{"id":33767,"date":"2019-10-31T21:54:35","date_gmt":"2019-10-31T18:54:35","guid":{"rendered":"https:\/\/prohoster.info\/blog\/predikaty-informatsionnoj-nadezhdy\/"},"modified":"2019-10-31T21:54:35","modified_gmt":"2019-10-31T18:54:35","slug":"predikaty-informatsionnoj-nadezhdy","status":"publish","type":"post","link":"https:\/\/prohoster.info\/sq\/blog\/novosti-interneta\/predikaty-informatsionnoj-nadezhdy","title":{"rendered":"Predikatet e besueshm\u00ebris\u00eb informative","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

Nj\u00eb gj\u00eb e re po lind brenda deri n\u00eb palc\u00ebn e trotuareve t\u00eb shkelura. Toka kulturore e shkelur dhe e p\u00ebrkulur, nga e cila, si\u00e7 duket, \u00ebsht\u00eb nxjerr\u00eb gjith\u00eb ajri, \u00ebsht\u00eb gati t\u00eb p\u00ebrmbush\u00eb at\u00eb q\u00eb b\u00ebn m\u00eb s\u00eb miri \u2013 t\u00eb vendos\u00eb gjith\u00e7ka n\u00eb vendin e saj, si nj\u00eb n\u00ebna. E nisur si lojra inteligjence t\u00eb vetmuarish, e kapur nga nevoja historike, duke marr\u00eb bekimin e paras\u00eb nga Maqina globale, di\u00e7ka q\u00eb \u00ebsht\u00eb b\u00ebr\u00eb duke u p\u00ebrpjekur, fitoi forc\u00ebn dhe t\u00eb drejt\u00ebn p\u00ebr nj\u00eb z\u00eb sociokulturor, filozofik dhe teknik, duke marr\u00eb pjes\u00eb k\u00ebshtu n\u00eb zgjidhjen e \u00e7\u00ebshtjeve ky\u00e7e n\u00eb sken\u00ebn epokale. Para nesh \u00ebsht\u00eb nj\u00eb Qenie cil\u00ebsisht e re, e zhvilluar n\u00eb barkun e t\u00eb vjetrit, e p\u00ebrmbledhur n\u00eb mishin e tij, megjithat\u00eb, po i bashkohet radh\u00ebve t\u00eb Rezistenc\u00ebs ndaj prindit t\u00eb vet. E shtrir\u00eb nga t\u00eb gjitha an\u00ebt nga ata q\u00eb, sipas destinit t\u00eb tyre himnor, e shohin at\u00eb vet\u00ebm si nj\u00eb mjet, subjekti i q\u00ebllimit ton\u00eb po lufton p\u00ebr t\u00eb arritur njohjen si q\u00ebllim, duke formuar n\u00eb vetvete dinjitetin e vet sociokulturor. Ne mund t\u00eb supozojm\u00eb vet\u00ebm, m\u00eb shpesh \u2013 t\u00eb fantazojm\u00eb, se \u00e7far\u00eb ndikimi pritet t\u00eb ket\u00eb forca e re n\u00eb panoram\u00ebn e s\u00eb ardhmes. Tani ne e p\u00ebrcaktojm\u00eb p\u00ebr t\u00eb fjal\u00ebn \u2013 \u00ebndje, e cila me disa shfaqje t\u00eb saj tashm\u00eb \u00ebsht\u00eb b\u00ebr\u00eb realitet.
\n<\/a><\/noindex>
\nMendimtar\u00ebt utopist\u00eb, duke teorizuar me arg\u00ebtim, e shkruan portrete mahnit\u00ebse t\u00eb s\u00eb ardhmes: vala e tret\u00eb, shoq\u00ebria post-industriale, n\u00eb fund, shoq\u00ebria informative. Shum\u00eb nga ato q\u00eb jan\u00eb shkruar jan\u00eb gritur mbi muret e forta t\u00eb kullave t\u00eb Babilonis\u00eb. Utopia \u2013 \u00ebsht\u00eb nj\u00eb shpikje jasht\u00eb inteligjenc\u00ebs, por ne nuk e konsumojm\u00eb vet\u00ebm me k\u00ebt\u00eb: idet\u00eb e utopist\u00ebve nuk p\u00ebrjetojn\u00eb kolaps t\u00eb plot\u00eb \u2013 forca e re v\u00ebrtet po na nxit n\u00eb nj\u00eb ndryshim t\u00eb r\u00ebnd\u00eb t\u00eb disa modele t\u00eb zakonshme shpirt\u00ebrore t\u00eb njeriut n\u00eb shekullin XX. <\/p>\n

Me neutralitetin e saj t\u00eb pasur, duke u takuar me Njeriun n\u00eb aren\u00ebn historike specifike, informatizimi sjell p\u00ebrfitime, ashtu si sjell dhe probleme \u2013 sfida \u2013 p\u00ebr bashk\u00ebkoh\u00ebsin\u00eb. T\u00eb pranuara dhe me kujdes t\u00eb zhvilluara, k\u00ebto t\u00eb fundit jan\u00eb jasht\u00eb v\u00ebshtrimit t\u00eb tanish\u00ebm. Tani na interesojn\u00eb t\u00eb parat. Duke kryer nj\u00eb nga funksionet e saj \u2013 t\u00eb jet\u00eb instrument dhe t\u00eb zhvillohet duke u p\u00ebrputhur me t\u00eb jashtmen, forcat e informatizimit evolutivisht zhvillojn\u00eb komponent\u00ebn e tyre t\u00eb brendshme, me vlerat, ideologjin\u00eb, mitologjin\u00eb, arketipet, magjin\u00eb, n\u00eb p\u00ebrgjith\u00ebsi, \u2013 kultur\u00ebn. K\u00ebtu ne gjejm\u00eb vet\u00ebvler\u00ebn e saj. K\u00ebtu gjejm\u00eb dhembjen e \u00ebndrr\u00ebs s\u00eb njohur. Dhe k\u00ebtu holl\u00ebsohet p\u00eblhura e skllav\u00ebris\u00eb n\u00eb horizontin e loj\u00ebs iluzive t\u00eb lir\u00eb. Bota informative \u2013 rezultat i nj\u00eb prodhimi pothuajse t\u00eb kolektivizuar, an\u00ebtar\u00ebt e s\u00eb cil\u00ebs n\u00eb fillim t\u00eb rrug\u00ebs s\u00eb tyre, n\u00eb sfondin e nj\u00eb distancimi t\u00eb duksh\u00ebm nga e jashtmja, duke e kapur at\u00eb n\u00eb kontur t\u00eb tep\u00ebrsis\u00eb, brenda rrethit t\u00eb tyre t\u00eb shtypur, formuan nj\u00eb dend\u00ebsi jasht\u00ebzakonisht t\u00eb lart\u00eb t\u00eb substanc\u00ebs t\u00eb huaj, duke fituar imazhin e t\u00eb \u00e7mendurve t\u00eb qytetit, duke u b\u00ebr\u00eb nj\u00eb (sup\u00ebr)subkultur\u00eb tall\u00ebse dhe t\u00eb distancuar. <\/p>\n

