{"id":71103,"date":"2020-02-24T10:35:32","date_gmt":"2020-02-24T07:35:32","guid":{"rendered":"https:\/\/prohoster.info\/blog\/novaya-statya-obzor-fotokamery-sony-rx100-vii-elitnaya-karmannaya-kamera"},"modified":"2020-03-03T16:06:43","modified_gmt":"2020-03-03T13:06:43","slug":"novaya-statya-obzor-fotokamery-sony-rx100-vii-elitnaya-karmannaya-kamera","status":"publish","type":"post","link":"https:\/\/prohoster.info\/en\/blog\/news\/novaya-statya-obzor-fotokamery-sony-rx100-vii-elitnaya-karmannaya-kamera","title":{"rendered":"New article: Review of the Sony RX100 VII camera: an elite pocket camera","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

The concept of the RX100 series, the first camera that was introduced in 2012,<\/a><\/noindex>This can be described in the simplest terms as maximum functionality with minimal dimensions. Significant changes were seen in the previous RX100 VI model: the company altered the concept of the built-in lens, taking a step towards increasing the range of focal lengths while reducing the aperture. The new model uses the same lens, so we have a true superzoom with an equivalent focal length range of 24\u2013200 mm. In many respects, the Sony RX100 VII mirrors its predecessor; however, it cannot be said that the changes made were merely cosmetic: in particular, the focusing system has been improved\u2014the new model has taken the best features from the company's professional cameras. There has also been significant progress in video recording\u2014such as the removal of the five-minute video recording limit and the addition of a microphone port. The camera is clearly intended to attract bloggers, travelers, and, in general, enthusiasts of mobile, lightweight, and high-quality photo and video recording. Let's see if it can impress in practice as much as it does in theory.<\/p>\n

\"New<\/p>\n

\u2193<\/a><\/noindex>#<\/a><\/noindex>Key features<\/p>\n

Like its predecessor, the Sony RX100 VII is equipped with a 1-inch type sensor (13.2 \u00d7 8.8 mm) with a resolution of 20.1 megapixels. However, don\u2019t rush to be disappointed: this is not the same sensor. The RX100 VII features the highest number of phase detection autofocus points in its class\u2014a total of 357 with coverage of 68% of the frame. In addition, the sensor has 425 contrast detection autofocus points. The camera impresses with its speed characteristics: the autofocus activation time is only 0.02 seconds, which is a record for this class of cameras. The burst shooting speed has also increased significantly\u2014the new model allows shooting at 90 frames per second (certainly with some limitations, but still a very progressive figure). An important innovation: like in higher-end models, we see here the real-time tracking feature. Focus can be achieved not only on humans' eyes but also on animals' eyes (such technology is applied, for example, in the company's top cameras\u2014 Sony \u03b17R IV<\/strong><\/a><\/noindex> and Sony A9 II).<\/p>\n

Data processing continues to be handled by the Bionz X processor. The camera traditionally features the proprietary image stabilization system. According to the manufacturer, the algorithm provides image stabilization that gives the photographer a gain of 4 exposure stops. The display and viewfinder remain unchanged.<\/p>\n

