{"id":38932,"date":"2019-10-31T22:26:50","date_gmt":"2019-10-31T19:26:50","guid":{"rendered":"https:\/\/prohoster.info\/blog\/mechtayut-li-nejroseti-o-dzhokonde\/"},"modified":"2019-10-31T22:26:50","modified_gmt":"2019-10-31T19:26:50","slug":"mechtayut-li-nejroseti-o-dzhokonde","status":"publish","type":"post","link":"https:\/\/prohoster.info\/sq\/blog\/novosti-interneta\/mechtayut-li-nejroseti-o-dzhokonde","title":{"rendered":"A \u00ebnd\u00ebrrojn\u00eb rrjetet nervore p\u00ebr Mon\u00ebn Liza?","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

Deshiroj, paqt\u00eb q\u00eb nuk hyj n\u00eb detaje teknike, t\u00eb prek pak \u00e7\u00ebshtjen se a mund t'i arrijn\u00eb rrjetet neuronale di\u00e7ka t\u00eb r\u00ebnd\u00ebsishme n\u00eb art, let\u00ebrsi, dhe n\u00ebse kjo \u00ebsht\u00eb krijimtari. Informacionin teknik e gjeni leht\u00ebsisht, ka aplikacione t\u00eb njohura, p\u00ebr shembull. K\u00ebtu \u00ebsht\u00eb vet\u00ebm nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb kuptuar thelbin e fenomenit; gjith\u00e7ka q\u00eb \u00ebsht\u00eb shkruar k\u00ebtu nuk \u00ebsht\u00eb e re, por do t\u00eb p\u00ebrpiqem ta formalizoj pak disa mendime. Do t\u00eb p\u00ebrdor termin rrjet neuro n\u00eb kuptimin e p\u00ebrgjithsh\u00ebm, si sinonim p\u00ebr AI, q\u00eb \u00ebsht\u00eb e pandashme me m\u00ebsimin makinerik dhe algoritmet e seleksionimit.<\/p>\n

N\u00eb opinionin tim, \u00e7\u00ebshtja e krijimtaris\u00eb s\u00eb rrjeteve neuronale duhet t\u00eb shqyrtohet jo vet\u00ebm n\u00eb kuadrin e informatik\u00ebs dhe arteve, por edhe \u2013 t\u00eb filozofis\u00eb dhe psikologjis\u00eb. Fillimisht, duhet t\u00eb p\u00ebrcaktojm\u00eb se \u00e7far\u00eb \u00ebsht\u00eb krijimtaria, si krijohet di\u00e7ka krejt\u00ebsisht e re; po ashtu gjith\u00e7ka kjo lidhet me problemin e njohjes, n\u00eb pjes\u00ebn e saj \u2013 si shfaqet njohja e re, zbulimi, ky ose ai simbol, imazh. N\u00eb art, si\u00e7 \u00ebsht\u00eb edhe n\u00eb shkenc\u00ebn e past\u00ebr, vlera e v\u00ebrtet\u00eb q\u00ebndron n\u00eb novator. <\/a><\/noindex><\/p>\n

Arti dhe let\u00ebrsia, (ndoshta dhe muzika) sugjerojn\u00eb se, ndoshta tani nuk jan\u00eb plot\u00ebsisht t\u00eb barabarta, por metodat e njohjes si n\u00eb shkenc\u00eb. T\u00eb gjitha ato ndikojn\u00eb vazhdimisht nj\u00ebra-tjetr\u00ebn dhe jan\u00eb ngusht\u00ebsisht t\u00eb nd\u00ebrlidhura. N\u00eb disa periudha, njohja e bot\u00ebs ndodhi p\u00ebrmes artit ose let\u00ebrsis\u00eb, dhe m\u00eb par\u00eb, madje n\u00eb kuad\u00ebr t\u00eb tradit\u00ebs fetare. K\u00ebshtu, n\u00eb Rusin\u00eb e shekullit t\u00eb 19, let\u00ebrsia e fuqishme faktikisht z\u00ebvend\u00ebsoi antropologjin\u00eb filozofike dhe filozofin\u00eb sociale, p\u00ebrmes artit, duke reflektuar mbi problemet e shoq\u00ebris\u00eb dhe njeriut. Dhe si nj\u00eb orientim strukturores, q\u00eb rendit nj\u00eb problematik\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb ekzistenc\u00ebs njer\u00ebzore, e zhvilluar m\u00eb von\u00eb nga drejtimet filozofike t\u00eb njohura, ajo vler\u00ebsohet ende sot. Ose ndryshe, n\u00eb fillim t\u00eb shekullit t\u00eb 20, l\u00ebvizjet artistike moderniste dhe avangardiste q\u00eb lind\u00ebn, t\u00eb cilat nuk mund t\u00eb shqyrtohen ve\u00e7mas nga p\u00ebrmbajtja e tyre ideologjike, dhe q\u00eb parashikuan thyerjen e tradit\u00ebs, lindjen e nj\u00eb bote t\u00eb re dhe nj\u00eb njeriu t\u00eb ri. Sepse a mund ta lejojm\u00eb ne q\u00eb vlera themelore e artit t\u00eb jet\u00eb vet\u00ebm estetika? N\u00eb k\u00ebt\u00eb rast, ndoshta do t\u00eb kishim jetuar ende vet\u00ebm n\u00eb rrethin e ndonj\u00eb sistemi estetik t\u00eb kaluara q\u00eb ishte mbyllur n\u00eb p\u00ebrfundimin e vet. T\u00eb gjith\u00eb krijuesit e m\u00ebdhenj, gjeni n\u00eb art dhe let\u00ebrsi e fituan k\u00ebt\u00eb 'titull' jo aq p\u00ebr shkak t\u00eb vler\u00ebs estetike t\u00eb veprave t\u00eb tyre, por p\u00ebr shkak t\u00eb zbulimit t\u00eb drejtimeve t\u00eb reja, duke b\u00ebr\u00eb at\u00eb q\u00eb askush para tyre nuk e kishte b\u00ebr\u00eb dhe madje nuk e kishte konsideruar si t\u00eb mundur.<\/p>\n