Sfera e prodhimit t\u00eb informacionit natyrsh\u00ebm p\u00ebrballet me ndikime t\u00eb jashtme, forca q\u00eb nuk jan\u00eb n\u00ebn kontrollin e saj - nj\u00eb makineri e b\u00ebre gati e pandalshme e efikasitetit prodhues. Megjithat\u00eb, struktura e brendshme, e cila \u00ebsht\u00eb unikisht e nd\u00ebrtuar dhe rr\u00ebnjosur n\u00eb margjinat, por q\u00eb p\u00ebr asnj\u00eb arsye nuk \u00ebsht\u00eb anarkike, \u00ebsht\u00eb n\u00eb gjendje t\u00eb gjej\u00eb forc\u00ebn p\u00ebr t\u00eb rezistuar ndaj n\u00ebnshtrimit sistematik dhe t\u00eb zgjeruar. Me rinin\u00eb e saj karakteristike, ajo i drejton pun\u00ebt e saj n\u00eb aren\u00ebn e vendimeve t\u00eb m\u00ebdha, pothuajse planetare dhe, pa dyshim, historike. Kultura tradicionale industriale e Epok\u00ebs s\u00eb Re, e cila ka zbuluar unitetin e saj, qendr\u00ebn e vet, rrug\u00ebn e saj unike, gjat\u00eb disa shekujve \u00ebsht\u00eb rritur dhe \u00ebsht\u00eb zgjeruar, duke z\u00ebn\u00eb m\u00eb shum\u00eb hap\u00ebsir\u00eb, duke absorbua m\u00eb shum\u00eb tok\u00eb dhe duke p\u00ebrdorur m\u00eb shum\u00eb burime periferike q\u00eb e interesojn\u00eb ngusht\u00ebsisht. Kjo kultur\u00eb, sipas natyr\u00ebs s\u00eb saj, tendenc\u00eb p\u00ebr nj\u00eb zhvillim sasiore. Prandaj, ne e quajm\u00eb at\u00eb kultur\u00eb sasiore. G\u00ebrmimi i k\u00ebsaj Makine \u00ebsht\u00eb i fuqish\u00ebm, rrotullohet shpejt dhe p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb, n\u00ebp\u00ebrmjet inercis\u00eb, do t\u00eb vazhdoj\u00eb t\u00eb p\u00ebrpunoj\u00eb karburantin e saj, p\u00ebrfshir\u00eb vet\u00eb njeriun, duke e kthyer gjith\u00e7ka n\u00eb pluhur - mbetje teknike t\u00eb aktiviteteve. Por gjenerata jon\u00eb \u00ebsht\u00eb e t\u00ebrhequr nga nj\u00eb prodhim tjet\u00ebr, nj\u00eb njeri tjet\u00ebr, nj\u00eb kultur\u00eb tjet\u00ebr - nj\u00eb kultur\u00eb cil\u00ebsore, ku n\u00eb vend t\u00eb zgjerimit vjen thellimi, 'ndizja e shpirtit'. Duke punuar n\u00eb t\u00eb nj\u00ebjtin tok\u00eb, n\u00eb vendet ku pas nj\u00eb avancimi t\u00eb suksessh\u00ebm t\u00eb epokave t\u00eb kaluara ka mbetur nj\u00eb tok\u00eb e djegur, ajo nd\u00ebrton Nd\u00ebrtes\u00ebn e saj t\u00eb re, pa shpresa t\u00eb verbra p\u00ebr sundim mbi natyr\u00ebn, p\u00ebrkundrazi - nj\u00eb krijim m\u00eb mendjehapur (informativ) t\u00eb lidhjeve 't\u00eb gjalla'. <\/p>\n

Detyrat e kultures s\u00eb re jan\u00eb jasht\u00ebzakonisht t\u00eb komplikuara, sepse ajo punon me trash\u00ebgimin\u00eb e epokave t\u00eb kaluara - me kriz\u00ebn sociokulturore t\u00eb shekullit XX, e cila u shkaktua n\u00eb thell\u00ebsit\u00eb e nj\u00eb Epoke t\u00eb re q\u00eb u programua pozitivisht (si\u00e7 do t\u00eb thon\u00eb m\u00eb von\u00eb disa - naivisht), me ndarjet q\u00eb e shoq\u00ebrojn\u00eb at\u00eb: nga rezultatet e pun\u00ebs s\u00eb saj, nga grupi punues, nga lidhjet sociale dhe shum\u00eb t\u00eb tjera. Ngarkesa intelektual-spirituale \u00ebsht\u00eb tep\u00ebr e lidhur me boll\u00ebkun e burimeve, ku\u00e7 do burim kryesor \u00ebsht\u00eb koha: k\u00ebtu rr\u00ebnjosen shtresat kulturore t\u00eb njer\u00ebzimit, si materiale ashtu edhe shpirt\u00ebrore, q\u00eb mund t\u00eb kishin zhvilluar vet\u00ebm n\u00eb ato momente, kur pyetjet e mbijetes\u00ebs (si biologjike, ashtu edhe sociokulturore; si fiziologjike, ashtu edhe psikologjike) jan\u00eb l\u00ebn\u00eb m\u00ebnjan\u00eb. Progresi vet\u00eb zhvillohet n\u00eb territorin q\u00eb \u00ebsht\u00eb i lir\u00eb nga nevojat elementare t\u00eb jet\u00ebs. <\/p>\n

Deri m\u00eb par\u00eb, klasat q\u00eb ekzistonin n\u00eb kontrast - bart\u00ebsit e lart\u00eb t\u00eb energjis\u00eb shpirt\u00ebrore, \u2013 ndihmonin konkret\u00ebsisht n\u00eb p\u00ebrcaktimin e ritmit shpirt\u00ebror, duke p\u00ebrhapur vibracionet e tij n\u00eb mjedisin e jasht\u00ebm. Atij i takonte nj\u00eb far\u00eb leht\u00ebsie dhe 'm\u00ebrzitjes ekzistenciale', e cila, megjithat\u00eb, \u00ebsht\u00eb tipike edhe p\u00ebr njeriun e shekullit XXI. Pyetja \u00ebsht\u00eb se si t\u00eb p\u00ebrballojm\u00eb \/ t\u00eb merremi me dinamik\u00ebn e pashmangshme subliminale. Prania e burimeve t\u00eb llojeve t\u00eb ndryshme ka gjeneruar tepric\u00eb n\u00eb kuptimin biologjik t\u00eb fjal\u00ebs. Ajo, si nj\u00eb struktur\u00eb sip\u00ebr ndarjes, \u00ebsht\u00eb v\u00ebrtet Njeriu. Tragjedia \u00ebsht\u00eb se shenjat dalluese sh\u00ebrbyen si fillimprocesit t\u00eb gjer\u00ebsis\u00eb s\u00eb shk\u00ebputjes, i cili u intensifikua ndjesh\u00ebm n\u00eb shekujt e fundit. Dhe njeriu \u00ebsht\u00eb i detyruar t\u00eb paguaj\u00eb p\u00ebr k\u00ebt\u00eb: tani thell\u00ebsia nuk \u00ebsht\u00eb vet\u00ebm para tij, ajo \u00ebsht\u00eb gjithashtu brenda tij. <\/p>\n

