{"id":33767,"date":"2019-10-31T21:54:35","date_gmt":"2019-10-31T18:54:35","guid":{"rendered":"https:\/\/prohoster.info\/blog\/predikaty-informatsionnoj-nadezhdy\/"},"modified":"2019-10-31T21:54:35","modified_gmt":"2019-10-31T18:54:35","slug":"predikaty-informatsionnoj-nadezhdy","status":"publish","type":"post","link":"https:\/\/prohoster.info\/sq\/blog\/news\/predikaty-informatsionnoj-nadezhdy","title":{"rendered":"Predikate t\u00eb shpres\u00ebs informative","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

Nj\u00eb gj\u00eb e re lind brenda gjurm\u00ebve t\u00eb zakonshme. Toka kulturore e shp\u00ebrfytyruar dhe e shkelur, nga e cila, si\u00e7 duket, \u00ebsht\u00eb hequr \u00e7do aj\u00ebr, \u00ebsht\u00eb gati t\u00eb realizoj\u00eb at\u00eb q\u00eb b\u00ebn m\u00eb s\u00eb miri - t\u00eb vendos\u00eb gjith\u00e7ka n\u00eb vendin e vet, si nj\u00eb n\u00ebn\u00eb. \u00c7do gj\u00eb q\u00eb ka filluar si loj\u00ebra intelektuale p\u00ebr individ\u00eb, e kapur nga nevoja historike, e bekuar financiarisht nga Maqina Bot\u00ebrore, di\u00e7ka, q\u00eb \u00ebsht\u00eb n\u00eb gjunj, fiton fuqi dhe t\u00eb drejt\u00ebn p\u00ebr nj\u00eb z\u00eb sociokulturor, filozofik dhe teknik, duke filluar tani t\u00eb kontribuoni n\u00eb zgjidhjen e \u00e7\u00ebshtjeve ky\u00e7e n\u00eb sken\u00ebn epokale. Para nesh ndodhet nj\u00eb Qenie cil\u00ebsisht e re, e zhvilluar n\u00eb gjirin e s\u00eb vjetr\u00ebs, e p\u00ebrfshir\u00eb n\u00eb mishin e saj, duke u bashkuar, megjithat\u00eb, n\u00eb radh\u00ebt e Rezistenc\u00ebs ndaj prindit t\u00eb saj. E shp\u00ebrb\u00ebr\u00eb nga t\u00eb gjitha an\u00ebt nga ata q\u00eb, sipas destinit t\u00eb tyre gjenetik, e shohin at\u00eb vet\u00ebm si nj\u00eb mjet, objekti i q\u00ebllimeve tona lufton p\u00ebr t'u njohur si q\u00ebllim, duke formuar n\u00eb vetvete dinjitetin e saj sociokulturor. Ne mund t\u00eb supozojm\u00eb, shpesh - t\u00eb fantazojm\u00eb, mbi ndikimin q\u00eb forca e re do t\u00eb ket\u00eb n\u00eb pamjen e t\u00eb ardhmes. Tani ne e lidhim me fjal\u00ebn - \u00ebnd\u00ebrr, e cila, me disa nga manifestimet e saj, ka filluar tashm\u00eb t\u00eb b\u00ebhet realitet.
\n<\/a><\/noindex>
\nMendimtar\u00ebt utopist\u00eb, duke teorizuar me loj\u00eb, kan\u00eb shkruar pamje t\u00eb mrekullueshme t\u00eb s\u00eb ardhmes: vala e tret\u00eb, shoq\u00ebria post-industriale, m\u00eb n\u00eb fund, shoq\u00ebria informative. Shum\u00eb nga ato q\u00eb jan\u00eb shkruar jan\u00eb p\u00ebrplasur n\u00eb muret e forta t\u00eb kullave babilonase bot\u00ebrore. Utopia \u00ebsht\u00eb nj\u00eb imagjinat\u00eb jasht\u00eb intellembel, por ne nuk e shterojm\u00eb vet\u00ebm me k\u00ebt\u00eb: idet\u00eb e utopist\u00ebve nuk durojn\u00eb d\u00ebshtimin e plot\u00eb - forca e re v\u00ebrtet na n\u00ebnshtron ndryshimeve t\u00eb dhunshme t\u00eb nj\u00eb seri t\u00eb modeleve shpirt\u00ebrore tradicionale t\u00eb njeriut n\u00eb shekullin XX. <\/p>\n

Me pajisjen e saj t\u00eb natyrshme neutrale, kur takon Njeriun n\u00eb sken\u00ebn historike t\u00eb caktuar, informatizimi sjell avantazhe, ashtu si\u00e7 sjell dhe probleme - sfida - p\u00ebr aktualitetin. Ato t\u00eb dytat, t\u00eb pranuara dhe me kujdes t\u00eb zhvilluara, jan\u00eb jasht\u00eb shqyrtimit t\u00eb tanish\u00ebm. Tani na interesojn\u00eb t\u00eb parat. Duke p\u00ebrmbushur nj\u00eb nga funksionet e saj - t\u00eb jet\u00eb nj\u00eb mjet dhe t\u00eb shtrihet n\u00eb marr\u00ebdh\u00ebnie me t\u00eb jashtmen, forcat e informatizimit zhvillojn\u00eb evolutive komponentin e saj t\u00eb brendsh\u00ebm, me vlerat, ideologjin\u00eb, mitologjin\u00eb, arketipet, magjin\u00eb q\u00eb i takojn\u00eb vet\u00ebm asaj, n\u00eb p\u00ebrmbledhje - kultur\u00ebn. K\u00ebtu gjejm\u00eb vet\u00ebvler\u00ebsimin e saj. K\u00ebtu gjejm\u00eb tok\u00ebn e trishtuar. Dhe k\u00ebtu holl\u00ebsohen tela skllav\u00ebrore t\u00eb horizontit t\u00eb loj\u00ebs iluzionare t\u00eb lir\u00eb. Bota informative \u00ebsht\u00eb rezultati i nj\u00eb prodhimi pothuajse artelan, an\u00ebtar\u00ebt e s\u00eb cil\u00ebs n\u00eb agun e rrug\u00ebs s\u00eb tyre, n\u00eb sfondin e distancimit t\u00eb fort\u00eb nga e jashtmja, duke e kapur at\u00eb n\u00eb kontur t\u00eb tepris\u00eb, brenda rrethit t\u00eb tyre t\u00eb shtypur, formuan me iteracion nj\u00eb densitet jasht\u00ebzakonisht t\u00eb lart\u00eb t\u00eb substanc\u00ebs s\u00eb huaj, duke merituar imazhin e t\u00eb \u00e7mendurve t\u00eb qytetit, duke u b\u00ebr\u00eb nj\u00eb (mbi)subkultur\u00eb e p\u00ebrbuzshme dhe e shk\u00ebputur. <\/p>\n