A do t\u00eb konsiderohet si nj\u00eb vep\u00ebr e re krijim, e cila ka rezultuar nga nj\u00eb kombinim i paimagjinuesh\u00ebm i disa pjes\u00ebve t\u00eb njohura q\u00eb jan\u00eb tashm\u00eb ekzistuese \u2014 me k\u00ebt\u00eb rrjetet sigurisht q\u00eb jan\u00eb n\u00eb gjendje ta b\u00ebjn\u00eb at\u00eb \u2013 mbi baz\u00ebn e nj\u00eb numri t\u00eb kufizuar t\u00eb dh\u00ebnash, p\u00ebr shembull, n\u00eb stilizimin e imazheve ose gjenerimin e t\u00eb rejave. Ose do t\u00eb jet\u00eb nj\u00eb p\u00ebrparim krejt\u00ebsisht i ri, nj\u00eb cil\u00ebsi e panjohur m\u00eb par\u00eb, e cila hap at\u00eb q\u00eb nuk mund t\u00eb krahasohet me asgj\u00eb nga ato q\u00eb kemi par\u00eb m\u00eb par\u00eb \u2014 megjithat\u00eb, natyrisht, \u00e7do p\u00ebrparim i jasht\u00ebzakonsh\u00ebm, pa precedent, \u00ebsht\u00eb thjesht rezultat i nj\u00eb pune t\u00eb mir\u00eb t\u00eb p\u00ebrgatitur, e cila zhvillohet n\u00ebn sip\u00ebrfaqe, e padyshimt\u00eb dhe e padukshme p\u00ebr ata q\u00eb nuk jan\u00eb t\u00eb inicuara dhe madje edhe p\u00ebr vet\u00eb krijuesin \u2013 k\u00ebshtu, deri m\u00eb tani, mund t\u00eb veproj\u00eb vet\u00ebm njeriu.<\/p>\n