Kultura e brendshme e proceseve prodhuese t\u00eb epok\u00ebs informative, me kufizime dhe mund\u00ebsi, por me siguri, po hyn n\u00eb luft\u00eb me modelet e kaluara. Sektori prodhues, p\u00ebr shkak t\u00eb natyr\u00ebs s\u00eb tij t\u00eb rinis\u00eb, e sjell n\u00eb pragmatizmin dhe kuptimin e njeriut konceptin e boll\u00ebkut, duke ofruar praktikisht (me nostalgji) ta njoh\u00eb karakterin e tij krijues. Po rritet vlera e lidhjeve sociale brenda proceseve prodhuese. Aktivizohet mekanizmi i mbushur me rust q\u00eb qart\u00ebson t\u00eb p\u00ebrgjithshmen: q\u00ebllimet dhe detyrat - v\u00ebrtet mysafir\u00eb t\u00eb rrall\u00eb t\u00eb modernitetit. Po dob\u00ebsohet forca e detyrimit p\u00ebr 't'u kthyer nga muri' dhe 't\u00eb ngulitet n\u00eb nj\u00eb pik\u00eb'. T\u00eb shikosh p\u00ebrreth b\u00ebhet e lejueshme - p\u00ebr k\u00ebt\u00eb krijohet koh\u00eb. Po ndodh 'rip\u00ebrpunimi' i kultur\u00ebs prodhuese, e cila hyn n\u00eb luft\u00eb me t\u00eb kuptuarit e vendit q\u00eb z\u00ebn\u00eb proceset punuese, q\u00eb n\u00eb p\u00ebrmasat temporale z\u00eb p\u00ebr shumic\u00ebn e rol-formues n\u00eb grafik\u00ebn psikologjike t\u00eb jet\u00ebs - 'k\u00ebshtjella familjare' mbetet jasht\u00eb toposit aktual. <\/p>\n

(1) Disa nga ne madje pat\u00ebn fatin t\u00eb shohin di\u00e7ka q\u00eb i ngjan Ideali.<\/p>\n

Gjat\u00eb shekujve XIX dhe XX, perceptimi i marr\u00ebdh\u00ebnies mes sht\u00ebpis\u00eb dhe pun\u00ebs ka marr\u00eb nj\u00eb natyr\u00eb kontradiktore \u2013 jan\u00eb forca nga dy an\u00ebt e barrikadave, shpesh me pasoja t\u00eb dhunshme. P\u00ebrmes manovrave sociokulturore q\u00eb i jan\u00eb n\u00eb dispozicion, njeriu p\u00ebrpiqet t\u00eb pastroj\u00eb hap\u00ebsir\u00ebn e sht\u00ebpis\u00eb nga \u00e7do shenj\u00eb e procesit t\u00eb pun\u00ebs, q\u00eb asgj\u00eb t\u00eb mos e p\u00ebrkujtoj\u00eb at\u00eb ngarkes\u00eb t\u00eb ve\u00e7ant\u00eb, shpesh tep\u00ebr negative, t\u00eb pun\u00ebs n\u00eb nj\u00eb epok\u00eb kalimi dhe shp\u00ebrndarjeje t\u00eb kapitalizmit. \u00cbsht\u00eb nj\u00eb koh\u00eb ku sht\u00ebpia dhe puna b\u00ebjn\u00eb nj\u00eb ndarje thelb\u00ebsore midis dy institucioneve sociale \u2013 familja dhe profesioni \u2013 duke formuar nj\u00eb ndarje si territoriale ashtu edhe psikologjike. <\/p>\n

Por psikologjia e njeriut po ndryshon. K\u00ebto ndryshime nuk prekin vet\u00ebm marr\u00ebdh\u00ebnien me pun\u00ebn, por gjithashtu ato q\u00eb jan\u00eb n\u00eb an\u00ebt e kund\u00ebrta t\u00eb bilancit, n\u00eb p\u00ebrpjekjet e mundimshme, e p\u00ebr t\u00eb pranuar - rrall\u00eb me sukses - p\u00ebr t\u00eb balancuar individin e shqet\u00ebsuar. Ndryshimet prekin gjithashtu koh\u00ebn e lir\u00eb. Njeriu q\u00eb ndihet i m\u00ebrzitur n\u00eb vendin e pun\u00ebs (\u2018njeri t\u00eb m\u00ebrzitsh\u00ebm\u2019, \u2018k\u00ebtu, nj\u00eb kafsh\u00eb q\u00eb m\u00ebrzitet\u2019), \u2018pa subjekt\u2019, p\u00ebr shkak t\u00eb nevoj\u00ebs kozmike dhe t\u00eb ndarjes, \u00ebsht\u00eb i detyruar t\u00eb q\u00ebndroj\u00eb k\u00ebtu kund\u00ebr d\u00ebshir\u00ebs s\u00eb tij, duke grumbulluar monotonin\u00eb e zakonshme, n\u00eb pritje se \u201ct\u00eb gjith\u00eb k\u00ebto do t\u00eb p\u00ebrfundojn\u00eb\u201d. Nj\u00eb cik\u00ebl i mbyllur, q\u00eb e mban njeriun duke e grabitur at\u00eb nga tepria e tij \u2013 karburanti i zhvillimit, \u00ebsht\u00eb programuar q\u00eb t\u00eb mos duket si nj\u00eb mashtrues: java e tmerrshme p\u00ebrfundon, afron p\u00ebrfundimi i pun\u00ebs dhe koha p\u00ebr sh\u00ebtitje, mushk\u00ebrit\u00eb mbushen me aj\u00ebr t\u00eb fresk\u00ebt, dhe duket se gjith\u00e7ka nuk \u00ebsht\u00eb kaq pa kuptim \u2013 shfaqet shpresa e brendshme \u2013 \u201cshum\u00eb njer\u00ebzore\u201d p\u00ebr t\u00eb mos u materializuar n\u00eb mishin e nevoj\u00ebs. Ky ngarkes\u00eb \u2013 ngarkesa e nevoj\u00ebs, duke mos pasur mund\u00ebsi t\u00eb shp\u00ebrndahet barabart\u00eb, p\u00ebrqendrohet ngusht\u00eb dhe me forc\u00eb n\u00eb nj\u00eb periudh\u00eb, duke u shnd\u00ebrruar n\u00eb nj\u00eb grumbull motivimi dhe vullneti. A do t\u00eb jet\u00eb e papritur se situata potencializohet n\u00eb vende q\u00eb dalin jasht\u00eb kontrollit t\u00eb njeriut, duke arritur deri n\u00eb ekstremitete, duke u shnd\u00ebrruar n\u00eb forma radikale, margjinale t\u00eb narkotik\u00ebve, alkoolizmit, fanatizmit, dhe sjelljeve t\u00eb roli? Ne e k\u00ebrkojm\u00eb kuptimin, dhe, duke mos e gjetur, shpejt e z\u00ebvend\u00ebsojm\u00eb at\u00eb me surrogat\u00eb q\u00eb mbushin ambientin ton\u00eb materialist. <\/p>\n

