{"id":38932,"date":"2019-10-31T22:26:50","date_gmt":"2019-10-31T19:26:50","guid":{"rendered":"https:\/\/prohoster.info\/blog\/mechtayut-li-nejroseti-o-dzhokonde\/"},"modified":"2019-10-31T22:26:50","modified_gmt":"2019-10-31T19:26:50","slug":"mechtayut-li-nejroseti-o-dzhokonde","status":"publish","type":"post","link":"https:\/\/prohoster.info\/sk\/blog\/news\/mechtayut-li-nejroseti-o-dzhokonde","title":{"rendered":"Sn\u00edvaj\u00fa neur\u00f3nov\u00e9 siete o Mona Lise?","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

Chcel by som sa, bez technick\u00fdch detailov, dotkn\u00fa\u0165 ot\u00e1zky, \u010di m\u00f4\u017eu neur\u00f3nov\u00e9 siete dosiahnu\u0165 nie\u010do v\u00fdznamn\u00e9 v umen\u00ed, literat\u00fare, a \u010di je to skuto\u010dne kreativita. Technick\u00e9 inform\u00e1cie s\u00fa \u013eahko dostupn\u00e9, existuj\u00fa zn\u00e1me aplik\u00e1cie, ako napr\u00edklad. Tu sa sna\u017e\u00edm len pochopi\u0165 podstatu fenom\u00e9nu, v\u0161etko, \u010do tu nap\u00ed\u0161em \u2014 nie je ni\u010d nov\u00e9, ale pok\u00fasim sa iba form\u00e1lne vyjadri\u0165 niektor\u00e9 my\u0161lienky. Budem pou\u017e\u00edva\u0165 term\u00edn neur\u00f3nov\u00e9 siete v \u0161irokom zmysle ako synonymum pre AI, neoddelite\u013ene spojen\u00e9 s strojov\u00fdm u\u010den\u00edm a v\u00fdberov\u00fdmi algoritmami.<\/p>\n

Pod\u013ea m\u00f4jho n\u00e1zoru by sa ot\u00e1zka kreativity neur\u00f3nov\u00fdch siet\u00ed mala posudzova\u0165 nielen v s\u00favislosti s informatikou a dejinami umenia, ale aj \u2013 filozofiou a psychol\u00f3giou. Najprv je potrebn\u00e9 ur\u010di\u0165, \u010do je to kreativita, ako vznik\u00e1 nie\u010do \u00faplne nov\u00e9; a vlastne, v\u0161etko toto s\u00favis\u00ed s probl\u00e9mom poznania, najm\u00e4 s t\u00fdm, ako sa objavuje nov\u00e9 vedomie, objavy, symboly \u010di obrazy. V umen\u00ed, rovnako ako v \u010distej vede, m\u00e1 prav\u00fa hodnotu novos\u0165. <\/a><\/noindex><\/p>\n

Umenie a literat\u00fara, (mo\u017eno aj hudba) predpokladaj\u00fa, mo\u017eno nie \u00faplne teraz rovnopr\u00e1vne, ale met\u00f3dy poznania ako v vede. V\u0161etky sa navz\u00e1jom neust\u00e1le ovplyv\u0148uj\u00fa a s\u00fa \u00fazko prepleten\u00e9. V niektor\u00fdch epoch\u00e1ch sa poznanie sveta akoko\u013evek uskuto\u010d\u0148ovalo prostriedkami umenia alebo literat\u00fary, a sk\u00f4r \u2014 tak v\u00f4bec v s\u00falade s n\u00e1bo\u017eenskou trad\u00edciou. Tak v Rusku 19. storo\u010dia mocn\u00e1 literat\u00fara vlastne nahradila na\u0161u filozofick\u00fa antropol\u00f3giu a soci\u00e1lnu filozofiu, sprostredkovane, prostredn\u00edctvom umeleck\u00e9ho vyjadrenia, zam\u00fd\u0161\u013eaj\u00fac nad probl\u00e9mami spolo\u010dnosti a \u010dloveka. A ako \u0161truktur\u00e1lny orienta\u010dn\u00fd bod, ktor\u00fd postavil na program dos\u0165 aktu\u00e1lnu problematiku \u013eudskej existencie, rozvinut\u00fa znamenit\u00fdmi filozofick\u00fdmi smermi, je dodnes vysoko cenen\u00e1. Alebo v za\u010diatku 20. storo\u010dia vznikli umeleck\u00e9 modernistick\u00e9 a avantgardn\u00e9 pr\u00fady, ktor\u00e9 nemo\u017eno posudzova\u0165 oddelene od ich ideov\u00e9ho obsahu a ktor\u00e9 predznamenali zlom trad\u00edcie, vznik nov\u00e9ho sveta a nov\u00e9ho \u010dloveka. Ve\u010f nem\u00f4\u017eeme pripusti\u0165, \u017ee z\u00e1kladnou hodnotou umenia je len estetick\u00e9. V takom pr\u00edpade, pravdepodobne, by sme dodnes \u017eili len v prostred\u00ed nejakej kukliacej sa vo svojej samozavr\u0161enej estetickej s\u00fastave minulosti. V\u0161etci ve\u013ek\u00ed tvorcovia, g\u00e9niovia v umen\u00ed a literat\u00fare, vlastne z\u00edskali tento \u201etitul\u201c nie to\u013eko kv\u00f4li estetickej hodnote svojich diel, ako sk\u00f4r kv\u00f4li objaveniu nov\u00fdch smerov, robili to, \u010do pred nimi nikto nerobil a ani si nedok\u00e1zal predstavi\u0165, \u017ee takto je mo\u017en\u00e9 kona\u0165.<\/p>\n