N\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrgjithshme, tipi i par\u00eb i njohuris\u00eb dhe krijimtaris\u00eb mund t\u00eb krahasohet me nj\u00eb zhvillim shum\u00eb t\u00eb ngadalt\u00eb, gradual si rezultat i evolucionit, nd\u00ebrsa i dyti \u2013 me nj\u00eb zhvillim t\u00eb papritur si rezultat i mutacioneve pozitive. N\u00eb veprimtarin\u00eb e saj 'kreative', rrjetet neuronale, n\u00eb mendimin tim, tani priren diku drejt tipit t\u00eb par\u00eb. Ose, m\u00eb sakt\u00eb, drejt situat\u00ebs q\u00eb p\u00ebrshkruhet si munges\u00eb, n\u00eb nj\u00eb perspektiv\u00eb t\u00eb af\u00ebrt, t\u00eb nj\u00eb zhvillimi cil\u00ebsorisht t\u00eb ri, n\u00eb kushte t\u00eb nj\u00eb sistemi q\u00eb supozohet se ka arritur n\u00eb k\u00ebt\u00eb faz\u00eb n\u00eb nj\u00eb kufi kompleksiteti, n\u00eb 'fundin e historis\u00eb', kur kuptimet e reja formohen si rezultat i kombinimeve t\u00eb reja \u2013 apo inkuadrimeve n\u00eb nj\u00eb kontekst t\u00eb pazakont\u00eb \u2013 t\u00eb mostrave ekzistuese. Ashtu si\u00e7 krijohen forma t\u00eb reja dhe t\u00eb pazakonta n\u00eb nj\u00eb kaleidoskop, \u00e7do her\u00eb nga e nj\u00ebjta grupim prej qelqesh ngjyrash. Por, mendoj se nuk \u00ebsht\u00eb p\u00ebr t'u habitur, si\u00e7 \u00ebsht\u00eb v\u00ebn\u00eb n\u00eb dukje, struktura e rrjet\u00ebve n\u00eb terma t\u00eb p\u00ebrgjithsh\u00ebm p\u00ebrs\u00ebrit struktur\u00ebn e sistemit nervor: neuronet si nyja, aksonet si lidhje. Ndoshta, kjo \u00ebsht\u00eb si embrionet e qelizave t\u00eb para, vet\u00ebm se tani, procesi i evolucionit do t\u00eb p\u00ebrshpejtohet nga duar njer\u00ebzore, dmth do t\u00eb b\u00ebhet instrumenti i tij, duke p\u00ebrshkruar k\u00ebshtu ngadal\u00ebsin\u00eb e natyr\u00ebs. Po ashtu dhe mbi shembullin e vet, n\u00ebse gjykohet nga idet\u00eb e transhumanizmit. <\/p>\n

Duke vetes vetes, a \u00ebsht\u00eb interesante p\u00ebr mua t\u00eb shoh pikturat e krijuara me nj\u00eb rrjet n\u00eb k\u00ebt\u00eb faz\u00eb, mund t\u00eb them se k\u00ebtu ndoshta duhet t\u00eb b\u00ebhet nj\u00eb dallim midis di\u00e7kaje praktike si dizajni dhe artit t\u00eb past\u00ebr. Ajo q\u00eb \u00ebsht\u00eb e mir\u00eb p\u00ebr dizajnin dhe e \u00e7liron njeriun nga proceset e m\u00ebrzitshme dhe dyt\u00ebsore t\u00eb zhvillimit t\u00eb tapet\u00ebve, printimeve dhe draperive, nuk i p\u00ebrshtatet artit, i cili, p\u00ebr t\u00eb th\u00ebn\u00eb t\u00eb v\u00ebrtet\u00ebn, nuk \u00ebsht\u00eb gjithmon\u00eb n\u00eb maj\u00eb, n\u00eb kulmin e aktualitetit, por duhet t\u00eb shpreh\u00eb personalitetin n\u00eb k\u00ebrkimin e tij. Artisti, n\u00eb nj\u00eb kuptim t\u00eb gjer\u00eb, duke jetuar p\u00ebrvoj\u00ebn e tij dhe 'thithur' shpirtin e epok\u00ebs, qoft\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb vet\u00ebdijshme apo jo, i p\u00ebrpunon ato n\u00eb nj\u00eb imazh artistik. K\u00ebshtu, mund t\u00eb lexosh nga veprat e tij disa ide, mesazhe, ato mund t\u00eb ndikojn\u00eb fuqish\u00ebm n\u00eb ndjenjat. Rrjeti neural gjithashtu merr nj\u00eb grup t\u00eb dh\u00ebnash dhe i transformon ato, por p\u00ebr momentin kjo \u00ebsht\u00eb nj\u00eb p\u00ebrpunim shum\u00eb t\u00ebrheq\u00ebs, nj\u00eb-dimensional dhe vlera 'shtes\u00eb' e informacionit - i marr\u00eb n\u00eb dalje - nuk \u00ebsht\u00eb e madhe, dhe rezultati \u00ebsht\u00eb n\u00eb gjendje vet\u00ebm t\u00eb arg\u00ebtoj\u00eb p\u00ebr pak koh\u00eb. E nj\u00ebjta gj\u00eb vlen edhe p\u00ebr eksperimente me rrjetet neuronale n\u00eb gazetari, q\u00eb arrijn\u00eb suksese m\u00eb shum\u00eb atje ku k\u00ebrkohet shkrimi i lajmeve financiare t\u00eb thata, e jo krijimi i veprave programore me pik\u00ebpamjen e autorit. N\u00eb eksperimente me muzik\u00ebn, ve\u00e7an\u00ebrisht, muzik\u00ebn elektronike, gj\u00ebrat mund t\u00eb jen\u00eb disi m\u00eb mir\u00eb. N\u00eb p\u00ebrgjith\u00ebsi, kam v\u00ebn\u00eb re nj\u00eb gj\u00eb, q\u00eb literatura dhe piktura moderne, p\u00ebr rreth nj\u00eb shekull, duket se prodhojn\u00eb forma kaq abstrakte dhe minimaliste, q\u00eb duken t\u00eb krijuara p\u00ebr t'u p\u00ebrpunuar leht\u00eb nga rrjetet neuronale dhe t\u00eb dalin si art njer\u00ebzor. A mund t\u00eb jet\u00eb nj\u00eb parashikim p\u00ebr fundin e nj\u00eb epoke t\u00eb t\u00ebr\u00eb?<\/p>\n