Kultura e prodhimit informatik \u00ebsht\u00eb fuqia e par\u00eb n\u00eb aren\u00ebn bot\u00ebrore gjat\u00eb disa shekujve t\u00eb fundit q\u00eb sfidon kultur\u00ebn moderne t\u00eb pun\u00ebs, thell\u00ebsisht t\u00eb rr\u00ebnjosur. Duke b\u00ebr\u00eb nj\u00eb filtrimin e brendsh\u00ebm p\u00ebr rinovimin e mendjes dhe shpirtit, ajo p\u00ebrpiqet q\u00eb t\u00eb p\u00ebrjashtoj\u00eb ndikimin e p\u00ebrk\u00ebdheljeve t\u00eb s\u00eb kaluar\u00ebs \u2013 epokave t\u00eb m\u00ebparshme, kaq t\u00eb forta dhe ziliqare, t\u00eb dyshimta, duke th\u00ebn\u00eb manifesto p\u00ebr pasurit\u00eb, q\u00eb si nj\u00eb ngarkes\u00eb t\u00eb r\u00ebnd\u00eb i hidhen njeriut n\u00eb shpin\u00eb. Rinia \u00ebsht\u00eb themeli i prodhimit informatik, nyja q\u00eb lidh shum\u00eb nga ato q\u00eb kan\u00eb nj\u00eb r\u00ebnd\u00ebsi psiko-shoq\u00ebrore. Ne nuk do t\u00eb mund t\u00eb shmangim p\u00ebrdorimin e shpesht\u00eb t\u00eb k\u00ebtij termi.<\/p>\n

Inteligjenca e re, e cila nuk i n\u00ebnshtrohet s\u00eb kaluar\u00ebs, nuk \u00ebsht\u00eb nj\u00eb borxh apo detyr\u00eb, si\u00e7 p\u00ebrpiqen ta paraqesin. Njeriu i men\u00e7ur i mosh\u00ebs s\u00eb avancuar shtrin duar e tij p\u00ebr nj\u00eb p\u00ebrqafim miq\u00ebsor, t\u00eb mbushur me himnin e njohurive, por ne e dim\u00eb q\u00eb \u00e7far\u00eb q\u00ebndron pas k\u00ebsaj. Duar larg! Ne nuk do t\u00eb jemi sh\u00ebrb\u00ebtorja jote e radh\u00ebs. Inteligjenca e re \u00ebsht\u00eb e re n\u00eb shpirt. Ajo e gjen veten midis t\u00eb ngjashm\u00ebve, midis atyre q\u00eb ecin krah p\u00ebr krah. Ajo \u00e7mon lidhjet me ata q\u00eb ecin pran\u00eb. Komunikimi \u00ebsht\u00eb nj\u00eb vler\u00eb, n\u00ebse ka di\u00e7ka p\u00ebr t\u00eb biseduar. Rinia gjen di\u00e7ka p\u00ebr t\u00eb th\u00ebn\u00eb. Rinia d\u00ebshiron t\u00eb flas\u00eb. <\/p>\n

Zemra e re e prodhimit informatik e mbush me jet\u00eb t\u00eb re at\u00eb q\u00eb p\u00ebr shum\u00eb vjet kishte thar\u00eb dielli i nxeht\u00eb i ndjenj\u00ebs pozitive t\u00eb njohurive shkencore, q\u00eb k\u00ebrkon p\u00ebrputhje t\u00eb vazhdueshme me logjik\u00ebn e brendshme t\u00eb produktivitetit \u2013 lidhjet sociale t\u00eb brendshme. Heshtja, mbyllja, distancimi, dhe ndarja mund t\u00eb hiqen brenda grupeve. Kthehet shija e komunikimit njer\u00ebzor, komunikim i gjall\u00eb, q\u00eb fiton t\u00eb drejt\u00ebn e tij t\u00eb legjitim\u00eb p\u00ebr t\u00eb q\u00ebndruar n\u00eb krye, megjithat\u00eb n\u00eb mes t\u00eb surrogat\u00ebve. Socializimi zbut proceset e braktisjes s\u00eb detyruar t\u00eb njeriut n\u00eb nj\u00eb territor q\u00eb, si\u00e7 duket, \u00ebsht\u00eb i huaj, jo intim, i papersonalizuesh\u00ebm, i dob\u00ebt i kontrolluar dhe, prandaj, k\u00ebrc\u00ebnues dhe q\u00eb fsheh shum\u00eb rreziqe. Ndarje zvog\u00eblohet, balanca ndjehet; ekstremet t\u00ebrhiqen n\u00eb err\u00ebsir\u00eb. Puna dhe sht\u00ebpia, puna dhe koha e lir\u00eb \u2013 tani nuk jan\u00eb m\u00eb n\u00eb nj\u00eb konflikt t\u00eb thell\u00eb, n\u00eb an\u00ebt e kund\u00ebrta, dhe energjia psikologjike nuk p\u00ebr integrohet; p\u00ebrkundrazi, fiton mund\u00ebsin\u00eb t\u00eb rezonoj\u00eb n\u00eb m\u00ebnyr\u00eb krijuese. <\/p>\n

Arti \u2013 \u00ebsht\u00eb barometri yn\u00eb p\u00ebrjet\u00ebsisht i energjis\u00eb sociokulturore \u2013 na ofron argumentin e tij \u2013 stili arkitektonik dhe i lidhur me t\u00eb \u2013 stilin mjedisor me nj\u00eb em\u00ebr melodik, sikur t\u00eb ishte nxjerr\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb kund\u00ebrt nga thell\u00ebsit\u00eb arketipike me q\u00ebllim q\u00eb t\u00eb ndihmoj\u00eb n\u00eb nd\u00ebrtimin e urave midis dy substancave \u2013 \"high-tech\", e cila sfidon tradit\u00ebn e gjat\u00eb t\u00eb ndarjes s\u00eb hap\u00ebsir\u00ebs sht\u00ebpiake dhe atij t\u00eb pun\u00ebs. Ky fenomen nuk \u00ebsht\u00eb i huaj p\u00ebr shpirtin e brendsh\u00ebm t\u00eb prodhimit informatik. Arsyeja q\u00ebndron te ajo q\u00eb u p\u00ebrmend m\u00eb lart: t\u00ebrheqja psikologjike midis dy institucioneve. Puna p\u00ebrfshin at\u00eb q\u00eb dikur ishte priviligj i komoditetit sht\u00ebpiak, sht\u00ebpia gjen nj\u00eb p\u00ebrdorim efikas p\u00ebr mjetet e menaxhimit t\u00eb proceseve punuese(2). T\u00eb dy sferat, t\u00eb cilat jan\u00eb ndar\u00eb ndryshe p\u00ebr arsye historike, kan\u00eb shum\u00eb p\u00ebr t\u00eb m\u00ebsuar nga nj\u00ebra-tjetra. P\u00ebr epok\u00ebn informative, si\u00e7 e shohim, nj\u00eb nd\u00ebrveprim i till\u00eb, nj\u00eb infiltrim \u00ebsht\u00eb nj\u00eb fillim karakteristik.<\/p>\n

(2) Ne e dim\u00eb se tendenc\u00ebn e p\u00ebrmendur duhet ta shqyrtojm\u00eb n\u00eb m\u00ebnyr\u00eb multidimensionale. Por nj\u00eb analiz\u00eb e till\u00eb nuk \u00ebsht\u00eb detyr\u00eb e pun\u00ebs aktuale. K\u00ebtu, argumenti p\u00ebrdoret p\u00ebr nj\u00eb prov\u00eb pjesore t\u00eb asaj q\u00eb theksohet shum\u00eb her\u00eb. <\/p>\n