The camera supports 4K video recording (QFHD: 3840 × 2160) to a memory card without pixel binning. Video recording now also includes real-time tracking and eye autofocus (specifically for people, not animals, as in photos) in real time. The camera now has a microphone input, greatly enhancing sound recording quality.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nSony RX100 VII<\/strong><\/td>\nSony RX100 VI<\/strong><\/td>\nCanon G5 X II<\/a><\/noindex><\/strong><\/td>\nPanasonic Lumix LX100 II<\/a><\/noindex><\/strong><\/td>\n<\/tr>\n
Image Sensor<\/strong><\/td>\n13.2 × 8.8 mm (1"), CMOS<\/td>\n13.2 × 8.8 mm (1"), CMOS<\/td>\n13.2 × 8.8 mm (1"), CMOS<\/td>\n17.3 × 13 mm (Micro 4\/3) Live MOS<\/td>\n<\/tr>\n
Effective pixel count<\/strong><\/td>\n20 megapixels<\/td>\n20 megapixels<\/td>\n20 megapixels<\/td>\n17 megapixels<\/td>\n<\/tr>\n
Stabilizer<\/strong><\/td>\nBuilt into the lens<\/td>\nBuilt into the lens<\/td>\nBuilt into the lens<\/td>\nBuilt into the lens<\/td>\n<\/tr>\n
Lens<\/strong><\/td>\n24-200 mm (equivalent), f\/2.8-4.5<\/td>\n24-200 mm (equivalent), f\/2.8-4.5<\/td>\n24-120 mm (equivalent), f\/1.8-2.8<\/td>\n24-75 mm (equivalent), f\/1.7-2.8<\/td>\n<\/tr>\n
Photo Format<\/strong><\/td>\nJPEG, RAW<\/td>\nJPEG (DCF, EXIF 2.31), RAW<\/td>\nJPEG, RAW<\/td>\nJPEG, RAW<\/td>\n<\/tr>\n
Video Format<\/strong><\/td>\nXAVC S, AVCHD, MP4<\/td>\nXAVC S, AVCHD, MP4<\/td>\nMOV (MPEG 4\/H.264)<\/td>\nAVCHD, MP4<\/td>\n<\/tr>\n
Bayonet<\/strong><\/td>\nNo<\/td>\nNo<\/td>\nNo<\/td>\nNo<\/td>\n<\/tr>\n
Frame size (in pixels)<\/strong><\/td>\nUp to 5472 × 3684<\/td>\nUp to 5472 × 3684<\/td>\nUp to 5472 × 3684<\/td>\nUp to 4736 × 3552<\/td>\n<\/tr>\n
Video resolution (in pixels)<\/strong><\/td>\nUp to 3840 × 2160 (30 frames per second)<\/td>\nUp to 3840 × 2160 (30 frames per second)<\/td>\nUp to 3840 × 2160 (30 frames per second)<\/td>\nUp to 3840 × 2160 (30 frames per second)<\/td>\n<\/tr>\n
Sensitivity<\/strong><\/td>\nISO 125\u201312800 with expansion possible to ISO 80 and ISO 25600<\/td>\nISO 125\u201312800 with expansion possible to ISO 80 and ISO 25600<\/td>\nISO 125\u201312800 with expansion possible to ISO 25600<\/td>\nISO 200\u201325600 with expansion possible to ISO 100<\/td>\n<\/tr>\n
Shutter<\/strong><\/td>\nMechanical shutter: 1\/2000 \u2013 30 s;
Electronic shutter: 1\/32000 \u2013 1 s;
long exposure (Bulb);
silent mode<\/td>\n		Mechanical shutter: 1\/2000 \u2013 30 s;
Electronic shutter: 1\/32000 \u2013 1 s;
long exposure (Bulb);
silent mode<\/td>\n		Mechanical shutter: 1\/2000 \u2013 1 s;
Electronic shutter: 1\/25000 \u2013 30 s;
long exposure (Bulb);
silent mode<\/td>\n		Mechanical shutter: 1\/4000 \u2013 60 s;
Electronic shutter: 1\/16000 \u2013 1 s;
long exposure (Bulb);
silent mode<\/td>\n<\/tr>\n
Continuous shooting speed<\/strong><\/td>\nUp to 90 frames per second with electronic shutter and first frame focus; 20 frames per second with autofocus and no 'blackout'<\/td>\nUp to 24 frames per second<\/td>\nUp to 30 frames per second with first frame focus; up to 8 frames per second with continuous autofocus<\/td>\nUp to 11 frames per second; in 4K photo mode up to 30 frames per second with electronic shutter<\/td>\n<\/tr>\n
