<\/a><\/noindex><\/p>\nArti dhe literatura, (ndoshta edhe muzika) sugjerojn\u00eb, ndoshta jo krejt\u00ebsisht tani t\u00eb barabart\u00eb, por metodat e njohjes si n\u00eb shkenc\u00eb. T\u00eb gjitha ato kan\u00eb nj\u00eb ndikim t\u00eb vazhduesh\u00ebm mbi nj\u00ebra-tjetr\u00ebn dhe jan\u00eb t\u00eb nd\u00ebrlidhura ngusht\u00eb. N\u00eb disa periudha, njohja e bot\u00ebs shpesh ndodhte p\u00ebrmes artit ose let\u00ebrsis\u00eb, dhe m\u00eb par\u00eb \u2014 madje edhe n\u00eb kuad\u00ebr t\u00eb tradit\u00ebs fetare. K\u00ebshtu, n\u00eb Rusin\u00eb e shekullit t\u00eb 19, let\u00ebrsia e fuqishme faktikisht z\u00ebvend\u00ebsoi antropologjin\u00eb filozofike dhe filozofin\u00eb sociale, n\u00eb m\u00ebnyr\u00eb t\u00eb nd\u00ebrlidhur, p\u00ebrmes artistike, duke reflektuar mbi problemet e shoq\u00ebris\u00eb dhe njeriut. Dhe si nj\u00eb orientim strukturore, duke e vendosur n\u00eb agjend\u00eb nj\u00eb problematik\u00eb mjaft aktuale t\u00eb ekzistenc\u00ebs njer\u00ebzore, e zhvilluar m\u00eb pas nga drejtime filozofike t\u00eb njohura, ajo \u00e7mohet ende sot. Ose n\u00eb fillim t\u00eb shekullit t\u00eb 20, duke u shfaqur l\u00ebvizjet artistike moderniste dhe avangardiste, t\u00eb cilat nuk mund t\u00eb shqyrtohen t\u00eb shk\u00ebputura nga p\u00ebrmbajtja e tyre ideore, dhe q\u00eb parashikonin ndarjen nga tradita, shfaqjen e nj\u00eb bote t\u00eb re dhe nj\u00eb njeriu t\u00eb ri. Sepse nuk mund t\u00eb lejojm\u00eb q\u00eb vlera themelore e artit t\u00eb jet\u00eb vet\u00ebm estetikja. N\u00eb k\u00ebt\u00eb rast, ndoshta, do t\u00eb vazhdonim t\u00eb jetonim vet\u00ebm n\u00eb nj\u00eb mjedis t\u00eb nd\u00ebrtuar brenda nj\u00eb sistemi estetik t\u00eb vet\u00eb-mbyllur t\u00eb s\u00eb kaluar\u00ebs. T\u00eb gjith\u00eb krijuesit e m\u00ebdhenj, gjeni n\u00eb art dhe let\u00ebrsi pik\u00ebrisht e fituan k\u00ebt\u00eb \u201ctitull\u201d jo aq p\u00ebr vler\u00ebn estetike t\u00eb veprave t\u00eb tyre, por p\u00ebr hapjen e drejtimeve t\u00eb reja, duke b\u00ebr\u00eb at\u00eb q\u00eb askush para tyre nuk e kishte b\u00ebr\u00eb dhe madje nuk kishte supozuar q\u00eb mund t\u00eb b\u00ebhej.<\/p>\n
A work resulting from a previously unseen combination, a sort of shuffle of already existing known parts, will it be considered a new creation? In this respect, networks manage quite well \u2014 based on a predetermined limited number of data, for example, in image styling or generating new ones. Or will it be a complete breakthrough, an unknown quality revealing something that cannot be compared to anything previously observed? However, any incredible, unparalleled breakthrough is nothing but the result of well-prepared work, which is often conducted subtly, not fully manifested and visible to outsiders, and even to the creator \u2013 this, in my opinion, is only how a human can operate for now.<\/p>\n