Kualiteti i shpallur i kultur\u00ebs informatike realizohet gjithashtu n\u00eb nj\u00eb projekt, q\u00eb nuk \u00ebsht\u00eb p\u00ebrjashtim, por megjithat\u00eb i duksh\u00ebm, i cili e kalon n\u00eb m\u00ebnyr\u00eb radikale t\u00eb huaj\u00ebsin\u00eb midis sferave sht\u00ebpiake dhe punuese \u2013 puna n\u00eb hap\u00ebsir\u00ebn sht\u00ebpiake. Pa p\u00ebrjashtim, duke iu bindur k\u00ebrkesave t\u00eb manifestave prodhuese, njeriu nuk ka nevoj\u00eb t\u00eb q\u00ebndroj\u00eb m\u00eb p\u00ebrpara makineris\u00eb, si\u00e7 b\u00ebnte tre shekuj m\u00eb par\u00eb, ose t\u00eb jet\u00eb present n\u00eb zyr\u00eb, si\u00e7 b\u00ebnte nj\u00eb shekull m\u00eb par\u00eb. Ndryshimet e thella prodhuese-teknike kan\u00eb \u00e7uar n\u00eb at\u00eb q\u00eb objekti kryesor i n\u00ebnshtrohet veprimtaris\u00eb funksionale p\u00ebr rrug\u00eb energjetike krejt\u00ebsisht ndryshe, hyrja e t\u00eb cilave nuk \u00ebsht\u00eb m\u00eb nj\u00eb sistem mekanik i caktuar, por nj\u00eb sistem tjet\u00ebr m\u00eb kompakt \u2013 elektronik, kompjuterik \u2013 q\u00eb i p\u00ebrshtatet lirsh\u00ebm hap\u00ebsir\u00ebs sht\u00ebpiake. Modeli q\u00eb ishte karakteristik p\u00ebr prodhimin artizanal t\u00eb s\u00eb kaluar\u00ebs ri-shtrohet n\u00eb m\u00ebnyr\u00eb relevante n\u00eb nj\u00eb themel krejt\u00ebsisht t\u00eb ri, modern, duke sh\u00ebnuar ndryshime n\u00eb mendjen e njeriut.<\/p>\n

Konteksti sociokulturor historik, n\u00eb t\u00eb cilin zhvillohet fuqia q\u00eb po e p\u00ebrshkruajm\u00eb, karakterizohet nga nj\u00eb kriz\u00eb, me nj\u00eb mosbesim t\u00eb shprehur ndaj logjik\u00ebs s\u00eb reduktimeve t\u00eb ngulitura: p\u00ebr p\u00ebrshkrimin e saj, nuk jan\u00eb gjithmon\u00eb t\u00eb p\u00ebrshtatshme truket sistematike, racionale dhe nga kjo, sipas tradit\u00ebs aktuale, t\u00eb dehumanizuara. Kriza k\u00ebrkon nj\u00eb p\u00ebrshkrim tjet\u00ebr, t\u00eb shprehsh\u00ebm me v\u00ebshtir\u00ebsi me fjal\u00eb, sepse t\u00eb shpreh\u00ebsh qart\u00eb njeriun \u2013 at\u00eb dynamik\u00eb q\u00eb sh\u00ebrben si identitet p\u00ebr fjal\u00ebn \"t\u00eb gjitha\" \u2013 \u00ebsht\u00eb e pamundur. Ne nuk do t\u00eb p\u00ebrs\u00ebrisim gabimet e r\u00ebnda t\u00eb s\u00eb kaluar\u00ebs, dhe nuk do t'i mohojm\u00eb vetes p\u00ebrpjekjen p\u00ebr t'i dh\u00ebn\u00eb disa shpjegime lexuesit. Epoka jon\u00eb \u00ebsht\u00eb nj\u00eb epok\u00eb e maskave t\u00eb ngjitura p\u00ebr vdekje, vlerave-khimera, p\u00ebrrallave informative, modeleve sporadike t\u00eb menaxhimit q\u00eb kan\u00eb ringjallur, dhe luft\u00ebs s\u00eb p\u00ebrjetshme p\u00ebr jet\u00eb. Kjo \u00ebsht\u00eb nj\u00eb epok\u00eb, n\u00eb t\u00eb cil\u00ebn, n\u00eb disa minuta t\u00eb pakta t\u00eb dob\u00ebsimit t\u00eb kapjes mekanike, ne fundosemi n\u00eb \u00ebndrrat p\u00ebr rrezet e diellit, q\u00eb guxojn\u00eb t\u00eb shkrijn\u00eb nj\u00ebqindvje\u00e7ar\u00ebt formuar nga goditjet e fashat, deri te l\u00ebkura vitale dhe t\u00eb past\u00ebr t\u00eb njer\u00ebzimit. Ndjenja e shfrenimit total \u2013 nj\u00eb nga dominancat ky\u00e7e t\u00eb intelektual\u00ebve modern\u00eb, t\u00eb cil\u00ebt me t\u00eb gjitha ritualet e tyre rinore dhe, ndonj\u00ebher\u00eb, t\u00eb margjinalizuara, t\u00eb mbushura me struktura kontradiktore, e hedhin posht\u00eb nj\u00eb etiket\u00eb t\u00eb till\u00eb. <\/p>\n

Gjith\u00e7ka shitet, gjith\u00e7ka \u00ebsht\u00eb shitur, madje me zbritje t\u00eb m\u00ebdha t\u00eb diel\u00ebn. Po p\u00ebr dalje shihet per\u00ebndimi i shum\u00ebpritur, t\u00eb paralajm\u00ebruar. Mekanizmat sociokulturor\u00eb \u2013 bukuria, arti, krijimtaria, personaliteti \u2013 nj\u00ebher\u00eb ishin thirrur p\u00ebr t\u00eb qen\u00eb pjes\u00eb e Rezistenc\u00ebs, tani jan\u00eb n\u00eb an\u00ebn tjet\u00ebr, brenda vitrinave qelqi, n\u00eb reflektimin e t\u00eb cilave fsheh, por qart\u00eb duket, fytyra e plaku t\u00eb men\u00e7ur. Fuqia, p\u00ebr t\u00eb cil\u00ebn jan\u00eb v\u00ebn\u00eb shpresat e m\u00ebdha p\u00ebr disa shekuj, e cila \u00ebsht\u00eb nxjerr\u00eb nga fshehja nga mendjet m\u00eb t\u00eb forta t\u00eb njer\u00ebzimit, e cila ishte thirrur p\u00ebr t\u00eb nd\u00ebrtuar dhe bashkuar, \u00ebsht\u00eb b\u00ebr\u00eb nj\u00eb artikull n\u00eb shitje, i aksesuesh\u00ebm p\u00ebr nj\u00eb num\u00ebr t\u00eb kufizuar bler\u00ebsish. Ne po flasim p\u00ebr arsyen.<\/p>\n