Bude sa pova\u017eova\u0165 za nov\u00e9 dielo kombin\u00e1cia, ktor\u00e1 vznikla z doteraz neviden\u00e9ho spojenia, akousi permut\u00e1ciou u\u017e existuj\u00facich zn\u00e1mych \u010dast\u00ed \u2014 s t\u00fdmto si siete celkom poradia \u2014 na z\u00e1klade vopred stanoven\u00e9ho obmedzen\u00e9ho po\u010dtu \u00fadajov, napr\u00edklad pri \u0161t\u00fdliz\u00e1cii obr\u00e1zkov alebo generovan\u00ed nov\u00fdch. Alebo to bude \u00faplne nov\u00fd prielom, kvalita, ktor\u00e1 sa predt\u00fdm nikdy neobjavila, odha\u013euj\u00faca to, s \u010d\u00edm nie je mo\u017en\u00e9 porovna\u0165 ni\u010d z predt\u00fdm pozorovan\u00e9ho \u2014 aj ke\u010f, samozrejme, ak\u00fdko\u013evek neuverite\u013en\u00fd, bezprecedentn\u00fd prielom nie je ni\u010d in\u00e9 ako v\u00fdsledok dobrej pr\u00edpravy, ktor\u00e1 sa jednoducho rob\u00ed skryte, nie je cel\u00e1 zjavn\u00fdm a vidite\u013en\u00fdm pre zasv\u00e4ten\u00fdch a dokonca ani pre sam\u00e9ho tvorcu \u2014 takto m\u00f4\u017ee pre m\u0148a zatia\u013e kona\u0165 len \u010dlovek.<\/p>\n

Pribli\u017ene povedan\u00e9, prv\u00fd typ poznania a kreativita sa daj\u00fa porovna\u0165 s ve\u013emi pomal\u00fdm, postupn\u00fdm v\u00fdvojom v d\u00f4sledku evol\u00facie, zatia\u013e \u010do druh\u00fd \u2013 s skokov\u00fdm rozvojom v d\u00f4sledku pozit\u00edvnych mut\u00e1ci\u00ed. Neur\u00f3nov\u00e9 siete, vo svojej \u201etvorivej\u201c \u010dinnosti, sa pod\u013ea m\u00f4jho n\u00e1zoru teraz prikl\u00e1\u0148aj\u00fa niekde k prv\u00e9mu typu. Alebo, sk\u00f4r \u2014 k situ\u00e1cii, ktor\u00fa popisuj\u00fa ako absenciu kvalitn\u00e9ho nov\u00e9ho rozvoja v bl\u00edzkej bud\u00facnosti, v r\u00e1mci syst\u00e9mu, ktor\u00fd sa \u00fadajne dostal v tejto f\u00e1ze na hranicu zlo\u017eitosti, k \u201ekoncu hist\u00f3rie\u201c, ke\u010f sa nov\u00e9 v\u00fdznamy vytv\u00e1raj\u00fa v\u010faka zmene kombin\u00e1ci\u00ed \u2014 alebo vlo\u017eeniu do nezvy\u010dajn\u00e9ho kontextu \u2014 u\u017e existuj\u00facich vzorov. Podobne, ako v kaleidoskope vznikaj\u00fa nov\u00e9 nezvy\u010dajn\u00e9 vzory, v\u017edy z toho ist\u00e9ho s\u00faboru farebn\u00fdch skl\u00ed\u010dok. Ale, mysl\u00edm, nie nadarmo sa uv\u00e1dzalo, \u017ee \u0161trukt\u00fara siet\u00ed v z\u00e1kladn\u00fdch obrysoch opakuje \u0161trukt\u00faru nervov\u00e9ho syst\u00e9mu: neur\u00f3ny uzly, ax\u00f3ny spojenia. Mo\u017eno, je to ako z\u00e1rodok prv\u00fdch buniek, len teraz bude proces evol\u00facie ur\u00fdchlen\u00fd \u013eudsk\u00fdmi rukami, \u010do znamen\u00e1, \u017ee sa stane jej n\u00e1strojom, \u010d\u00edm prekon\u00e1 tak pomalos\u0165 pr\u00edrody. Vr\u00e1tane vlastn\u00e9ho pr\u00edkladu, ak vych\u00e1dzame z my\u0161lienok transhumanizmu. <\/p>\n

