nem\u016f\u017eeme p\u0159ipustit, \u017ee hlavn\u00ed hodnotou um\u011bn\u00ed je pouze estetika. V takov\u00e9m p\u0159\u00edpad\u011b bychom pravd\u011bpodobn\u011b dodnes \u017eili pouze v okol\u00ed n\u011bjak\u00e9ho zakuklen\u00e9ho v jeho sebedokon\u010den\u00e9 estetick\u00e9 syst\u00e9mu minulosti. V\u0161ichni velc\u00ed tv\u016frci, g\u00e9niov\u00e9 ve um\u011bn\u00ed a literatu\u0159e, si toto \u201etituly\u201c nevydobyli tolik d\u00edky estetick\u00e9 hodnot\u011b sv\u00fdch d\u011bl, ale kv\u016fli objevov\u00e1n\u00ed nov\u00fdch sm\u011br\u016f, d\u011bl\u00e1n\u00edm toho, co p\u0159ed nimi nikdo ned\u011blal a ani by si nep\u0159edstavoval, \u017ee to lze d\u011blat.<\/p>\n

Bude pova\u017eov\u00e1no za nov\u00e9 d\u00edlo, kter\u00e9 vznikne kombinac\u00ed ji\u017e existuj\u00edc\u00edch zn\u00e1m\u00fdch \u010d\u00e1st\u00ed, to s \u010d\u00edm si s\u00edt\u011b vcelku snadno porad\u00ed \u2014 na z\u00e1klad\u011b p\u0159edem stanoven\u00e9ho omezen\u00e9ho po\u010dtu dat, nap\u0159\u00edklad p\u0159i stylizaci obraz\u016f nebo generov\u00e1n\u00ed nov\u00fdch. Nebo se bude jednat o naprosto revolu\u010dn\u00ed pokrok, dosud nezn\u00e1mou kvalitu, kter\u00e1 otev\u00edr\u00e1 to, co nelze s ni\u010d\u00edm d\u0159\u00edve pozorovan\u00fdm srovnat \u2014 p\u0159esto samoz\u0159ejm\u011b ka\u017ed\u00fd neuv\u011b\u0159iteln\u00fd, bezprecedentn\u00ed pokrok nen\u00ed nic jin\u00e9ho ne\u017e v\u00fdsledek dob\u0159e p\u0159ipraven\u00e9 pr\u00e1ce, kter\u00e1 se jen nen\u00e1padn\u011b d\u011bje, nen\u00ed pln\u011b projevena a viditeln\u00e1 nepou\u010den\u00fdm i samotn\u00e9mu tv\u016frci \u2013 tak podle m\u011b m\u016f\u017ee fungovat zat\u00edm jen \u010dlov\u011bk.<\/p>\n

Obecn\u011b lze prvn\u00ed typ pozn\u00e1n\u00ed a tvo\u0159ivosti srovnat s velmi pomal\u00fdm, postupn\u00fdm v\u00fdvojem, kter\u00fd je v\u00fdsledkem evoluce, zat\u00edmco druh\u00fd typ je srovnateln\u00fd s skokov\u00fdm v\u00fdvojem n\u00e1sledkem pozitivn\u00edch mutac\u00ed. Neuronov\u00e9 s\u00edt\u011b, ve sv\u00e9 \u201etvo\u0159iv\u00e9\u201c \u010dinnosti, podle m\u00e9ho n\u00e1zoru nyn\u00ed sp\u00ed\u0161e sm\u011b\u0159uj\u00ed k prvn\u00edmu typu. Nebo sp\u00ed\u0161e \u2013 k situaci, kterou popisuj\u00ed jako absenci kvalitativn\u011b nov\u00e9ho v\u00fdvoje v bl\u00edzk\u00e9 budoucnosti, v r\u00e1mci syst\u00e9mu, kter\u00fd \u00fadajn\u011b dos\u00e1hl limitu slo\u017eitosti, k \u201ekonci historie\u201c, kdy nov\u00e9 v\u00fdznamy vznikaj\u00ed jako v\u00fdsledek zm\u011bn kombinac\u00ed \u2014 nebo vlo\u017een\u00ed do nezvykl\u00e9ho kontextu \u2014 ji\u017e existuj\u00edc\u00edch vzor\u016f. Podobn\u011b jako v kaleidoskopu vznikaj\u00ed nov\u00e9 neobvykl\u00e9 vzory, poka\u017ed\u00e9 z jedn\u00e9 a t\u00e9 same sady barevn\u00fdch skl\u00ed\u010dek. Ale mysl\u00edm, \u017ee nejen tak, jak bylo uvedeno, struktura s\u00edt\u00ed v obecnosti p\u0159ipom\u00edn\u00e1 strukturu nervov\u00e9ho syst\u00e9mu: neurony-uzly, axony-vazby. Mo\u017en\u00e1 je to jako z\u00e1rodky prvn\u00edch bun\u011bk, jen tentokr\u00e1t bude proces evoluce urychlen lidsk\u00fdma rukama, tedy se stane jeho n\u00e1strojem, \u010d\u00edm\u017e se p\u0159ekon\u00e1, takto, pomalost p\u0159\u00edrody. V\u010detn\u011b vlastn\u00edho p\u0159\u00edkladu, pokud vych\u00e1z\u00edme z my\u0161lenek transhumanismu. <\/p>\n