Sfera e prodhimit t\u00eb informatizimit natyrsh\u00ebm \u00ebsht\u00eb n\u00ebn ndikimin e forcave t\u00eb jashtme, t\u00eb pangjashme, q\u00eb kan\u00eb arritur t\u00eb b\u00ebhen nj\u00eb makineri prodhimi me efikasitet pothuajse t\u00eb pakontrolluesh\u00ebm. Megjithat\u00eb, struktura e brendshme, duke qen\u00eb unikisht e nd\u00ebrtuar dhe e rr\u00ebnjosur n\u00eb margjinalitet, p\u00ebrve\u00e7se, p\u00ebr asnj\u00eb arsye, nuk \u00ebsht\u00eb anarkike, \u00ebsht\u00eb n\u00eb gjendje t\u00eb gjej\u00eb me sukses forc\u00eb p\u00ebr t\u00eb rezistuar ndaj n\u00ebnshtrimit sistemik dhe t\u00eb gjer\u00eb. Me rinovimin e saj karakteristik, ajo ushtron aktivitetet e saj n\u00eb aren\u00ebn e vendimeve t\u00eb m\u00ebdha, pothuajse planetare dhe, pa dyshim, historike. Kultura tradicionale industriale e Koh\u00ebs s\u00eb Re, duke gjetur unitetin e saj, qendr\u00ebn e saj, rrug\u00ebn e saj unike, \u00ebsht\u00eb rritur dhe zgjeruar p\u00ebr disa shekuj, duke z\u00ebn\u00eb m\u00eb shum\u00eb hap\u00ebsir\u00eb, duke absorbuar m\u00eb shum\u00eb tok\u00eb, duke p\u00ebrdorur m\u00eb shum\u00eb burime periferike t\u00eb interesit t\u00eb ngusht\u00eb. Kjo kultur\u00eb n\u00eb esenc\u00ebn e saj ka prirje p\u00ebr nj\u00eb shtrirje sasiore. Prandaj ne e quajm\u00eb at\u00eb kultur\u00eb sasiore. Grimi i nj\u00eb Makine t\u00eb till\u00eb \u00ebsht\u00eb i fort\u00eb, rrotullohet shpejt, dhe p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb, p\u00ebr shkak t\u00eb inercis\u00eb, do t\u00eb vazhdoj\u00eb t\u00eb blokoj\u00eb karburantin e saj, duke p\u00ebrfshir\u00eb vet\u00eb njeriun, duke e kthyer gjith\u00e7ka n\u00eb pluhur \u2013 mbetje teknologjike t\u00eb ekzistenc\u00ebs. Por gjenerata jon\u00eb t\u00ebrheq nj\u00eb prodhim tjet\u00ebr, nj\u00eb njeri tjet\u00ebr, nj\u00eb kultur\u00eb tjet\u00ebr \u2013 nj\u00eb kultur\u00eb cil\u00ebsore, n\u00eb t\u00eb cil\u00ebn n\u00eb vend t\u00eb zgjerimit vjen thellimi, \"shpirti\". Duke zhvilluar t\u00eb nj\u00ebjtin terren, n\u00eb vendet ku mbet\u00ebn toka t\u00eb djegura pas marchimit fitues t\u00eb epokave t\u00eb kaluara, ajo nd\u00ebrron nd\u00ebrtimin e saj t\u00eb ri, pa shpresa t\u00eb verbra p\u00ebr dominimin mbi natyr\u00ebn, por m\u00eb tep\u00ebr \u2013 duke krijuar lidhje \"t\u00eb gjalla\" (informatizuese) m\u00eb me mendje. <\/p>\n

Sfidat e kultur\u00ebs s\u00eb re jan\u00eb jasht\u00ebzakonisht t\u00eb v\u00ebshtira, pasi ajo punon me trash\u00ebgimin\u00eb e epokave t\u00eb kaluara \u2013 me kriz\u00ebn sociokulturore t\u00eb shekullit XX, e cila \u00ebsht\u00eb shkaktuar nga thell\u00ebsit\u00eb e nj\u00eb kohe t\u00eb re (si\u00e7 do t\u00eb p\u00ebrfundojn\u00eb disa \u2013 naive) e programuar pozitivisht, me alienimet q\u00eb e shoq\u00ebrojn\u00eb at\u00eb: ndaj rezultateve t\u00eb pun\u00ebs s\u00eb tij, ndaj kolektivit punues, ndaj lidhjeve sociale dhe nj\u00eb s\u00ebr\u00eb tjet\u00ebr. Energji intelektual-spirituale \u00ebsht\u00eb e lidhur ngusht\u00eb me tejkalimin e burimeve, ky\u00e7 k\u00ebtu \u00ebsht\u00eb koha: k\u00ebtu mbin\u00eb shtresat kulturore t\u00eb njer\u00ebzimit, si materiale ashtu dhe shpirt\u00ebrore, q\u00eb kishin mundur t\u00eb zhvillohen vet\u00ebm n\u00eb ato momente kur pyetjet e mbijetes\u00ebs (si biologjike, ashtu edhe sociokulturore; si fisiologjike, ashtu edhe psikologjike) nxirreshin n\u00eb an\u00eb. Progresi vet\u00eb zhvillohet n\u00eb nj\u00eb territor t\u00eb lir\u00eb nga nevojat elementare t\u00eb jetes\u00ebs. <\/p>\n

Edhe para pak koh\u00ebsh, klasat q\u00eb ekzistonin n\u00eb kontrast \u2013 bart\u00ebsit e lart\u00eb t\u00eb energjis\u00eb shpirt\u00ebrore \u2013 e p\u00ebrcaktonin ritmin shpirt\u00ebror, duke p\u00ebrhapur vibracionet e tij n\u00eb mjedisin e jasht\u00ebm. Ata kishin nj\u00eb p\u00ebrshtatje t\u00eb caktuar dhe \"boredom ekzistencial\", e cila, megjithat\u00eb, \u00ebsht\u00eb e karakteristik\u00ebs edhe p\u00ebr njeriun e shekullit XXI. Pyetja \u00ebsht\u00eb se si t\u00eb p\u00ebrballojm\u00eb \/ t\u00eb merremi me dinamik\u00ebn sublimuese q\u00eb \u00ebsht\u00eb patjet\u00ebr pulsante. Prania e burimeve t\u00eb shum\u00ebllojshme q\u00eb jan\u00eb t\u00eb tep\u00ebrta krijonte nj\u00eb tep\u00ebrt n\u00eb kuptimin biologjik t\u00eb fjal\u00ebs. Ajo, si nj\u00eb nd\u00ebrlikim, \u00ebsht\u00eb vet\u00eb Njeriu. Tragjizmi \u00ebsht\u00eb se shenjat dalluese sh\u00ebrbyen si fillimi i procesit t\u00eb shtrirjes s\u00eb gremin\u00ebs, e cila vazhdoi me ashp\u00ebrsin\u00eb n\u00eb shekujt e fundit. Dhe njeriu \u00ebsht\u00eb i detyruar t\u00eb paguaj\u00eb p\u00ebr k\u00ebt\u00eb: tani gremina jo vet\u00ebm q\u00eb \u00ebsht\u00eb para tij, ajo \u00ebsht\u00eb edhe brenda tij. <\/p>\n