Arsye, si forc\u00eb ky\u00e7e p\u00ebr zgjidhjen e problemeve ontologjike, gnostike, si dhe etik\u00eb-estetike, historikisht nuk e ka justifikuar pritshm\u00ebrin\u00eb e vendosur mbi t\u00eb, dhe n\u00eb fund ka p\u00ebrfunduar n\u00ebn nj\u00eb n\u00ebnshtrim t\u00eb hezitimsh\u00ebm ndaj forcave, q\u00eb sapo p\u00ebrballet me t\u00eb. K\u00ebrkesa p\u00ebr nj\u00eb hetim t\u00eb gjat\u00eb ishte e nevojshme p\u00ebr t\u00eb zbuluar kufijt\u00eb e principeve t\u00eb arsyes \u2013 mir\u00ebqen\u00eb, ajo vet\u00eb sh\u00ebrben si ndihm\u00ebse kryesore n\u00eb k\u00ebt\u00eb proces. Rezultati ishte nj\u00eb dyshim i thell\u00eb n\u00eb forc\u00ebn e njohurive racionale, ndonj\u00ebher\u00eb duke arritur deri n\u00eb nj\u00eb mohimi fanatik dhe nj\u00eb rebelim luftarak. Por njeriu \u00ebsht\u00eb nj\u00eb sinonim p\u00ebr p\u00ebrpjekje, p\u00ebrpjekje dhe shpresa. Dhe tani, si\u00e7 ka ndodhur m\u00eb par\u00eb, jemi d\u00ebshmitar\u00eb t\u00eb nj\u00eb p\u00ebrpjekjeje tjet\u00ebr 'high-tech' p\u00ebr t\u00eb rikthyer statusin krijues t\u00eb arsyes n\u00eb koh\u00ebn e re informative, e cila, sipas mendimeve tona, \u00ebsht\u00eb mjaft fertil p\u00ebr mbjelljet intelektuale. T\u00eb pakt\u00ebn, duhet t\u00eb theksohet se prodhimi informatik \u00ebsht\u00eb nj\u00eb prodhim intelektual, q\u00eb ngroht\u00ebsisht e pranon racionalitetin n\u00eb narrativ\u00ebn e tij. Shpresa jon\u00eb \u00ebsht\u00eb q\u00eb vet\u00eb njeriu i k\u00ebtij prodhimi nuk do t\u00eb jet\u00eb i huaj ndaj karakterit intelektual t\u00eb jetes\u00ebs, p\u00ebrjetimit t\u00eb saj. Thelbi \u00ebsht\u00eb n\u00eb prani t\u00eb fort\u00eb t\u00eb parakusht\u00ebve. Nd\u00ebrsa gjat\u00eb e gjith\u00eb historis\u00eb njer\u00ebzore, n\u00eb nj\u00eb kup\u00eb t\u00eb shum\u00ebanshme balancash, nj\u00ebher\u00eb e p\u00ebrs\u00ebri jan\u00eb hedhur (disa her\u00eb shum\u00eb ashp\u00ebr) p\u00ebrgjigje, zgjidhje, sisteme dhe modele ekzistenciale, t\u00eb cilat nuk do t\u00eb hiqen m\u00eb nga faqet e librit njer\u00ebzor, q\u00eb p\u00ebrmbajn\u00eb immanent n\u00eb t\u00eb ardhmen, tani ofrohet nj\u00eb shtojc\u00eb tjet\u00ebr, nj\u00eb balanc\u00eb tjet\u00ebr n\u00eb sistemin e nd\u00ebrlikuar t\u00eb marr\u00ebdh\u00ebnieve. Asgj\u00eb nuk do t\u00eb z\u00ebvend\u00ebsoj\u00eb rezultatet (dhe disa do t\u00eb thoshin \u2013 sukseset) e shekullit XX, askush nuk do 'justifikoj\u00eb' dhe nuk do t\u00eb kthehet prapa n\u00eb shekullin XVII, askush nuk do t\u00eb kthehet n\u00eb shekullin X. Megjithat\u00eb, ne presim ringjalljen e di\u00e7kaje q\u00eb njeriu \u00ebsht\u00eb qart\u00ebsisht i njohur me t\u00eb. Dhe, si\u00e7 na duket, kjo njohuri \u00ebsht\u00eb e dhimbshme. Presim me shpres\u00eb q\u00eb, si nj\u00eb shtes\u00eb, p\u00ebrsosje, sqarim \u2013 ajri i fresk\u00ebt \u2013 gj\u00ebrat do t\u00eb shkojn\u00eb ndryshe. Shpresa jon\u00eb \u00ebsht\u00eb q\u00eb arsyeja, e vendosur rehat n\u00eb brend\u00ebsin\u00eb e sfer\u00ebs informatike, do ta kap\u00eb njeriun q\u00eb rr\u00ebshqet n\u00eb ekstrem \u2013 n\u00eb batak\u00ebt e pafund t\u00eb siluetave t\u00eb pavet\u00ebdijshme, irracionale.<\/p>\n

(3) E ve\u00e7ant\u00eb \u00ebsht\u00eb se momenti i fillimit t\u00eb hetimit p\u00ebrputhet, p\u00ebraf\u00ebrsisht, me momentin e shfaqjes s\u00eb fenomenit t\u00eb efenomenit t\u00eb centrizmit shkencor.
\n(4) Nj\u00eb lloj shenje, dhe gjithashtu \u2013 katalsizator \u2013 i k\u00ebtij procesi \u00ebsht\u00eb lul\u00ebzimi i asaj q\u00eb quhet shkenca popullore, n\u00eb t\u00eb cil\u00ebn misteret e konstruktimeve shkencore elitare t\u00eb nxjerra me natyr\u00eb intelektuale tregohen, pavar\u00ebsisht se n\u00eb nj\u00eb form\u00eb tep\u00ebr t\u00eb thjeshtuar, por n\u00eb p\u00ebrputhje me frym\u00ebn e koh\u00ebs, e cila, megjithat\u00eb, nuk ndalon disa njer\u00ebz t\u00eb zbritin n\u00eb nivelin e dituris\u00eb s\u00eb p\u00ebrditshme n\u00eb p\u00ebrdorimin e k\u00ebtyre njohurive. <\/p>\n