Autofocus<\/strong><\/td>\nHybrid (phase detection + contrast system), 315 points, eye recognition<\/td>\nHybrid (phase detection + contrast system), 315 points<\/td>\nContrast, 31 points, face recognition<\/td>\nContrast, 49 points, eye recognition<\/td>\n<\/tr>\n
Exposure measurement, operating modes<\/strong><\/td>\nMulti-point\/Center-weighted\/Highlight priority\/Average\/Spot<\/td>\nMulti-point\/Center-weighted\/Spot<\/td>\nMulti-point\/Center-weighted\/Spot<\/td>\nMulti-point\/Center-weighted\/Spot<\/td>\n<\/tr>\n
Exposure compensation<\/strong><\/td>\n±3 EV in 1\/3 step increments<\/td>\n±3 EV in 1\/3 step increments<\/td>\n±3 EV in 1\/3 step increments<\/td>\n±5 EV in 1\/3 step increments<\/td>\n<\/tr>\n
Built-in flash<\/strong><\/td>\nYes, guide number 5.9<\/td>\nYes, guide number 5.9<\/td>\nYes, guide number 7.5<\/td>\nNo<\/td>\n<\/tr>\n
Self-timer<\/strong><\/td>\n2\/10 sec<\/td>\n2\/10 sec<\/td>\n2\/10 sec<\/td>\n2\/10 sec<\/td>\n<\/tr>\n
Memory Card<\/strong><\/td>\nMemory Stick PRO Duo \/ Memory Stick PRO-HG Duo; SD \/ SDHC \/ SDXC (UHS-I)<\/td>\nMemory Stick PRO Duo \/ Memory Stick PRO-HG Duo; SD \/ SDHC \/ SDXC (UHS-I)<\/td>\nSD \/ SDHC \/ SDXC (UHS-I)<\/td>\nSD \/ SDHC \/ SDXC (UHS-I)<\/td>\n<\/tr>\n
Display<\/strong><\/td>\nLCD, 3 inches, 921k dots, touch, tiltable<\/td>\nLCD, 3 inches, 1,228k dots, touch, tiltable<\/td>\nLCD, 3 inches, 1,040k dots, touch<\/td>\nLCD, 3 inches, 1,240k dots, touch<\/td>\n<\/tr>\n
Viewfinder<\/strong><\/td>\nElectronic (OLED with 2,359k dots)<\/td>\nElectronic (OLED with 2,359k dots)<\/td>\nElectronic (OLED with 2,760k dots)<\/td>\nElectronic (OLED with 2,760k dots)<\/td>\n<\/tr>\n
Interfaces<\/strong><\/td>\nHDMI, USB, microphone<\/td>\nHDMI, USB<\/td>\nHDMI, USB<\/td>\nHDMI, USB<\/td>\n<\/tr>\n
Wireless modules<\/strong><\/td>\nWi-Fi, Bluetooth, NFC<\/td>\nWi-Fi, NFC<\/td>\nWi-Fi, Bluetooth<\/td>\nWi-Fi, Bluetooth 4.2 (LE)<\/td>\n<\/tr>\n
Power<\/strong><\/td>\nLithium-ion battery NP-BX1, 4.5 W\u00b7h (1240 mA\u00b7h, 3.6 V)<\/td>\nLithium-ion battery NP-BX1, 4.5 W\u00b7h (1240 mA\u00b7h, 3.6 V)<\/td>\nLithium-ion battery NB-13L, 4.5 W\u00b7h (1240 mA\u00b7h, 3.6 V)<\/td>\nLithium-ion battery DMW-BLG10E, 7.4 W\u00b7h (1025 mA\u00b7h, 7.2 V)<\/td>\n<\/tr>\n
Dimensions<\/strong><\/td>\n102 × 58 × 43 mm<\/td>\n102 × 58 × 43 mm<\/td>\n111 × 61 × 46 mm<\/td>\n115   ×66   ×64 mm<\/td>\n<\/tr>\n
Weight<\/strong><\/td>\n302 grams (with battery and memory card)<\/td>\n301 grams (with battery and memory card)<\/td>\n340 grams (with battery and memory card) <\/td>\n392 grams (with battery and memory card) <\/td>\n<\/tr>\n
Current price<\/strong><\/td>\n92,790 rubles<\/a><\/noindex><\/td>\n64,990 rubles<\/a><\/noindex><\/td>\n68,200 rubles<\/a><\/noindex><\/td>\n69,990 rubles<\/a><\/noindex><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u2193<\/a><\/noindex>#<\/a><\/noindex>Design and ergonomics<\/strong><\/p>\n