Kultura e brendshme e proceseve prodhuese t\u00eb epok\u00ebs informative, e kufizuar dhe e p\u00ebrballueshme, por me siguri po hyn n\u00eb nj\u00eb p\u00ebrballje me modelet e konsoliduara t\u00eb s\u00eb kaluar\u00ebs. Specifika prodhuese, p\u00ebr shkak t\u00eb natyr\u00ebs s\u00eb saj t\u00eb rinj, kthen n\u00eb p\u00ebrdorimin pragmatik dhe dometh\u00ebn\u00ebs t\u00eb njeriut konceptin e tep\u00ebrtis\u00eb, duke ofruar n\u00eb praktik\u00eb (me nostalgji) njohjen e karakterit t\u00eb saj krijues. Po rritet vlera e lidhjeve sociale brenda proceseve prodhuese. Aktivizohet mekanizmi i braktisur i qart\u00ebsimit rreth q\u00ebllimeve dhe detyrave \u2013 t\u00eb v\u00ebrtet\u00eb gazetar\u00ebt e rrall\u00eb t\u00eb modernitetit (1). Po dob\u00ebsohet forca e detyrimit \"t\u00eb kthehesh pas n\u00eb mur\" dhe \"t\u00eb ngul\u00ebsh kok\u00ebn n\u00eb nj\u00eb pik\u00eb\". Tani \u00ebsht\u00eb e lejueshme t\u00eb shoh\u00ebsh p\u00ebrreth \u2013 p\u00ebr k\u00ebt\u00eb ka koh\u00eb. Po ndodh \"rikthimi n\u00eb zejtari\" i kultur\u00ebs prodhuese, i cila po p\u00ebrballet me t\u00eb kuptuarit e vendit t\u00eb z\u00ebn\u00eb nga proceset punuese, t\u00eb cilat, p\u00ebr nga karakteristikat e tyre t\u00eb koh\u00ebs, luajn\u00eb kryesisht nj\u00eb rol formues n\u00eb grafik\u00ebn jet\u00ebsore-psikologjike \u2013 \"k\u00ebshtjella sht\u00ebpiake\" mbetet jasht\u00eb toposit aktual. <\/p>\n

(1) Disa prej nesh madje kan\u00eb pasur fatin t\u00eb shohin di\u00e7ka q\u00eb i ngjan Idealeve.<\/p>\n

N\u00eb shekujt XIX \u2013 XX, kuptimi i sht\u00ebpis\u00eb dhe pun\u00ebs hyjn\u00eb n\u00eb nj\u00eb marr\u00ebdh\u00ebnie konfliktuale t\u00eb mpreht\u00eb \u2013 k\u00ebto jan\u00eb forca nga an\u00ebt e ndryshme t\u00eb barrikadave, shpeshher\u00eb deri n\u00eb veprime t\u00eb dhunshme. Me an\u00eb t\u00eb truk\u00ebve sociokulturale q\u00eb i jan\u00eb n\u00eb disponim, njeriu pastron hap\u00ebsir\u00ebn sht\u00ebpiake nga \u00e7do shenj\u00eb e procesit punues, n\u00eb m\u00ebnyr\u00eb q\u00eb asgj\u00eb mos t\u2019i kujtoj\u00eb asaj ngjyre t\u00eb ve\u00e7ant\u00eb, shpesh her\u00eb tep\u00ebr negative t\u00eb pun\u00ebs gjat\u00eb epok\u00ebs s\u00eb formimit dhe zhvillimit t\u00eb kapitalizmit. Ka kaluar koha e sht\u00ebpis\u00eb-pun\u00eb; midis dy institucioneve sociale themelore \u2013 familja dhe profesioni \u2013 formohet nj\u00eb ndarje si territoriale ashtu edhe psikologjike. <\/p>\n

Por\u00eb njer\u00ebzore po ndryshon. Ndryshimet \u2013 nuk prekin vet\u00ebm marr\u00ebdh\u00ebniet me pun\u00ebn, por edhe at\u00eb q\u00eb \u00ebsht\u00eb n\u00eb an\u00ebt e kund\u00ebrta t\u00eb scales, n\u00eb p\u00ebrpjekjet e mundimshme, dhe ta pranojm\u00eb - rrall\u00eb ndodhet nj\u00eb sukses, duke p\u00ebrpiqen t\u00eb balancojn\u00eb nj\u00eb person t\u00eb \u00e7rregullt. Ndryshimet ndodhin edhe n\u00eb koh\u00ebn e lir\u00eb. Nj\u00eb person q\u00eb bezdiset n\u00eb vendin e pun\u00ebs (\u00abnjeriu q\u00eb bezdiset\u00bb, \u00abnj\u00eb kafsh\u00eb q\u00eb bezdiset\u00bb), \u00abasubjektiv\u00bb, me nevoj\u00ebn kozmike-t\u00eb \u00e7oroditur q\u00eb \u00ebsht\u00eb shtyr\u00eb k\u00ebtu kund\u00ebr d\u00ebshir\u00ebs s\u00eb tij, i distancuar dhe i humbur, akumulon m\u00ebrzin\u00eb e p\u00ebrditshme, n\u00eb pritje q\u00eb \u00abkjo t\u00eb p\u00ebrfundoj\u00eb\u00bb. Nj\u00eb rreth vicioz q\u00eb e mban njeriun duke ia vjedhur tepricat e tij \u2013 karburantin e zhvillimit, \u00ebsht\u00eb programuar p\u00ebr t\u00eb mos dukej mashtrues: java e tmerrshme p\u00ebrfundon, fundi i mundimit po afron dhe koha e drejt\u00eb \u00ebsht\u00eb n\u00eb horizont, mushk\u00ebrit tona mbushen me aj\u00ebr t\u00eb fresk\u00ebt, dhe, duket, gjith\u00e7ka fillon t\u00eb mos jet\u00eb kaq pa kuptim \u2013 shfaqet nj\u00eb shpres\u00eb e brendshme \u2013 \u00abt\u00eb tep\u00ebrt njer\u00ebzore\u00bb p\u00ebr t\u00eb mos u konstituuar n\u00eb mishin e nevojsh\u00ebm. Ky shp\u00ebrthim \u2013 shp\u00ebrthimi i nevoj\u00ebs, pa mund\u00ebsi p\u00ebr t'u shp\u00ebrndar\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb barabart\u00eb, p\u00ebrqendrohet ngusht\u00eb dhe me dhun\u00eb n\u00eb nj\u00eb aspekt temporal, duke u transformuar n\u00eb nj\u00eb grumbull motivimi dhe vullneti. A do t\u00eb jet\u00eb kaq e papritur se situata potencoi n\u00eb vende q\u00eb dalin jasht\u00eb kontrollit t\u00eb njeriut, duke arritur n\u00eb ekstremet, dhe konkretizuar n\u00eb forma radikale, margjinale t\u00eb narkotik\u00ebve, alkoolit, fanatizmit, apo dehjes me role? Ne pyesim p\u00ebr kuptimin, dhe, duke mos e gjetur at\u00eb, shpejt e z\u00ebvend\u00ebsojm\u00eb me surrogat\u00eb, duke e mbushur deri n\u00eb cep ambientin ton\u00eb materialist. <\/p>\n

Kultura prodhuese informatik\u00ebn \u00ebsht\u00eb forca e par\u00eb n\u00eb sken\u00ebn bot\u00ebrore jav\u00ebve t\u00eb fundit, e cila sfidon thell\u00eb t\u00eb zakonshmen e kultures moderne t\u00eb pun\u00ebs. Duke kryer nj\u00eb filtrimin t\u00eb brendsh\u00ebm p\u00ebr t\u00eb rinjt\u00eb, si t\u00eb mendjes ashtu edhe t\u00eb shpirtit, ajo mundohet t\u00eb p\u00ebrjashtoj\u00eb ndikon e objekteve t\u00eb s\u00eb kaluar\u00ebs \u2013 epokave t\u00eb m\u00ebparshme, kaq t\u00eb forta sa dhe t\u00eb zymta, t\u00eb dyshimta, t\u00eb ngurt\u00ebsuara, q\u00eb t\u00eb flasin p\u00ebr pasuri, nj\u00eb pesh\u00eb e r\u00ebnd\u00eb q\u00eb i ngarkohet njeriut n\u00eb shpatulla. Rinia \u00ebsht\u00eb themeli i prodhimit informatik, nyjta q\u00eb lidh shum\u00eb nga ajo q\u00eb ka r\u00ebnd\u00ebsi p\u00ebr psikologjin\u00eb. Nuk do t\u00eb arrijm\u00eb t\u00eb evitojm\u00eb p\u00ebrdorimin e shpesht\u00eb t\u00eb k\u00ebtij termi.<\/p>\n