Thuhet se inteligjenca nuk p\u00ebrputhet me t\u00eb gjith\u00eb personalitetin. Megjithat\u00eb, \u00e7\u00ebshtja e personalitetit \u00ebsht\u00eb n\u00eb fakt filozofike \u2014 n\u00eb rrjetin GAN, p\u00ebr shembull, gjeneratori krijon t\u00eb dh\u00ebna t\u00eb reja nga asgj\u00eb, duke u drejtuar pjes\u00ebrisht nga verdikti i diskriminatorit n\u00ebn ndikimin e peshave t\u00eb vendimeve. Mund t\u00eb shtrohet gjithashtu kjo pyetje: A nuk \u00ebsht\u00eb krijuesi n\u00eb veprimin e tij njoh\u00ebs, nj\u00eb lloj gjeneratori dhe diskriminatori n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, t\u00eb cil\u00ebt jan\u00eb disi t\u00eb trajnuar nga informatat q\u00eb 'fluturojn\u00eb n\u00eb aj\u00ebr' t\u00eb epok\u00ebs dhe q\u00eb n\u00eb heshtje votojn\u00eb p\u00ebr zgjedhjen e tij me peshat e brendshme, dhe ai nga elementet e njohura, k\u00ebshtu, ndalon t\u00eb krijoj\u00eb nj\u00eb bot\u00eb t\u00eb re, nj\u00eb vep\u00ebr t\u00eb re? N\u00eb k\u00ebt\u00eb rast, a nuk jemi ne nj\u00eb lloj analogu tep\u00ebr t\u00eb komplikuar t\u00eb rrjetit, me t\u00eb dh\u00ebna kolosale, por ende t\u00eb kufizuara n\u00eb hyrje? Ndoshta personaliteti \u00ebsht\u00eb nj\u00eb algorit\u00ebm i avancuar p\u00ebr seleksionim, me nj\u00eb funksionalitet t\u00eb nevojsh\u00ebm q\u00eb ndikon t\u00ebrthor n\u00eb cil\u00ebsin\u00eb e predh\u00ebnies?<\/p>\n

N\u00eb \u00e7do rast, un\u00eb do t\u00eb shkoj n\u00eb ekspozit\u00ebn e par\u00eb t\u00eb veprave t\u00eb artit t\u00eb krijuara nga AI, kur ai t\u00eb fitoj\u00eb personalitet me t\u00eb gjitha atributet e saj, vet\u00ebdijen dhe vet\u00ebdijen. Ndoshta do t\u00eb vij\u00eb edhe koha kur, si n\u00eb karakterin e episodit 14 t\u00eb serialit animuar \"Dashuri, vdekje dhe robota\", AI do t\u00eb kuptoj\u00eb se arti duhet t\u00eb jet\u00eb i pandash\u00ebm nga jeta dhe at\u00ebher\u00eb do t\u00eb vij\u00eb momenti t\u00eb heq\u00ebsh dor\u00eb nga frika, nga pafund\u00ebsia q\u00eb kurr\u00eb nuk k\u00ebnaqet, komplekse e cila, n\u00eb thelb, thjeshtimi \u00ebsht\u00eb nj\u00eb metafor\u00eb e vdekjes. Deri tani, shpesh mund t\u00eb v\u00ebresh n\u00eb filma q\u00eb AI fiton vet\u00ebdijeni, dhe natyrisht, del jasht\u00eb kontrollit si rezultat i ndonj\u00eb gabimi programor, i cili ndoshta mendon se skenarist\u00ebt jan\u00eb nj\u00eb analogji e ndonj\u00eb rast\u00ebsie q\u00eb aktivizon transformime t\u00eb reja pozitive (dhe p\u00ebr disa ndoshta jo) si\u00e7 ndodhi me mutacionet pozitive p\u00ebr rrug\u00ebn evolucionare t\u00eb natyrshme.
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Burimi: habr.com<\/a><\/p>","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

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