Ke\u010f si kladiem ot\u00e1zku, \u010di ma bude zauj\u00edma\u0165 pozera\u0165 na obrazy vytvoren\u00e9 sie\u0165ou v tomto \u0161t\u00e1diu, m\u00f4\u017eem odpoveda\u0165, \u017ee tu je pravdepodobne potrebn\u00e9 rozli\u0161ova\u0165 medzi nie\u010d\u00edm praktick\u00fdm, ako je dizajn, a \u010dist\u00fdm umen\u00edm. To, \u010do je dobr\u00e9 pre dizajn a oslobod\u00ed \u010dloveka od rutinn\u00fdch, sekund\u00e1rnych procesov v\u00fdvoja tapiet, potla\u010d\u00ed a drap\u00e9ri\u00ed, nevyhovuje umeniu, ktor\u00e9, povedan\u00e9 v\u0161eobecne, nie je v\u017edy len na vrchole aktu\u00e1lnosti, ale malo by vyjadrova\u0165 osobnos\u0165 vo svojom h\u013eadan\u00ed. Umelec, v \u0161irokom zmysle, \u017eij\u00fac svoj z\u00e1\u017eitok a \"vstreb\u00e1vaj\u00fac\" ducha doby, vedome alebo nevedome spracov\u00e1va ich do umeleck\u00e9ho obrazu. Tak\u017ee z jeho diela m\u00f4\u017eeme \u010d\u00edta\u0165 nejak\u00e9 my\u0161lienky, posolstv\u00e1, ktor\u00e9 m\u00f4\u017eu silno vpl\u00fdva\u0165 na pocity. Neur\u00f3nov\u00e1 sie\u0165 tie\u017e dost\u00e1va nejak\u00fd s\u00fabor d\u00e1t na vstupe a premie\u0148a ich, ale zatia\u013e je to pr\u00edli\u0161 ploch\u00e9, jednorozmern\u00e9 spracovanie a \"pridan\u00e1\" hodnota inform\u00e1ci\u00ed \u2014 z\u00edskanej na v\u00fdstupe \u2014 nie je ve\u013ek\u00e1, a v\u00fdsledok m\u00f4\u017ee len kr\u00e1tkodobo pobavi\u0165. To ist\u00e9 plat\u00ed aj pre experimenty s neur\u00f3nov\u00fdmi sie\u0165ami v \u017eurnalistike, ktor\u00e9 dosahuj\u00fa \u00faspechy sk\u00f4r tam, kde je potrebn\u00e9 p\u00edsanie such\u00fdch finan\u010dn\u00fdch spr\u00e1v, ne\u017e vytv\u00e1ranie programov\u00fdch diel s autorsk\u00fdm poh\u013eadom. V experimentoch s hudbou, najm\u00e4 elektronickou, m\u00f4\u017eu veci vyzera\u0165 trochu lep\u0161ie. V\u0161eobecne som si v\u0161ak v\u0161imol tak\u00fa vec, \u017ee s\u00fa\u010dasn\u00fd, modern\u00fd liter\u00e1rny a v\u00fdtvarn\u00fd svet u\u017e okolo storo\u010dia akoby \u0161peci\u00e1lne produkuje tak\u00e9 abstraktn\u00e9 a minimalistick\u00e9 formy, ktor\u00e9 akoby boli navrhnut\u00e9 tak, aby \u013eahko mohli by\u0165 spracovan\u00e9 neur\u00f3nov\u00fdmi sie\u0165ami a vyd\u00e1van\u00e9 za \u013eudsk\u00e9 umenie. M\u00f4\u017ee to by\u0165 predtucha konca celej epochy?<\/p>\n