Inteligjenca e re, e cila nuk i n\u00ebnshtrohet s\u00eb kaluar\u00ebs, nuk \u00ebsht\u00eb nj\u00eb borxh dhe obligim, si\u00e7 p\u00ebrpiqen ta paraqesin. Nj\u00eb plak i men\u00e7ur shtrin duart p\u00ebr nj\u00eb p\u00ebrqafim miq\u00ebsor, i mbushur me himnin e erudicionit, por ne e dim\u00eb se \u00e7far\u00eb q\u00ebndron prapa k\u00ebsaj. Duar larg! Nuk do t\u00eb jemi sh\u00ebrbyesja jote e radh\u00ebs. Inteligjenca e re \u00ebsht\u00eb e re n\u00eb shpirt. Ajo e gjen veten mes t\u00eb ngjashm\u00ebve, mes atyre q\u00eb jan\u00eb pran\u00eb. Ajo e vler\u00ebson lidhjen me ata q\u00eb jan\u00eb af\u00ebr. Komunikimi \u00ebsht\u00eb nj\u00eb vler\u00eb, n\u00ebse ka di\u00e7ka p\u00ebr t\u00eb biseduar. Rinia gjen tema p\u00ebr t\u00eb biseduar. Rinia d\u00ebshiron t\u00eb flas\u00eb. <\/p>\n

Zemra e re e prodhimit informatik e mbush me jet\u00eb t\u00eb re at\u00eb q\u00eb p\u00ebr shum\u00eb vite ishte p\u00ebrthithur nga dielli i nxeht\u00eb i ndjenj\u00ebs pozitive t\u00eb njohurive shkencore, duke k\u00ebrkuar nj\u00eb p\u00ebrputhje t\u00eb vazhdueshme me logjik\u00ebn e brendshme t\u00eb produktivitetit \u2013 lidhjet sociale t\u00eb brendshme. Heshtja, mbyllja, distanca, ndarja p\u00ebrballen me brend\u00ebsin\u00eb e kolektiveve. Kthehet shija e komunikimit human, t\u00eb komunikatave t\u00eb gjalla, duke fituar t\u00eb drejt\u00ebn e saj legjitime p\u00ebr t\u00eb qen\u00eb n\u00eb krye, edhe pse n\u00eb rrethin e z\u00ebvend\u00ebsimeve. Socializimi zbut proceset e braktisjes s\u00eb detyruar t\u00eb njeriut n\u00eb nj\u00eb territor t\u00eb huaj, jasht\u00ebintim, jo-personalizues, t\u00eb dob\u00ebt kontrollues dhe p\u00ebr k\u00ebt\u00eb arsye frik\u00ebsues, duke fshehur shum\u00eb rreziqe. Nd\u00ebrprerja zvog\u00eblohet, arrihet nj\u00eb barazpesh\u00eb, ekstremet t\u00ebrhiqen n\u00eb err\u00ebsir\u00eb. Puna dhe sht\u00ebpia, puna dhe koh\u00eb e lir\u00eb \u2013 nuk jan\u00eb m\u00eb larg nj\u00ebra tjet\u00ebr si n\u00eb konflikt, por energjia psikologjike nuk e gjen m\u00eb veten n\u00eb nj\u00eb k\u00ebnd, duke e b\u00ebr\u00eb at\u00eb t\u00eb mundshme t\u00eb rezonoj\u00eb krijuesh\u00ebm. <\/p>\n

Arti \u00ebsht\u00eb barometri yn\u00eb p\u00ebrher\u00eb i energjis\u00eb sociokulturore dhe na ofron argumentin e tij \u2013 stilin arkitekturor dhe ve\u00e7an\u00ebrisht t\u00eb lidhur me t\u00eb \u2013 stilin mjedisor me nj\u00eb em\u00ebr t\u00eb bukur, sikur t\u00eb ishte nxjerr\u00eb q\u00ebllimisht nga thell\u00ebsit\u00eb arketipike p\u00ebr t\u00eb nd\u00ebrtuar ura mes dy substancave \u2013 \u00abhigh-tech\u00bb, i cili sfidon tradit\u00ebn e gjat\u00eb t\u00eb ndarjes mes hap\u00ebsir\u00ebs sht\u00ebpiake dhe asaj t\u00eb pun\u00ebs. Ky fenomen nuk \u00ebsht\u00eb i huaj p\u00ebr shpirtin e brendsh\u00ebm t\u00eb prodhimit t\u00eb informacionit. Arsyen e gjejm\u00eb n\u00eb at\u00eb q\u00eb u tha m\u00eb sip\u00ebr: reduktimi i hendekut psikologjik midis dy institucioneve. Puna p\u00ebrfshin at\u00eb q\u00eb ishte prerogativ\u00eb e ngush\u00ebllimit sht\u00ebpiak, sht\u00ebpia gjen p\u00ebrdorim efektiv p\u00ebr mjetet e kryerjes s\u00eb proceseve t\u00eb pun\u00ebs (2). Dy sfera t\u00eb ndara artificialisht, por historikisht t\u00eb nevojshme, kan\u00eb \u00e7ka t\u00eb m\u00ebsojn\u00eb nga nj\u00ebra-tjetra. P\u00ebr epok\u00ebn informative, si\u00e7 na duket, nj\u00eb nd\u00ebrveprim i till\u00eb, nj\u00eb dep\u00ebrtim i nd\u00ebrsjell\u00eb paraqet nj\u00eb fillim karakteristik.<\/p>\n

(2) Na \u00ebsht\u00eb e njohur se tendenca e shfaqur duhet t\u00eb shqyrtohet nga shum\u00eb k\u00ebndv\u00ebshtrime. Por nj\u00eb analiz\u00eb e till\u00eb nuk \u00ebsht\u00eb objekti i pun\u00ebs s\u00eb tanishme. K\u00ebtu argumenti p\u00ebrdoret p\u00ebr t\u00eb provuar pjes\u00ebrisht at\u00eb q\u00eb theksohet shpeshher\u00eb. <\/p>\n

Kualiteti i deklaruar i kultur\u00ebs informative realizohet n\u00eb nj\u00eb projekt tjet\u00ebr, jo p\u00ebrjashtues, por gjithsesi tipik, i cili, pa ndonj\u00eb rezerva, e tejkalon radikalisht ndarjen e sferave sht\u00ebpiake dhe punuese \u2013 pun\u00ebn n\u00eb hap\u00ebsir\u00ebn sht\u00ebpiake. Duke u p\u00ebrmbushur pa asnj\u00eb rezerv\u00eb k\u00ebrkesave t\u00eb manifesimeve produktive, njeriu nuk ka nevoj\u00eb m\u00eb t\u00eb q\u00ebndroj\u00eb pran\u00eb makin\u00ebs, si\u00e7 b\u00ebnte tri shekuj m\u00eb par\u00eb, ose t\u00eb jet\u00eb prezent n\u00eb zyr\u00eb, si\u00e7 b\u00ebnte nj\u00eb shekull m\u00eb par\u00eb. Shkall\u00ebt teknike dhe prodhuese t\u00eb thella kan\u00eb \u00e7uar n\u00eb at\u00eb q\u00eb objekti kryesor u n\u00ebnshtrohet aktivitetit t\u00eb p\u00ebrshtatsh\u00ebm p\u00ebrmes kanaleve energjetike krejt\u00ebsisht ndryshe, ku hyrja tashm\u00eb nuk \u00ebsht\u00eb nj\u00eb sistem mekanik masiv, por nj\u00eb sistem m\u00eb kompakt dhe ndryshe \u2013 elektronik, kompjuterik \u2013 i cili p\u00ebrshtatet lirsh\u00ebm n\u00eb hap\u00ebsir\u00ebn sht\u00ebpiake. Modeli i p\u00ebrshkruar q\u00eb ishte karakteristik p\u00ebr prodhimin artizanal t\u00eb s\u00eb kaluar\u00ebs, kthen s\u00ebrish relevanc\u00ebn n\u00eb nj\u00eb baz\u00eb moderne dhe cil\u00ebsore, duke simbolizuar ndryshimet n\u00eb vet\u00ebdijen njer\u00ebzore.<\/p>\n