Pokud si kladu ot\u00e1zku, zda m\u011b bude zaj\u00edmat sledov\u00e1n\u00ed obraz\u016f vytvo\u0159en\u00fdch s\u00edt\u00ed v t\u00e9to f\u00e1zi, mohu odpov\u011bd\u011bt, \u017ee zde pravd\u011bpodobn\u011b mus\u00edme rozli\u0161ovat mezi n\u011b\u010d\u00edm aplikovan\u00fdm jako design a \u010dist\u00fdm um\u011bn\u00edm. Co je dobr\u00e9 pro design a uvoln\u00ed \u010dlov\u011bka od rutinn\u00edch, sekund\u00e1rn\u00edch proces\u016f v\u00fdvoje tapet, tisk\u016f a drap\u00e9ri\u00ed, to nen\u00ed vhodn\u00e9 pro um\u011bn\u00ed, kter\u00e9, obecn\u011b \u0159e\u010deno, nemus\u00ed b\u00fdt v\u017edy jen na vrcholu aktu\u00e1lnosti, ale m\u011blo by vyjad\u0159ovat osobnost v jej\u00edm hled\u00e1n\u00ed. Um\u011blec, v \u0161irok\u00e9m smyslu, pro\u017e\u00edvaj\u00edc sv\u016fj z\u00e1\u017eitek a \u201eabsorbuj\u00edc\u00ed\u201c ducha doby, v\u011bdom\u011b nebo nev\u011bdom\u011b, zpracov\u00e1v\u00e1 tyto dojmy do um\u011bleck\u00e9ho obrazu. T\u00edmto zp\u016fsobem lze z jeho d\u011bl \u010d\u00edst ur\u010dit\u00e9 my\u0161lenky, poselstv\u00ed, kter\u00e1 mohou siln\u011b ovlivnit pocity. Neuronov\u00e1 s\u00ed\u0165 tak\u00e9 dost\u00e1v\u00e1 vstupn\u00ed sadu dat a transformuje je, ale zat\u00edm je to p\u0159\u00edli\u0161 ploch\u00e9, jednorozm\u011brn\u00e9 zpracov\u00e1n\u00ed a \u201ep\u0159idan\u00e1\u201c hodnota informac\u00ed \u2013 z\u00edskan\u00fdch na v\u00fdstupu \u2013 nen\u00ed velk\u00e1 a v\u00fdsledek m\u016f\u017ee pouze pobavit na chv\u00edli. Tot\u00e9\u017e plat\u00ed i pro experimenty s neur\u00e1ln\u00edmi s\u00edt\u011bmi v \u017eurnalistice, kter\u00e9 maj\u00ed \u00fasp\u011bchy sp\u00ed\u0161e tam, kde je pot\u0159eba ps\u00e1t such\u00e9 finan\u010dn\u00ed zpr\u00e1vy, a ne vytv\u00e1\u0159et programov\u00e1 d\u00edla s autorsk\u00fdm pohledem. V experimentech s hudbou, zejm\u00e9na, elektronickou, se situace m\u016f\u017ee m\u00edt o n\u011bco l\u00e9pe. Obecn\u011b jsem si v\u0161iml takov\u00e9 v\u011bci, \u017ee sou\u010dasn\u00fd rom\u00e1n, sou\u010dasn\u00e1 literatura a mal\u00ed\u0159stv\u00ed, u\u017e asi stolet\u00ed, jakoby z\u00e1m\u011brn\u011b vytv\u00e1\u0159ej\u00ed takov\u00e9 abstraktn\u00ed a minimalistick\u00e9 formy, kter\u00e9 byly stvo\u0159eny tak, aby je bylo mo\u017en\u00e9 snadno zpracovat neur\u00e1ln\u00edmi s\u00edt\u011bmi a vydat za lidsk\u00e9 um\u011bn\u00ed. Mo\u017en\u00e1 je to p\u0159edtucha konce cel\u00e9 epo\u0161e?<\/p>\n