Sony does not reinvent anything fundamentally new when it comes to design. The focus here is on maintaining maximum compactness while keeping broad functionality \u2014 through compromise and without abrupt moves. For instance, the camera lacks a grip for the right hand, the viewfinder retracts into the body, and the lens protrudes less than a couple of centimeters above the surface when turned off \u2014 all of which contribute to the photographer being able to carry it in their pocket. And undoubtedly, this is very convenient: you can go for a walk with the camera without carrying any bags, and during longer strolls, you can tuck it into a waist bag or even a small clutch. In numerical terms, it measures 101.6 \u00d7 58.1 \u00d7 42.8 mm, with a weight of 302 grams including the battery and memory card. The body is made of metal and, unfortunately, lacks weatherproofing \u2014 which is quite common for this class of cameras; however, given the substantial cost of the RX100 VII, you expect an abundance of advantages over competitors. Let's take a closer look at how the camera's ergonomics are organized.<\/p>\n

On the left edge we see the viewfinder pop-up button and the NFC module contact plate.<\/p>\n

\"New<\/p>\n

On the right edge, hidden behind three separate covers, are the microphone connection, microUSB, and HDMI ports. I should note that the covers are small, making them quite inconvenient to open.<\/p>\n\n\n\n
\n\"New\n<\/td>\n <\/td>\n\n\"New\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

At the front, we see the built-in ZEISS Vario-Sonnar T* lens with a focal length of 9.0\u201372 mm (equivalent to 24\u2013200 mm in 35 mm terms, with an eightfold zoom) and an aperture of f\/2.8\u20134.5. The lens has a control ring that allows for aperture settings and, in manual focus mode, sharpness adjustment. There is also an autofocus assist light and a zoom lever at the front.<\/p>\n

\"New<\/p>\n

At the bottom, there is a compartment for the battery and memory card, as well as a tripod socket. They are positioned closely together, so when using a tripod, the compartment is blocked: it's not very convenient, but expected given the compact body.<\/p>\n\n\n\n
\n\"New\n<\/td>\n <\/td>\n\n\"New\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

On top, we find the viewfinder and the built-in flash. Both are recessed into the body by default and can be raised using special levers (the flash lever is also located on top). Here, we see the power button: it is quite small, but conveniently placed and easily felt by touch. Next to it is the shutter button, combined with the zoom lever, and the mode dial \u2014 it lacks a safety button but is stiff enough; I don\u2019t think accidental switching of modes will be an issue.<\/p>\n

\"New<\/p>\n

The majority of the rear surface is occupied by the LCD display. To the right of it is the video recording button, the Fn button that brings up the quick menu, the button to access the main menu, the buttons for viewing and deleting images, and, in the center, the confirmation button, surrounded by a selector dial.<\/p>\n

\"New<\/p>\n

\u2193<\/a><\/noindex>#<\/a><\/noindex>The display and viewfinder<\/h2>\n

In the viewfinder tools area, there have been no changes since the previous model. The Sony RX 100 VII also features a 3-inch LCD display with a resolution of 1,228 million pixels. It is equipped with a touchscreen allowing you to select the focus point and take photos if desired. There is also a tilting mechanism: the screen can be raised vertically for easy selfies or vlogging, lowered, or tilted at the desired angle. Considering the need to maintain maximum compactness, this mechanism seems reasonable and convenient. I found it comfortable to work with the LCD display \u2014 the image is sharp, vibrant, and even when shooting on a sunny day, switching to the viewfinder was usually unnecessary.<\/p>\n\n\n\n\n\n
\n\"New\n<\/td>\n <\/td>\n\n\"New\n<\/td>\n<\/tr>\n
\n\"New\n<\/td>\n <\/td>\n\n\"New\n<\/td>\n<\/tr>\n
\n\"New\n<\/td>\n <\/td>\n\n\"New\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

In challenging situations \u2014 for example, shooting at sunset against the sun \u2014 the electronic OLED viewfinder comes in handy. As I mentioned, it is 'hidden' in the camera body and becomes accessible when you press a special button \u2014 another clever move by Sony in the quest for compactness. The viewfinder resolution is 2.36 million pixels, magnification is 0.59x, size is 0.39 inches, and the field of view coverage is 100%. Diopter adjustment is available from -5 to +3, along with a five-step brightness adjustment. During testing, I didn't use the viewfinder very often \u2014 I prefer composing shots using the screen. However, in the situations where I did utilize it, I noticed no issues: the image did not 'lag' and was clear.<\/p>\n

\"New<\/p>\n

\u2193<\/a><\/noindex>#<\/a><\/noindex>The PerformanceResourceTiming<\/strong><\/h2>\n