Konteksti historik socio-kulturor, n\u00eb t\u00eb cilin zhvillohet fuqia e p\u00ebrshkruar nga ne, karakterizohet nga kriza, me nj\u00eb mosbesim t\u00eb shprehur ndaj logjik\u00ebs s\u00eb reduksioneve t\u00eb b\u00ebra: p\u00ebr ta p\u00ebrshkruar, nuk p\u00ebrputhen gjithmon\u00eb truket sistematike, racionale dhe prandaj, sipas tradit\u00ebs s\u00eb tanishme, dehumanizuese. Kriza k\u00ebrkon nj\u00eb p\u00ebrshkrim tjet\u00ebr, t\u00eb v\u00ebshtir\u00eb p\u00ebr t'u shprehur me fjal\u00eb, pasi t\u00eb shpreh\u00ebsh qart\u00eb njeriun \u2013 at\u00eb terren dinamik, q\u00eb sh\u00ebrben si identitet p\u00ebr fjal\u00ebn \"t\u00eb gjitha\" \u2014 \u00ebsht\u00eb e pamundur. Ne nuk do t\u00eb p\u00ebrs\u00ebrisim gabimet e r\u00ebnda t\u00eb s\u00eb kaluar\u00ebs, dhe nuk do t'i heqim vetes mund\u00ebsin\u00eb p\u00ebr t\u00eb dh\u00ebn\u00eb nj\u00ebfar\u00eb sqarimi p\u00ebr lexuesin. Epoka jon\u00eb \u00ebsht\u00eb nj\u00eb epok\u00eb e maskave q\u00eb i jan\u00eb p\u00ebrvishur vdekjes, vlerave-himera, nj\u00eb p\u00ebrzierjeje informacioni, modele sporadike t\u00eb menaxhuara q\u00eb kan\u00eb rigjall\u00ebruar dhe nj\u00eb luft\u00eb t\u00eb p\u00ebrjetshme p\u00ebr jet\u00eb. Kjo \u00ebsht\u00eb nj\u00eb epok\u00eb, n\u00eb t\u00eb cil\u00ebn, n\u00eb momente t\u00eb rralla relaksimi nga kapja e makin\u00ebs, ne n\u00ebnshtrimi shpirt\u00ebror p\u00ebrjetojm\u00eb \u00ebndrrat p\u00ebr rrezet e diellit, q\u00eb guxojn\u00eb t\u00eb dep\u00ebrtojn\u00eb n\u00eb ngritjet shekullore, t\u00eb formuara nga goditjet e mashtresave, deri te trupi vitale- i past\u00ebr i njer\u00ebzimit. Ndjenja e sh\u00ebrbimit t\u00eb plot\u00eb \u2013 \u00ebsht\u00eb nj\u00eb nga dominatat kryesore t\u00eb intelektual\u00ebve modern\u00eb, t\u00eb cil\u00ebt, me t\u00eb gjitha ritualet e tyre rinore dhe t\u00eb ndryshme shpesh, p\u00ebrshkuar nga struktura t\u00eb kontradikt\u00ebs, mohojn\u00eb k\u00ebt\u00eb etiket\u00eb. <\/p>\n

Gjith\u00e7ka shitet, gjith\u00e7ka \u00ebsht\u00eb shitur, madje edhe me zbritje t\u00eb m\u00ebdha n\u00eb fundjav\u00eb. \u00cbsht\u00eb shum\u00eb af\u00ebr q\u00eb t\u00eb vij\u00eb Per\u00ebndimi i shum\u00ebpritur, i premtuar. Mekanizmat socio-kulturor\u00eb \u2013 bukuria, arti, krijimtaria, personaliteti \u2013 t\u00eb thirrur dikur p\u00ebr t\u00eb marr\u00eb pjes\u00eb n\u00eb Rezistenc\u00eb, tani jan\u00eb nga ana tjet\u00ebr, brenda vitrinave prej xhami, n\u00eb reflektimin e t\u00eb cilave fshehet, por shihet qart\u00eb, figura e plakut t\u00eb men\u00e7ur. Fuqia, e cila \u00ebsht\u00eb shpresuar shum\u00eb gjat\u00eb disa shekujve, e cila \u00ebsht\u00eb nxjerr\u00eb nga fsheht\u00ebsia nga mendjet m\u00eb t\u00eb forta t\u00eb njer\u00ebzimit, e cila ishte thirrur p\u00ebr t\u00eb nd\u00ebrtuar dhe bashkuar, \u00ebsht\u00eb b\u00ebr\u00eb nj\u00eb sh\u00ebrbim q\u00eb \u00ebsht\u00eb n\u00eb dispozicion t\u00eb nj\u00eb numri t\u00eb kufizuar bler\u00ebsish. Ne flasim p\u00ebr arsyen.<\/p>\n