Roughly speaking, the first type of knowledge and creativity can be compared to very slow, gradual development as a result of evolution, while the second type manifests as a sudden leap due to positive mutations. Neural networks, in their 'creative' activities, in my view, currently lean towards the first type. Or rather, to the situation described as an absence of qualitatively new development in the near future, within a system that allegedly has reached a limit of complexity, the 'end of history,' where new meanings emerge from combinations \u2014 or insertions into an unusual context \u2014 of existing patterns. Just like new unusual patterns are created in a kaleidoscope, every time from the same set of colored beads. But, I think it\u2019s not in vain that, as has been pointed out, the structure of networks generally resembles the structure of the nervous system: neurons as nodes, axons as connections. Perhaps this is akin to the beginnings of the first cells, only now, the process of evolution will be accelerated by human hands, meaning it will become its tool, overcoming the sluggishness of nature, including by its own example, if one starts from the ideas of transhumanism. <\/p>\n
Duke vet\u00eb pyetje: a do t\u00eb m\u00eb interesonte t\u00eb shihja piktura t\u00eb krijuara me rrjet n\u00eb k\u00ebt\u00eb faz\u00eb, mund t\u00eb them se k\u00ebtu, ndoshta, duhet t\u00eb b\u00ebhet dallimi midis di\u00e7kaje q\u00eb \u00ebsht\u00eb praktike si dizajni dhe artit t\u00eb past\u00ebr. Ajo q\u00eb \u00ebsht\u00eb e mir\u00eb p\u00ebr dizajnin dhe e \u00e7liron njeriun nga proceset rutinore, dyt\u00ebsore t\u00eb zhvillimit t\u00eb tapet\u00ebve, printimeve dhe drap\u00ebrimeve, nuk i p\u00ebrshtatet artit q\u00eb, p\u00ebrgjith\u00ebsisht, nuk \u00ebsht\u00eb gjithmon\u00eb n\u00eb pik\u00ebn m\u00eb t\u00eb lart\u00eb t\u00eb aktualitetit, por duhet t\u00eb shpreh\u00eb identitetin n\u00eb k\u00ebrkimin e tij. Artist\u00ebt, n\u00eb nj\u00eb kuptim t\u00eb gjer\u00eb, duke jetuar p\u00ebrvoj\u00ebn e tyre dhe \"thithur\" shpirtin e epok\u00ebs, n\u00eb m\u00ebnyr\u00eb t\u00eb vet\u00ebdijshme ose jo, i p\u00ebrpunojn\u00eb ato n\u00eb nj\u00eb imazh artistik. K\u00ebshtu, mund t\u00eb lexojm\u00eb nga veprat e tij disa ide, mesazhe q\u00eb mund t\u00eb ndikojn\u00eb ndjesh\u00ebm n\u00eb ndjenja. Rrjeti nervor gjithashtu merr nj\u00eb grup t\u00eb dh\u00ebnash si input dhe i transformon ato, por p\u00ebr momentin kjo \u00ebsht\u00eb nj\u00eb p\u00ebrpunim shum\u00eb i shesht\u00eb, nj\u00eb dimensional dhe \"vlera e shtuar\" e informacionit t\u00eb marr\u00eb n\u00eb daljen nuk \u00ebsht\u00eb e madhe, dhe rezultati \u00ebsht\u00eb n\u00eb gjendje vet\u00ebm t\u00eb arg\u00ebtoj\u00eb p\u00ebr nj\u00eb koh\u00eb t\u00eb shkurt\u00ebr. E nj\u00ebjta vlen p\u00ebr eksperimentet me rrjetet nervore n\u00eb gazetari, q\u00eb kan\u00eb sukses m\u00eb shum\u00eb atje ku k\u00ebrkohet t\u00eb shkruhen lajme financiare t\u00eb thata, e jo krijimi i veprave programore me pik\u00ebpamje autoriale. N\u00eb eksperimente me muzik\u00ebn, sidomos elektronik\u00ebn, gj\u00ebrat ndoshta jan\u00eb pak m\u00eb t\u00eb mira. N\u00eb p\u00ebrgjith\u00ebsi, kam v\u00ebrejtur se arti i sot\u00ebm, literatura e sotme dhe piktura, p\u00ebr gati nj\u00eb shekull, si duket, prodhojn\u00eb forma t\u00eb tilla abstrakte dhe minimaliste q\u00eb duken se jan\u00eb krijuar p\u00ebr t'u p\u00ebrpunuar leht\u00ebsisht nga rrjetet nervore dhe t\u00eb paraqiten si art njer\u00ebzor. A \u00ebsht\u00eb nj\u00eb parashikim i fundi t\u00eb nj\u00eb epoke t\u00eb t\u00ebr\u00eb?<\/p>\n