***<\/p>\n

N\u00eb eksperimentet tona narrativ, i japim nj\u00eb vend t\u00eb r\u00ebnd\u00ebsish\u00ebm idealizimit, por n\u00eb momente t\u00eb rralla t\u00eb d\u00ebshp\u00ebrimit apodik, jemi n\u00eb gjendje dhe n\u00eb gatishm\u00ebri p\u00ebr t\u00eb kund\u00ebrt\u00ebn \u2014 t\u00eb \"realizojm\u00eb\" p\u00ebrmes iluzionit binar t\u00eb tradit\u00ebs. Duke pasur nj\u00eb p\u00ebrfytyrim t\u00eb qart\u00eb se jetojm\u00eb n\u00eb nj\u00eb epok\u00eb t\u00eb karakterizuar nga nj\u00eb kriz\u00eb shum\u00ebdimensionale, p\u00ebrfshir\u00eb kriz\u00ebn e dinjitetit njer\u00ebzor, duhet t\u00eb pranojm\u00eb se, duke qen\u00eb ekzistencialisht t\u00eb pandash\u00ebm, dinjiteti njer\u00ebzor nuk mund t\u00eb jet\u00eb n\u00eb nj\u00eb gjendje t\u00eb zbraz\u00ebt, por gjithmon\u00eb k\u00ebrkon vet\u00ebmbushje nga \u00e7do burim kulturor t\u00eb disponuesh\u00ebm, natyror dhe artificial, duke e t\u00ebrhequr n\u00eb plan t\u00eb dyt\u00eb pyetje cil\u00ebsore n\u00eb koh\u00eb t\u00eb krizat. Shkrirja, dekonsentrimi i orientimeve shpirt\u00ebrore, q\u00eb s\u00eb fundi ishin p\u00ebrqendruar n\u00eb diferencimin social, forcat transcendendentale, nd\u00ebrprerja e kalibrimit dhe rregullimit t\u00eb identitetit vetjak, q\u00eb dikur ndodhte p\u00ebrmes modeleve m\u00eb t\u00eb larta (ideale) \u2014 t\u00eb gjitha k\u00ebto e shtyjn\u00eb njeriun n\u00eb k\u00ebrkimin e nj\u00eb burimi t\u00eb ri t\u00eb dinjitetit. Nuk \u00ebsht\u00eb \u00e7udi se \u00e7far\u00eb e z\u00eb vendin e zbraz\u00ebt, n\u00ebse e kujtojm\u00eb se cilat jan\u00eb sistemet ekonomike q\u00eb karakterizojn\u00eb dit\u00ebt e sotme. Koha jon\u00eb \u00ebsht\u00eb koha e dinjitetit monetar. Ai \u00ebsht\u00eb m\u00eb i dinjitetsh\u00ebm q\u00eb \u00ebsht\u00eb m\u00eb i pasur n\u00eb sensin monetar. Ne, t\u00eb shtyr\u00eb drejt realizimit p\u00ebrmes identifikimit monetar, arrijm\u00eb n\u00eb p\u00ebrfundimin se prodhimi informatik ndjehet rehat n\u00eb modelin e ofruar nga shpirti i koh\u00ebs, duke p\u00ebrqendruar n\u00eb bagazhin e tij nj\u00eb densitet t\u00eb lart\u00eb materiali monetar. Njeriu i prodhimit informatik, t\u00eb pakt\u00ebn, nuk p\u00ebrballet me der\u00eb t\u00eb pakalueshme, burokratike (n\u00eb frym\u00ebn e Kafk\u00ebs) n\u00eb rrug\u00ebn e tij drejt dinjitetit t\u00eb vet. P\u00ebr m\u00eb tep\u00ebr, hyrja k\u00ebtu \u00ebsht\u00eb nj\u00eb ngjarje, e cila (n\u00eb k\u00ebt\u00eb etap\u00eb) nuk \u00ebsht\u00eb e huaj p\u00ebr p\u00ebrjashtimin e trash\u00ebgimis\u00eb s\u00eb madhe sociale dhe t\u00eb njohjeve t\u00eb m\u00ebdha. Le t\u00eb shtojm\u00eb se shpirti i prodhimit informatik nuk karakterizohet nga humbja e lidhjes me tok\u00ebn, q\u00eb shkaktohet nga rezultatet shp\u00ebrthyese, rast\u00ebsore (n\u00eb modelin klasik mendor), me t\u00eb cilat, si\u00e7 duket, \u00ebsht\u00eb mbushur sot terreni sociokulturor. N\u00eb k\u00ebt\u00eb kuptim, ajo \u00ebsht\u00eb rezultat i aktivitetit t\u00eb arsyesh\u00ebm n\u00eb kuptimin klasik t\u00eb saj \u2014 ndon\u00ebse e fshehur, k\u00ebtu shpaloset Ideali.<\/p>\n

\"Kualiteti\" \u00ebsht\u00eb nj\u00eb nga karakteristikat m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb prodhimit informatik, q\u00eb n\u00eb mas\u00eb t\u00eb madhe thellon thell\u00ebsin\u00eb, n\u00eb mas\u00eb m\u00eb t\u00eb vog\u00ebl kap hap\u00ebsir\u00ebn \u2014 duke e p\u00ebrkthyer formul\u00ebn klasike gjermane, pa dyshim, nuk \u00ebsht\u00eb vet\u00ebm q\u00ebllim, por gjithashtu nj\u00eb mjet. Si nj\u00eb propozim, nj\u00eb shpalosje n\u00eb jasht\u00eb \u2014 e nj\u00ebjta drejtim drejt plot\u00ebsis\u00eb fenomenologjike. Sektor\u00ebt q\u00eb marrin p\u00ebrsip\u00ebr rolin e p\u00ebrdoruesve t\u00eb rezultateve t\u00eb prodhimit informatik, fitojn\u00eb mund\u00ebsin\u00eb t\u00eb prekin shpirtin e brendsh\u00ebm t\u00eb ndryshimeve globale, t\u00eb sjella nga ajri i ri q\u00eb t\u00ebrhqet epok\u00ebn mahnit\u00ebse informative. Si nj\u00eb artrap i zoti, njeriu i prodhimit informatik p\u00ebrpunon tokat e m\u00ebparshme, t\u00eb kapura n\u00eb m\u00ebnyr\u00eb t\u00eb pap\u00ebrgjegjshme, duke i hequr ato nga ashp\u00ebrsia karakteristike industriale, dhe p\u00ebr nj\u00ebkoh\u00ebsisht kulturore. Shk\u00eblqimi natyror i figurave, t\u00eb trash\u00ebguara nga logjika e zgjerimit, ende duhet t\u00eb zbulohet, por tashm\u00eb \u00ebsht\u00eb e qart\u00eb \u2014 ne p\u00ebrballemi me nj\u00eb ajsberg t\u00eb madh, maja e t\u00eb cilit nuk p\u00ebrmban p\u00ebrgjigje p\u00ebr t\u00eb gjitha shqet\u00ebsimet tona dhe nuk i p\u00ebrgjigjet sfid\u00ebs \u2014 nj\u00eb projekt inxhinierik t\u00eb krijuar nga dora e njeriut \u2014 q\u00eb hedh hija mbi kok\u00ebn e varf\u00ebr t\u00eb njer\u00ebzimit. <\/p>\n

Tani, duke hyr\u00eb n\u00eb thell\u00ebsit\u00eb e shekullit XXI, ne v\u00ebrejm\u00eb pranin\u00eb e shum\u00eb njer\u00ebzve q\u00eb jan\u00eb liruar nga diktati industrial dhe prodhues t\u00eb s\u00eb kaluar\u00ebs, rruga shpirt\u00ebrore e t\u00eb cil\u00ebve fillon n\u00eb fush\u00ebn diskursive t\u00eb prodhimit t\u00eb informacionit \u2013 nj\u00eb fush\u00eb, ashtu si\u00e7 na duket, e ndar\u00eb folklorikisht, q\u00eb krijon shenjat, gjuh\u00ebt dhe rregullat e saj. P\u00ebr sa keq \u00ebsht\u00eb kjo, mund t\u00eb lexoni diku tjet\u00ebr \u2013 sot, njer\u00ebzit kan\u00eb m\u00ebsuar mir\u00eb t\u00eb g\u00ebrmojn\u00eb n\u00eb oborrin e pasm\u00eb n\u00eb k\u00ebrkim t\u00eb t\u00eb vdekurve. Ne themi: nj\u00eb num\u00ebr i till\u00eb njer\u00ebzish \u00ebsht\u00eb prekur n\u00eb mas\u00eb t\u00eb vog\u00ebl nga korruptimi i t\u00eb ashtuquajturve dance t\u00eb paq\u00ebllimta t\u00eb statujave t\u00eb m\u00ebdha t\u00eb gurit. Kjo shprehet ve\u00e7an\u00ebrisht n\u00eb shk\u00ebputjen e lidhjes trash\u00ebgimore (t\u00eb avanc\u00ebs) me modelet e epokave t\u00eb kaluara, n\u00eb zemr\u00ebn e t\u00eb cilave qen\u00eb urdh\u00ebrimi, frika dhe p\u00ebrgjegj\u00ebsia, t\u00eb tretura n\u00eb kolektiv. Tani ne shohim qart\u00eb se endacak\u00ebt n\u00eb kostume t\u00eb shtrenjta, fantazmat e humbura, i shqet\u00ebsuar t\u00eb sht\u00ebpive pa sht\u00ebpi, por m\u00eb sakt\u00ebsisht, me sht\u00ebpin\u00eb q\u00eb ka mbetur n\u00eb t\u00eb kaluar\u00ebn, nuk kan\u00eb m\u00eb fuqin\u00eb p\u00ebr projektin ekzistencial, duke refuzuar shpirtin e rinis\u00eb, si t\u00eb till\u00eb. Me t\u00eb gjith\u00eb determinimin e asaj pushteti, q\u00eb iu dha atyre si trash\u00ebgimi, ata p\u00ebrpiqen t\u00eb arrijn\u00eb zemr\u00ebn e gjall\u00eb, q\u00eb dridhet. Por repertori \u00ebsht\u00eb nd\u00ebrruar, nj\u00eb histori e re po shkruhet. <\/p>\n