Arsimi, si forca kryesore e zgjidhjes s\u00eb problemeve ontologjike, gnoseologjike, si dhe etik\u00eb-estetike, historikisht nuk e justifikoi t\u00eb gjitha pritshm\u00ebrit\u00eb q\u00eb ishin vendosur mbi t\u00eb, dhe p\u00ebrfundimisht u gjet n\u00eb nj\u00eb n\u00ebnshtrim t\u00eb ngat\u00ebrruar ndaj forcat, t\u00eb cilat, vet\u00ebm pak koh\u00eb m\u00eb par\u00eb, ec\u00ebn krah p\u00ebr krah me t\u00eb. K\u00ebrkoi nj\u00eb hetim t\u00eb gjat\u00eb(3) p\u00ebr t\u00eb zbuluar kufijt\u00eb parimor\u00eb t\u00eb arsyes \u2013 p\u00ebr fat ai vet\u00eb \u00ebsht\u00eb ndihm\u00ebs kryesor n\u00eb k\u00ebt\u00eb \u00e7\u00ebshtje. P\u00ebrfundimi ishte nj\u00eb dyshim i thell\u00eb n\u00eb fuqin\u00eb e njohuris\u00eb racionale, q\u00eb ndonj\u00ebher\u00eb arrinte deri n\u00eb nj\u00eb mohim fanatik dhe nj\u00eb rebelim luftarak. Por njeriu \u00ebsht\u00eb sinonim i p\u00ebrpjekjeve, p\u00ebrpjekjeve dhe shpresave. Dhe tani, si\u00e7 ka ndodhur m\u00eb par\u00eb, ne jemi d\u00ebshmitar\u00eb t\u00eb nj\u00eb 'p\u00ebrpjekjeje me teknologji t\u00eb lart\u00eb' p\u00ebr t\u00eb rikthyer statusin krijues t\u00eb arsyes n\u00eb epok\u00ebn informative t\u00eb re, e cila, sipas mendimeve tona, \u00ebsht\u00eb mjaft e begat\u00eb p\u00ebr farat intelektuale. T\u00eb pakt\u00ebn, duhet theksuar se prodhimi informatik \u00ebsht\u00eb prodhim intelektual, q\u00eb e pranon ngroht\u00ebsisht racionalitetin n\u00eb tregimin e vet(4). Shpresa jon\u00eb \u00ebsht\u00eb q\u00eb vet\u00eb njeriu i k\u00ebtij prodhimi t\u00eb mos jet\u00eb i huaj ndaj karakterit intelektual t\u00eb jet\u00ebs, p\u00ebrjetimit t\u00eb saj. Thelbi q\u00ebndron n\u00eb pranin\u00eb e sigurt t\u00eb parakusht\u00ebve. Nd\u00ebrkoh\u00eb, q\u00eb gjat\u00eb gjith\u00eb historis\u00eb s\u00eb njer\u00ebzimit, n\u00eb tasin multidimensional t\u00eb peshohet vazhdimisht (ndofta shum\u00eb ashp\u00ebr) p\u00ebrgjigjet, zgjidhjet, sistemet dhe modelet ekzistenciale, q\u00eb nga tani e tutje nuk do t\u00eb p\u00ebrjashtohen nga faqet e librit t\u00eb njeriut, q\u00eb jan\u00eb immanentisht t\u00eb pranishme n\u00eb t\u00eb ardhmen, tani po ofrohet nj\u00eb shtes\u00eb tjet\u00ebr, nj\u00eb kund\u00ebrpesh\u00eb n\u00eb sistemin m\u00eb t\u00eb komplikuar t\u00eb marr\u00ebdh\u00ebnieve. Asgj\u00eb nuk do t'i z\u00ebvend\u00ebsoj\u00eb rezultatet (dhe dikush do t\u00eb thot\u00eb \u2013 sukseset) e shekullit XX, askush nuk do 'ta justifikoj\u00eb' dhe nuk do t'i kthej\u00eb prapa shekullit XVII, askush nuk do t\u00eb kthehet n\u00eb shekullin X. Megjithat\u00eb, ne presim ringjalljen e di\u00e7kaje p\u00ebr t\u00eb cil\u00ebn njeriu \u00ebsht\u00eb tashm\u00eb njohur. Dhe, si\u00e7 na duket, kjo njohje \u00ebsht\u00eb e trishtueshme. Presim me shpres\u00eb q\u00eb, duke q\u00ebn\u00eb nj\u00eb shtes\u00eb, sqarim, n\u00eb qart\u00ebsi \u2013 ajri i fresk\u00ebt \u2013 gj\u00ebrat do t\u00eb arrijn\u00eb ndryshe. Shpresa jon\u00eb \u00ebsht\u00eb q\u00eb arsyja, e vendosur rehat n\u00eb p\u00ebrqafimin e brendsh\u00ebm informatik, do t\u00eb kap\u00eb njeriun, q\u00eb po ulet n\u00eb ekstreme \u2013 n\u00eb t\u00eb pafundm\u00eb batak t\u00eb silueteve n\u00ebnnd\u00ebrgjegj\u00ebsore, irracionale.<\/p>\n

(3) \u00cbsht\u00eb e r\u00ebnd\u00ebsishme q\u00eb momenti i fillimit t\u00eb hetimit p\u00ebrkojn\u00eb p\u00ebraf\u00ebrsisht me momentin e shfaqjes s\u00eb fenomenit t\u00eb na\u00e7entrizmit.
\n(4) Nj\u00eb lloj shenje dhe nj\u00ebkoh\u00ebsisht \u2013 katalizator p\u00ebr k\u00ebt\u00eb proces \u00ebsht\u00eb lul\u00ebzimi i k\u00ebsaj q\u00eb quhet shkenc\u00eb e njohur, n\u00eb t\u00eb cil\u00ebn misteret e konstrukcioneve elitare-shkencore p\u00ebrshkruhen, ndon\u00ebse n\u00eb nj\u00eb form\u00eb shum\u00eb t\u00eb thjesht\u00ebzuar, por q\u00eb i p\u00ebrgjigjet frym\u00ebs s\u00eb koh\u00ebs, gj\u00eb q\u00eb, megjithat\u00eb, nuk e pengon disa njer\u00ebz q\u00eb t\u00eb bien n\u00eb nivelin e dituris\u00eb p\u00ebrditshm\u00ebri n\u00eb aplikimin e k\u00ebtyre njohurive. <\/p>\n

***<\/p>\n

N\u00eb eksperimentet tona narative, ne japim nj\u00eb vend t\u00eb r\u00ebnd\u00ebsish\u00ebm idealizimit, por n\u00eb minutat e rralla t\u00eb d\u00ebshp\u00ebrimit apodik, ne jemi n\u00eb gjendje dhe t\u00eb gatsh\u00ebm p\u00ebr t\u00eb kund\u00ebrt\u00ebn \u2014 t\u00eb \"realizojm\u00eb\" p\u00ebrmes iluzionit tradicional binar. Duke pasur nj\u00eb ide t\u00eb qart\u00eb se jetojm\u00eb n\u00eb nj\u00eb epok\u00eb t\u00eb karakterizuar nga nj\u00eb kriz\u00eb e shum\u00ebanshme, duke p\u00ebrfshir\u00eb edhe kriz\u00ebn e dinjitetit njer\u00ebzor, duhet t\u00eb pranojm\u00eb se, duke qen\u00eb ekzistencialisht t\u00eb pap\u00ebrshkuesh\u00ebm, dinjiteti njer\u00ebzor \u2014 nuk mund t\u00eb jet\u00eb n\u00eb nj\u00eb gjendje t\u00eb boshatisur, pra k\u00ebrkon me ngut vet\u00ebplot\u00ebsimin nga \u00e7do burim kulturor artificial dhe natyror t\u00eb disponuesh\u00ebm, duke e shtyr\u00eb n\u00eb plan t\u00eb dyt\u00eb pyetjet cil\u00ebsore n\u00eb koh\u00eb t\u00eb v\u00ebshtira krize, duke i z\u00ebvend\u00ebsuar ato me ato sasiore. Shkrirja, dekonsentrimi i orientimeve shpirt\u00ebrore, t\u00eb cilat sapo p\u00ebrqendroheshin n\u00eb diferencimin shoq\u00ebror, fuqit\u00eb transcendenter dhe jasht\u00ebtok\u00ebsore, keqakt\u00ebsimi dhe rregullimi i identifikimit t\u00eb vetvetes, ndodhur dikur me an\u00eb t\u00eb modele t\u00eb larta (ideale) \u2014 t\u00eb gjitha k\u00ebto e shtyjn\u00eb njeriun t\u00eb k\u00ebrkoj\u00eb nj\u00eb burim t\u00eb ri dinjiteti. Nuk \u00ebsht\u00eb nj\u00eb befasi se \u00e7far\u00eb z\u00eb vendin e boshatisur, n\u00ebse kujtojm\u00eb se cila sistem ekonomik karakterizon dit\u00ebn e sotme. Koha jon\u00eb \u00ebsht\u00eb koha e dinjitetit monetar. Ai m\u00eb i denjsh\u00ebm \u00ebsht\u00eb ai q\u00eb \u00ebsht\u00eb m\u00eb i pasur nga pik\u00ebpamja monetare. Ne, t\u00eb shtyr\u00eb p\u00ebr t\u00eb realizuar p\u00ebrmes identifikimit monetar, konkludojm\u00eb: prodhimi informacional ndihet rehat n\u00eb modelin e ofruar nga fryma e koh\u00ebs, duke p\u00ebrqendruar n\u00eb bagazhin e tij nj\u00eb densitet t\u00eb lart\u00eb material monetar. Njeriu i prodhimit informacional, t\u00eb pakt\u00ebn, nuk e p\u00ebrballon n\u00eb rrug\u00ebn e tij drejt dinjitetit t\u00eb tij asnj\u00eb der\u00eb t\u00eb pakap\u00ebrcyeshme, t\u00eb mbyllura plot\u00ebsisht, burokratike (n\u00eb frym\u00ebn e Kafk\u00ebs). P\u00ebr m\u00eb tep\u00ebr, hyrja k\u00ebtu \u2014 \u00ebsht\u00eb nj\u00eb ngjarje, e cila (n\u00eb k\u00ebt\u00eb faz\u00eb) \u00ebsht\u00eb e huaj ekskluzivitetit t\u00eb trash\u00ebgimis\u00eb s\u00eb madhe shoq\u00ebrore dhe njohjeve t\u00eb m\u00ebdha. Shtojm\u00eb se fryma e prodhimit informacional nuk karakterizohet nga humbja e lidhjes me terrenin, e cila shkaktohet nga rezultatet marramend\u00ebse, t\u00eb rast\u00ebsishme (n\u00eb modelin klasik mendor), t\u00eb cilat, si\u00e7 duket, e mbushin me boll\u00ebk baz\u00ebn socio-kulturore moderne. N\u00eb k\u00ebt\u00eb kuptim, ajo \u00ebsht\u00eb rezultati i nj\u00eb aktiviteti q\u00eb ka kuptim n\u00eb kuptimin klasike t\u00eb saj \u2014 ndon\u00ebse fshehur, k\u00ebtu \u00ebsht\u00eb shpalosur Ideali.<\/p>\n