\u0158\u00edk\u00e1 se, \u017ee inteligence nen\u00ed rovna cel\u00e9 osobnosti. Osobnost je v\u0161ak samoz\u0159ejm\u011b filozofick\u00e1 ot\u00e1zka \u2013 v s\u00edti GAN gener\u00e1tor nap\u0159\u00edklad vytv\u00e1\u0159\u00ed nov\u00e1 data z pr\u00e1zdnoty, \u010d\u00e1ste\u010dn\u011b jenom c\u00edl\u00ed podle rozsudku diskrimin\u00e1tora pod vlivem v\u00e1hy rozhodnut\u00ed. M\u016f\u017eeme to tak\u00e9 formulovat takto: nen\u00ed tv\u016frce ve sv\u00e9 pozn\u00e1vac\u00ed \u010dinnosti, jakoby gener\u00e1torem a diskrimin\u00e1torem v jedn\u00e9 osob\u011b, zastoupeno \u010d\u00e1ste\u010dn\u00fdm pozad\u00edm informac\u00ed, kter\u00e9 \u201ekv\u011btou\u201c v dob\u011b a tajn\u011b za jeho volbu hlasuj\u00ed vnit\u0159n\u00ed v\u00e1hy? Takto z poznan\u00fdch, a tedy jednotliv\u00fdch \u201ccihel\u201d (pixel\u016f) byt\u00ed vytv\u00e1\u0159\u00ed nov\u00fd sv\u011bt, nov\u00e9 d\u00edlo. Nejseme tedy n\u011b\u010d\u00edm jako hyperkomplexn\u00ed analogie s\u00edt\u011b, s obrovsk\u00fdmi, ale st\u00e1le omezen\u00fdmi daty na vstupu? Mo\u017en\u00e1 je osobnost vlastn\u011b takov\u00fdm pokro\u010dil\u00fdm algoritmem selekce, s implicitn\u011b nezbytnou funk\u010dnost\u00ed, kter\u00e1 nep\u0159\u00edmo ovliv\u0148uje kvalitu p\u0159edb\u011b\u017en\u00e9ho u\u010den\u00ed?<\/p>\n

V ka\u017ed\u00e9m p\u0159\u00edpad\u011b p\u016fjdu na prvn\u00ed v\u00fdstavu um\u011bleck\u00fdch d\u011bl, kterou vytvo\u0159il takzvan\u00fd AI, a\u017e z\u00edsk\u00e1 osobnost se v\u0161emi jej\u00edmi atributy, v\u011bdom\u00edm a sebereflex\u00ed. Mo\u017en\u00e1 dokonce nastane \u010das, kdy podobn\u011b jako postava z 14. epizody animovan\u00e9ho seri\u00e1lu \u201eL\u00e1ska, smrt a roboti\u201c si AI uv\u011bdom\u00ed, \u017ee um\u011bn\u00ed by m\u011blo b\u00fdt neodd\u011bliteln\u011b spjato se \u017eivotem a pak p\u0159ijde \u010das vzd\u00e1n\u00ed se d\u011bsiv\u00e9, bezedn\u00e9 a nikdy nespln\u011bn\u00e9 slo\u017eitosti, kde je v podstat\u011b zjednodu\u0161en\u00ed metaforou smrti. Zat\u00edm \u010dasto m\u016f\u017eeme pozorovat ve filmech, \u017ee AI z\u00edsk\u00e1v\u00e1 sebeuv\u011bdom\u011bn\u00ed a p\u0159irozen\u011b vych\u00e1z\u00ed z kontroly v d\u016fsledku n\u011bjak\u00e9ho programov\u00e9ho selh\u00e1n\u00ed, kter\u00e9 sc\u00e9n\u00e1rist\u00e9 pravd\u011bpodobn\u011b mysl\u00ed jako analogii n\u011bjak\u00e9 n\u00e1hody, spou\u0161t\u011bj\u00edc\u00ed nov\u00e9 pozitivn\u00ed (a pro n\u011bkoho i negativn\u00ed) transformace, jak tomu bylo u pozitivn\u00edch mutac\u00ed v p\u0159irozen\u00e9 evoluci.
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