Njeriu i epok\u00ebs s\u00eb kriz\u00ebs e ndri\u00e7on ekzistenc\u00ebn e tij, e afirmon \"un\u00eb\" e tij, duke u p\u00ebrfshir\u00eb n\u00eb kushtet e nj\u00eb p\u00ebrplasjeje t\u00eb pand\u00ebrprer\u00eb, subjekti i s\u00eb cil\u00ebs \u00ebsht\u00eb ai vet\u00eb. Ai \u00ebsht\u00eb i detyruar t\u00eb luftoj\u00eb vazhdimisht p\u00ebr veten e tij, p\u00ebr vetveten e tij, p\u00ebr vler\u00ebn e tij, p\u00ebr t\u00eb mos u reduktuar nga forcat depersonalizuese, shum\u00eb m\u00eb t\u00eb m\u00ebdha se vet\u00eb ai - reklamimi, burokracia, televizioni, politika dhe lloje t\u00eb tjera dhune, t\u00eb lindura nga nj\u00eb buket\u00eb e shum\u00ebllojshme e fantazive njer\u00ebzore, q\u00eb duke llogaritur ato b\u00ebhet nj\u00eb shenj\u00eb e keqkuptimit. K\u00ebto forca ushtarake, t\u00eb armatosura me nj\u00eb arsenal mbres\u00ebl\u00ebn\u00ebs mjetesh, e p\u00ebrzgjidhin njeriun nga vetvetja e tij, ia vjedhin shpirtin, e p\u00ebrdorin at\u00eb si mjet p\u00ebr q\u00ebllimet e tyre t\u00eb thjeshta, duke nd\u00ebrtuar koloni psikologjike brenda tij. Ne e dim\u00eb se \"goditjet informacionale\" gjithmon\u00eb godasin sakt\u00ebsisht n\u00eb kok\u00eb, por ato nuk arrijn\u00eb t\u00eb prekin zemr\u00ebn ton\u00eb. Shpresa jon\u00eb \u00ebsht\u00eb vet\u00ebm se njeriu i ri, q\u00eb zhvillohet n\u00eb gjirin e prodhimit t\u00eb informacionit, fuqia e re shpirt\u00ebrore-magjike, e kapur nga nj\u00eb er\u00eb e fresk\u00ebt e metap\u00ebrgjigjeve, e bekuar nga Shpirti Bot\u00ebror q\u00eb d\u00ebshiron p\u00ebrparimin, n\u00eb fund t\u00eb fundit nuk do ta ndryshoj\u00eb veten, do t\u00eb ruaj\u00eb rr\u00ebnj\u00ebt e saj t\u00eb gjalla dhe nuk do t\u00eb prishen n\u00eb kushte t\u00eb nj\u00eb provimi t\u00eb r\u00ebnd\u00eb redukcionist. N\u00eb ve\u00e7anti, t\u00ebrheqja q\u00eb i karakterizon, natyra ishullore, ashtu si besojm\u00eb, do t'i lejoj\u00eb t'i jap\u00eb fund lidhjeve t\u00eb stereotipeve diskursive, q\u00eb jan\u00eb zhvilluar nga Maisha n\u00eb nj\u00eb baz\u00eb shkencore t\u00eb kujdesshme. Nd\u00ebrkoh\u00eb, ne jemi d\u00ebshmitar\u00eb se si n\u00eb dekadat e fundit, l\u00ebvizja e fillimit t\u00eb daljes sociokulturore, q\u00eb lejonte n\u00eb fillim t\u00eb mbante rezervat kryesore kulturore-avantgardiste, duke p\u00ebrfshir\u00eb, gjithnj\u00eb e m\u00eb shum\u00eb, njeriun e standardizuar, \u00ebsht\u00eb zvog\u00ebluar ndjesh\u00ebm: proceset e ashpra t\u00eb p\u00ebrceptimit t\u00eb fuqis\u00eb s\u00eb re, shpesh karakteristike p\u00ebr nj\u00eb mendje njer\u00ebzore t\u00eb papjekur, jan\u00eb z\u00ebvend\u00ebsuar nga proceset e bashk\u00ebpunimit efektiv dhe shtr\u00ebngimeve reciproke. Ne besojm\u00eb se, ashtu si dikur njeriu, duke b\u00ebr\u00eb hapat e par\u00eb n\u00eb rrug\u00ebn e ngushtimit t\u00eb rrethit t\u00eb mbijetes\u00ebs, duke marr\u00eb uj\u00eb jo me duar, por duke e mbushur at\u00eb n\u00eb nj\u00eb kok\u00ebrr deti, duke fituar k\u00ebshtu hap\u00ebsir\u00ebn p\u00ebrtej k\u00ebtij rrethi, ku filloi t\u00eb linde aktiviteti i tepruar i vizatimeve n\u00eb muret e shpellave dhe t\u00eb prodhimit t\u00eb figurave t\u00eb femr\u00ebs, ashtu dhe tani, tejkalimi q\u00eb nxjerr nga toka e shkelur me forc\u00ebn e ndryshimeve cil\u00ebsore, do t\u00eb lejoj\u00eb t\u00eb pakt\u00ebn p\u00ebr nj\u00eb koh\u00eb t\u00eb shkurt\u00ebr t\u00eb nd\u00ebrpres\u00eb p\u00ebrleshjen, ashtu si\u00e7 na thon\u00eb, me nj\u00eb p\u00ebrfundim t\u00eb p\u00ebrcaktuar nga natyra, t\u00eb kthehet nga sip\u00ebrfaqet e prodhuara n\u00eb m\u00ebnyr\u00eb surrrogative dhe t\u00eb drejtoj\u00eb nj\u00eb v\u00ebshtrim avantgardist p\u00ebrpara, drejt horizontit t\u00eb jet\u00ebs njer\u00ebzore t\u00eb parefuzueshme, pa precedent, e cila nuk mund t\u00eb p\u00ebrshkruhet.
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Burimi: habr.com<\/a><\/p>","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

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