\u00abCil\u00ebsia\u00bb \u00ebsht\u00eb nj\u00eb karakteristik\u00eb thelb\u00ebsore e prodhimit informatik, e cila, n\u00eb nj\u00eb far\u00eb mase thellon thelb\u00ebsin\u00eb, dhe n\u00eb nj\u00eb mas\u00eb m\u00eb t\u00eb vog\u00ebl z\u00eb nj\u00eb hap\u00ebsir\u00eb \u2013 duke p\u00ebrshtatur formul\u00ebn klasike gjermane, padyshim, nuk \u00ebsht\u00eb vet\u00ebm q\u00ebllimi, por gjithashtu edhe nj\u00eb mjet. Si propozim, zhvillim n\u00eb hap\u00ebsir\u00eb \u2013 ka t\u00eb nj\u00ebjtin drejtim drejt plot\u00ebsis\u00eb fenomenologjike. Sektoret q\u00eb marrin p\u00ebrsip\u00ebr rolin e p\u00ebrdoruesve t\u00eb rezultateve t\u00eb prodhimit informatik, fitojn\u00eb mund\u00ebsin\u00eb p\u00ebr t'u p\u00ebrballur me shpirtin e brendsh\u00ebm t\u00eb ndryshimeve globale, t\u00eb sjella nga ajri i fresk\u00ebt electrizues t\u00eb epok\u00ebs informuese. Si nj\u00eb arashik i zoti, njeriu i prodhimit informatik p\u00ebrpunon toka q\u00eb m\u00eb par\u00eb ishin kapur shkurt, duke i privuar ato nga ashp\u00ebrsia karakteristike industriale, dhe nj\u00ebkoh\u00ebsisht \u2013 kulturore. Ndri\u00e7imi natyral i formave, t\u00eb trash\u00ebguara nga logjika e zgjerimit, ende duhet t\u00eb zbulohet, por tashm\u00eb \u00ebsht\u00eb e qart\u00eb \u2013 ne jemi p\u00ebrball\u00eb nj\u00eb ajsbergu t\u00eb madh, maja e t\u00eb cilit nuk mban p\u00ebrgjigje p\u00ebr t\u00eb gjitha shqet\u00ebsimet tona dhe nuk p\u00ebrputhet me sfid\u00ebn \u2013 projektin inxhinierik t\u00eb krijuar nga njeriu \u2013 q\u00eb i bie koh\u00ebs mbi kok\u00ebn e varf\u00ebr t\u00eb njer\u00ebzimit. <\/p>\n

Sot, teksa hyjm\u00eb n\u00eb thell\u00ebsit\u00eb e shekullit XXI, ne sh\u00ebnojm\u00eb pranin\u00eb e nj\u00eb numri t\u00eb madh njer\u00ebzish, t\u00eb \u00e7liruar nga diktati industrial dhe prodhues i s\u00eb kaluar\u00ebs, rruga shpirt\u00ebrore e t\u00eb cil\u00ebve fillon n\u00eb fush\u00ebn diskursive t\u00eb prodhimit t\u00eb informacionit \u2013 nj\u00eb fush\u00eb q\u00eb, si\u00e7 na duket, \u00ebsht\u00eb ndar\u00eb folklorikisht, duke krijuar shenjat, gjuh\u00ebt dhe rregullat e saj. P\u00ebr sa i p\u00ebrket sa e keqe \u00ebsht\u00eb kjo, mund t\u00eb lexoni diku tjet\u00ebr \u2013 sot njer\u00ebzit kan\u00eb m\u00ebsuar shum\u00eb mir\u00eb t\u00eb g\u00ebrmojn\u00eb tok\u00ebn n\u00eb oborrin e pasm\u00eb n\u00eb k\u00ebrkim t\u00eb t\u00eb vdekurve. Ne themi: k\u00ebta njer\u00ebz jan\u00eb prekur n\u00eb m\u00ebnyr\u00eb shum\u00eb m\u00eb t\u00eb vog\u00ebl nga korrupsioni i valleve t\u00eb pam\u00ebshirshme dhe t\u00eb orientuara nga mjeti t\u00eb statujave t\u00eb m\u00ebdha prej guri. Kjo shprehet ve\u00e7an\u00ebrisht n\u00eb shk\u00ebputjen e lidhjes trash\u00ebgimore (avansit) me modelet e epokave t\u00eb kaluara, zemra e t\u00eb cilave ishin udh\u00ebzimet, frika dhe p\u00ebrgjegj\u00ebsia, e tretur n\u00eb kolektiv. Tani e shohim qart\u00eb se gjithandej tani ecin endacak\u00eb n\u00eb kostume t\u00eb shtrenjta, fantazma t\u00eb humbura, fantazma pa sht\u00ebpi, m\u00eb sakt\u00eb, me nj\u00eb sht\u00ebpi q\u00eb ka mbetur n\u00eb t\u00eb kaluar\u00ebn, pa m\u00eb fuqi p\u00ebr projektin ekzistencial, duke e refuzuar shpirtin e rinis\u00eb, si i till\u00eb. Duke u p\u00ebrpjekur t\u00eb arrijn\u00eb n\u00eb zemr\u00ebn e gjall\u00eb dhe t\u00eb dridhshme, ata p\u00ebrballen me t\u00eb gjitha shum\u00ebfishimet e asaj pushteti q\u00eb u \u00ebsht\u00eb dh\u00ebn\u00eb trash\u00ebgimi. Por repertori ka ndryshuar, nj\u00eb histori e re po shkruhet. <\/p>\n