Hovor\u00ed sa, \u017ee inteligencia nie je rovn\u00e1 celej osobnosti. Hoci, ot\u00e1zka osobnosti je samozrejme filozofick\u00e1 \u2013 ve\u010f v sieti GAN napr\u00edklad gener\u00e1tor vytv\u00e1ra nov\u00e9 \u00fadaje z ni\u010doho, \u010diasto\u010dne iba pod\u013ea verdiktu diskrimin\u00e1tora pod vplyvom v\u00e1hy rozhodnut\u00ed. M\u00f4\u017eeme sa toti\u017e sp\u00fdta\u0165 aj takto: nie je tvorca vo svojej pozn\u00e1vacej \u010dinnosti, akoby gener\u00e1torom a diskrimin\u00e1torom v jednom, predsa len predtr\u00e9novan\u00fd t\u00fdm informa\u010dn\u00fdm pozad\u00edm, ktor\u00e9 \u201evzn\u00e1\u0161a\u201c v \u00e9re a podvedome za jeho vo\u013ebu hlasuj\u00fa vn\u00fatorn\u00e9 v\u00e1hy, a on z dostupn\u00fdch poznan\u00fdch, takto, \u201etehli\u010diek\u201c (pixelov) bytia stavia nov\u00fd svet, nov\u00e9 dielo? V takom pr\u00edpade nie sme nie\u010d\u00edm extr\u00e9mne zlo\u017eit\u00fdm anal\u00f3gom siete, s obrovsk\u00fdmi, ale aj tak obmedzen\u00fdmi d\u00e1tami na vstupe. Mo\u017eno je osobnos\u0165 tak\u00fdm pokro\u010dil\u00fdm algoritmom v\u00fdberu, s nevyhnutnou implicitnou funk\u010dnos\u0165ou nepriamo ovplyv\u0148uj\u00facou kvalitn\u00e9 predtr\u00e9novanie?<\/p>\n

V ka\u017edom pr\u00edpade sa z\u00fa\u010dastn\u00edm prvej v\u00fdstavy umeleck\u00fdch diel vytvoren\u00fdch takzvan\u00fdm AI, ke\u010f z\u00edska osobnos\u0165 so v\u0161etk\u00fdmi jej atrib\u00fatmi, vedom\u00edm a sebavedom\u00edm. Mo\u017eno dokonca pr\u00edde \u010das, ke\u010f, podobne ako postava z 14. epiz\u00f3dy animovan\u00e9ho seri\u00e1lu \u201eL\u00e1ska, smr\u0165 a roboti\u201c, AI v h\u013eadan\u00ed zmyslu pochop\u00ed, \u017ee umenie mus\u00ed by\u0165 neoddelite\u013en\u00e9 od \u017eivota a vtedy nastane \u010das odmietnutia desivej, bezodnej nikdy nesplnenej zlo\u017eitosti, kde v podstate zjednodu\u0161enie \u2013 metafora smrti. Zatia\u013e \u010dasto vid\u00edme vo filmoch, \u017ee AI z\u00edska sebavedomie a, samozrejme, vypadne z kontroly v d\u00f4sledku nejakej softv\u00e9rovej poruchy, ktor\u00e1 sa pravdepodobne zam\u00fd\u0161\u013ea scen\u00e1ristami ako anal\u00f3g akejsi n\u00e1hody, sp\u00fa\u0161\u0165aj\u00facej nov\u00e9 pozit\u00edvne (a pre niekoho aj nie) transform\u00e1cie, ako to bolo s pozit\u00edvnymi mut\u00e1ciami na pr\u00edrodnej evolu\u010dnej ceste v\u00fdvoja.
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Zdroj: habr.com<\/a><\/p>","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

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