The camera menu is organized in a traditional Sony way: horizontal navigation is used to select settings with vertical lists. It is not the most user-friendly menu in the world: firstly, there is no option for touch navigation, secondly, some features are buried deeper than one would like, and overall it is quite confusing. Despite being an entry-level camera, there are many sections and subsections, so a user who has not dealt with Sony cameras before will need some time to get accustomed to it. The menu is fully localized in English. The \"quick menu\" certainly helps, allowing the most commonly used shooting functions to be added. It is organized as a small matrix located at the bottom of the screen. Camera functions activated by Fn buttons can now be assigned separately for photo and video shooting. There is also the option to assign necessary settings to various controls for instant access.<\/p>\n

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Source: 3dnews.ru<\/a> <\/p>","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

\u041a\u043e\u043d\u0446\u0435\u043f\u0446\u0438\u044e \u0441\u0435\u0440\u0438\u0438 RX100, \u043f\u0435\u0440\u0432\u0430\u044f \u043a\u0430\u043c\u0435\u0440\u0430 \u0432 \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u044f\u0432\u0438\u043b\u0430\u0441\u044c \u043d\u0430 \u0441\u0432\u0435\u0442 \u0432 2012 \u0433\u043e\u0434\u0443, \u043c\u043e\u0436\u043d\u043e \u043e\u043f\u0438\u0441\u0430\u0442\u044c \u0441\u043b\u0435\u0434\u0443\u044e\u0449\u0438\u043c \u043f\u0440\u043e\u0441\u0442\u0435\u0439\u0448\u0438\u043c \u043e\u0431\u0440\u0430\u0437\u043e\u043c: \u043f\u0440\u0435\u0434\u0435\u043b\u044c\u043d\u0430\u044f \u0444\u0443\u043d\u043a\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u043f\u0440\u0438 \u043c\u0438\u043d\u0438\u043c\u0430\u043b\u044c\u043d\u044b\u0445 \u0433\u0430\u0431\u0430\u0440\u0438\u0442\u0430\u0445. \u0421\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0435 \u0438\u0437\u043c\u0435\u043d\u0435\u043d\u0438\u044f \u043c\u044b \u0432\u0438\u0434\u0435\u043b\u0438 \u0432 \u043f\u0440\u0435\u0434\u044b\u0434\u0443\u0449\u0435\u0439 \u043c\u043e\u0434\u0435\u043b\u0438 RX100 VI: \u043a\u043e\u043c\u043f\u0430\u043d\u0438\u044f \u0438\u0437\u043c\u0435\u043d\u0438\u043b\u0430 \u043a\u043e\u043d\u0446\u0435\u043f\u0446\u0438\u044e \u0432\u0441\u0442\u0440\u043e\u0435\u043d\u043d\u043e\u0433\u043e \u043e\u0431\u044a\u0435\u043a\u0442\u0438\u0432\u0430, \u0441\u0434\u0435\u043b\u0430\u0432 \u0448\u0430\u0433 \u0432 \u0441\u0442\u043e\u0440\u043e\u043d\u0443 \u0443\u0432\u0435\u043b\u0438\u0447\u0435\u043d\u0438\u044f \u0434\u0438\u0430\u043f\u0430\u0437\u043e\u043d\u0430 \u0444\u043e\u043a\u0443\u0441\u043d\u044b\u0445 \u0440\u0430\u0441\u0441\u0442\u043e\u044f\u043d\u0438\u0439 \u043f\u0440\u0438 \u0441\u043d\u0438\u0436\u0435\u043d\u0438\u0438 \u0441\u0432\u0435\u0442\u043e\u0441\u0438\u043b\u044b. \u0412 \u043d\u043e\u0432\u043e\u0439 \u043c\u043e\u0434\u0435\u043b\u0438 \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u0443\u0435\u0442\u0441\u044f \u0442\u043e\u0442 \u0436\u0435 \u043e\u0431\u044a\u0435\u043a\u0442\u0438\u0432, \u0442\u0430\u043a […]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":1,"featured_media":71104,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[702],"tags":[],"class_list":["post-71103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\n","aioseo_head_json":{"title":"\ud83e\udd47New Article: Review of the Sony RX100 VII Camera: Elite Pocket Camera | ProHoster","description":"The concept of the RX100 series, the first camera of which was released in 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