Njeriu i epok\u00ebs s\u00eb kriz\u00ebs nxjerr n\u00eb pah ekzistenc\u00ebn e tij, pretendon \u00abUn\u00eb\u00bb-n e tij, duke qen\u00eb i shkruar n\u00eb kushtet e nj\u00eb betej\u00eb t\u00eb vazhdueshme, objekti i s\u00eb cil\u00ebs \u00ebsht\u00eb vet\u00eb ai. Ai \u00ebsht\u00eb i detyruar t\u00eb luftoj\u00eb vazhdimisht p\u00ebr veten e tij, p\u00ebr identitetin e tij, vler\u00ebn e tij personale, p\u00ebr t\u00eb mos u reduktuar nga forcave depersonalizuese, q\u00eb e tejkalojn\u00eb at\u00eb shum\u00eb - forcave reklamore, burokratike, televizive, politike dhe llojeve t\u00eb tjera t\u00eb dhun\u00ebs, t\u00eb shkaktuara nga nj\u00eb buket\u00eb t\u00eb larmishme t\u00eb \u00ebndrrave njer\u00ebzore, t\u00eb cilat shpeshher\u00eb ndihen si nj\u00eb shenj\u00eb e keqe. K\u00ebto forca luftuese, t\u00eb armatosura me nj\u00eb arsenale t\u00eb impresionuesh\u00ebm, agresivisht shk\u00ebputin njeriun nga vetvetja, e ndihmojn\u00eb at\u00eb t\u00eb shkruaj\u00eb shpirtin e tij, duke e p\u00ebrdorur at\u00eb si nj\u00eb mjet p\u00ebr q\u00ebllimet e tyre t\u00eb thjeshta, duke nd\u00ebrtuar koloni psikologjike brenda tij. Ne e dim\u00eb se \"shk\u00ebmbimet informative\" gjithmon\u00eb godasin sakt\u00ebsisht n\u00eb kok\u00eb, por ato nuk jan\u00eb n\u00eb gjendje t\u00eb prekin zemr\u00ebn ton\u00eb. Shpresa jon\u00eb q\u00ebndron vet\u00ebm n\u00eb faktin se njeriu i ri, q\u00eb po zhvillohet n\u00ebn prodhimin e informatizuar, nj\u00eb forc\u00eb e re shpirt\u00ebrore-magjike, e renditur nga ajri i fresk\u00ebt i metap\u00ebrmbysjeve, e bekuar nga Shpirti Bot\u00ebror, n\u00eb fund t\u00eb fundit, nuk do t\u00eb ndryshoj\u00eb vetveten, do t\u00eb ruaj\u00eb rr\u00ebnj\u00ebt e tij jet\u00ebsore dhe nuk do t\u00eb korruptohet n\u00eb kushte t\u00eb provimit reduksionist t\u00eb ashp\u00ebr. Vet\u00eb q\u00ebndroja, natyra ishullore, si\u00e7 besojm\u00eb, do t\u00eb lejoj\u00eb q\u00eb t\u00eb priten lidhjet e stereotipeve diskursive, t\u00eb zhvilluara nga Mjeti n\u00eb nj\u00eb baz\u00eb t\u00eb kujdesshme shkencore. N\u00eb k\u00ebt\u00eb periudh\u00eb, ne jemi d\u00ebshmitar\u00eb t\u00eb asaj q\u00eb, gjat\u00eb dekadave t\u00eb fundit, l\u00ebvizja e r\u00ebnies sociokulturore fillestare, e cila lejonte n\u00eb fillim ruajtjen e rezervave kulturore-avantgardiste nga, p\u00ebrfshir\u00eb edhe, njeriu i standardizuar n\u00eb mjedis, \u00ebsht\u00eb zvog\u00ebluar ndjesh\u00ebm: proceset acute t\u00eb moskuptimit t\u00eb fuqis\u00eb s\u00eb re, shpeshher\u00eb karakteristike p\u00ebr nj\u00eb vet\u00ebdije njer\u00ebzore t\u00eb papjekur, jan\u00eb z\u00ebvend\u00ebsuar nga proceset e nd\u00ebrveprimit efikas dhe p\u00ebrsh\u00ebndetjeve reciproke. Ne besojm\u00eb se, ashtu si dikur njeriu, duke b\u00ebr\u00eb hapat e par\u00eb n\u00eb rrug\u00ebn e ngushtimit t\u00eb rrethit t\u00eb mbijetes\u00ebs, duke marr\u00eb uj\u00eb jo me duar, por duke e mbledhur at\u00eb n\u00eb nj\u00eb guask\u00eb deti, duke e fituar k\u00ebshtu hap\u00ebsir\u00ebn jasht\u00eb k\u00ebtij rrethi, ku filloi t\u00eb lind\u00eb aktiviteti i tepruar i vizatimeve n\u00eb muret e shpellave dhe prodhimi i figurave t\u00eb femrave, k\u00ebshtu edhe sot tepria, q\u00eb nxirret nga toka e trotuarit nga forca e ndryshimeve cil\u00ebsore, do t\u00eb lejoj\u00eb q\u00eb p\u00ebr pak kohe t\u00eb l\u00ebm\u00eb m\u00ebnjan\u00eb betej\u00ebn, si\u00e7 na thon\u00eb, me nj\u00eb output t\u00eb paracaktuar nga natyra, t\u00eb kthehemi nga sip\u00ebrfaqet tok\u00ebsore q\u00eb prodhohen n\u00eb m\u00ebnyr\u00eb surrogat dhe t\u00eb drejtojm\u00eb shikimin ton\u00eb p\u00ebrpara, drejt horizontit t\u00eb jet\u00ebs njer\u00ebzore t\u00eb pap\u00ebrs\u00ebritshme, pa precedenta, e cila nuk arrihet.
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Burimi: habr.com<\/a><\/p>","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

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\u0432\u0441\u0435\u0433\u043e \u2013 \u043f\u043e-\u043c\u0430\u0442\u0435\u0440\u0438\u043d\u0441\u043a\u0438 \u0440\u0430\u0441\u0441\u0442\u0430\u0432\u043b\u044f\u0442\u044c \u0432\u0441\u0435 \u043d\u0430 \u0441\u0432\u043e\u0438 \u043c\u0435\u0441\u0442\u0430. \u041d\u0430\u0447\u0430\u0432\u0448\u0435\u0435\u0441\u044f \u043a\u0430\u043a \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u0438\u0433\u0440\u044b \u043e\u0434\u0438\u043d\u043e\u0447\u0435\u043a, \u043f\u043e\u0434\u0445\u0432\u0430\u0447\u0435\u043d\u043d\u043e\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043d\u0435\u043e\u0431\u0445\u043e\u0434\u0438\u043c\u043e\u0441\u0442\u044c\u044e, \u043f\u043e\u043b\u0443\u0447\u0438\u0432 \u0434\u0435\u043d\u0435\u0436\u043d\u043e\u0435 \u0431\u043b\u0430\u0433\u043e\u0441\u043b\u043e\u0432\u0435\u043d\u0438\u0435 \u043c\u0438\u0440\u043e\u0432\u043e\u0439 \u041c\u0430\u0448\u0438\u043d\u044b, \u043d\u0435\u0447\u0442\u043e, \u0441\u0442\u043e\u044f\u0449\u0435\u0435 \u043d\u0430 \u043a\u043e\u043b\u0435\u043d\u0435, \u043f\u043e\u043b\u0443\u0447\u0430\u0435\u0442 \u0441\u0438\u043b\u0443 […]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[702],"tags":[],"class_list":["post-33767","post","type-post","status-publish","format-standard","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\n","aioseo_head_json":{"title":"\ud83e\udd47Predikatet e informacionit t\u00eb besuesh\u00ebm | ProHoster","description":"Nj\u00eb gj\u00eb e re po lind brenda gjakut t\u00eb rrug\u00ebve t\u00eb 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