Thuhet se inteligjenca nuk i p\u00ebrshtatet t\u00ebr\u00eb personalitetit. Edhe pse, p\u00ebr personalitetin, \u00e7\u00ebshtja \u00ebsht\u00eb sigurisht filozofike \u2013 duke qen\u00eb se n\u00eb rrjetin GAN, p\u00ebr shembull, gjeneratori krijon t\u00eb dh\u00ebna t\u00eb reja nga asgj\u00eb duke u drejtuar pjes\u00ebrisht nga verdikti i diskriminatorit n\u00ebn ndikimin e peshave t\u00eb vendimeve. Mund t\u00eb b\u00ebhet pyetja edhe k\u00ebshtu: a nuk \u00ebsht\u00eb arti i krijuesit n\u00eb aktivitetin e tij njoh\u00ebs, n\u00eb nj\u00eb far\u00eb m\u00ebnyre, nj\u00eb gjenerues dhe nj\u00eb diskriminator i vet\u00ebm, disi i trajnuar nga vet\u00eb informacioni q\u00eb \u201cvjen n\u00eb aj\u00ebr\u201d t\u00eb epok\u00ebs dhe n\u00ebnnd\u00ebrgjegjsh\u00ebm p\u00ebr votimin p\u00ebr zgjedhjen e tij me peshat e brendshme, dhe ai nga ato nd\u00ebrtira t\u00eb njohura, n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, nd\u00ebrtoka nj\u00eb bot\u00eb t\u00eb re, nj\u00eb vep\u00ebr t\u00eb re? N\u00eb k\u00ebt\u00eb rast, a nuk jemi ne nj\u00eb analog shum\u00eb t\u00eb nd\u00ebrlikuar t\u00eb rrjetit, me t\u00eb dh\u00ebna kolosale, por akoma t\u00eb kufizuara, n\u00eb hyrje? Ndoshta personaliteti \u00ebsht\u00eb nj\u00eb algorit\u00ebm i avancuar p\u00ebr p\u00ebrzgjedhje, me funksionalitetin e nevojsh\u00ebm t\u00eb paqart\u00eb q\u00eb ndikon indirekt n\u00eb trajnim n\u00eb cil\u00ebsi?<\/p>\n
N\u00eb \u00e7do rast, do t\u00eb shkoj n\u00eb ekspozit\u00ebn e par\u00eb t\u00eb veprave t\u00eb artit t\u00eb krijuara nga, si\u00e7 quhet, AI, kur ai t\u00eb ket\u00eb marr\u00eb nj\u00eb personalitet me t\u00eb gjitha atributet e saj, nd\u00ebrgjegjen dhe vet\u00ebdijen. Mund t\u00eb vij\u00eb koha kur, si personazhi n\u00eb episodin 14 t\u00eb seris\u00eb animuese \"Dashuri, vdekje dhe robota\", AI n\u00eb k\u00ebrkim t\u00eb kuptimit t\u00eb vet\u00ebdijes q\u00eb arti duhet t\u00eb jet\u00eb i pandar\u00eb nga jeta dhe at\u00ebher\u00eb do t\u00eb vij\u00eb koha e refuzimit nga kompleksiteti frik\u00ebsues, pa fund, q\u00eb kurr\u00eb nuk \u00ebsht\u00eb i k\u00ebnaqur, ku \u00e7do thelb \u00ebsht\u00eb nj\u00eb thjeshtim \u2013 metafora e vdekjes. Deri tani shpesh mund t\u00eb v\u00ebrehet n\u00eb filma, se AI fiton vet\u00ebdijen dhe, natyrisht, del jasht\u00eb kontrollit si rezultat i ndonj\u00eb defekti programor, i cili ndoshta mendon p\u00ebr skenarist\u00ebt si nj\u00eb analog t\u00eb ndonj\u00eb rast\u00ebsie, q\u00eb ka nisur transformimet e reja pozitive (dhe p\u00ebr disa jo aq pozitive), si\u00e7 ishte me mutacione pozitive p\u00ebr rrug\u00ebn evolutive natyrore.habr.com<\/a><\/p>","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"\u042f \u0445\u043e\u0442\u0435\u043b \u0431\u044b, \u043d\u0435 \u0432\u0434\u0430\u0432\u0430\u044f\u0441\u044c \u0432 \u0442\u0435\u0445\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0434\u0435\u0442\u0430\u043b\u0438, \u043d\u0435\u043c\u043d\u043e\u0433\u043e \u043a\u043e\u0441\u043d\u0443\u0442\u044c\u0441\u044f \u0432\u043e\u043f\u0440\u043e\u0441\u0430 \u043e \u0442\u043e\u043c \u043c\u043e\u0433\u0443\u0442 \u043b\u0438 \u043d\u0435\u0439\u0440\u043e\u043d\u043d\u044b\u0435 \u0441\u0435\u0442\u0438 \u0434\u043e\u0441\u0442\u0438\u0447\u044c \u0447\u0435\u0433\u043e-\u043d\u0438\u0431\u0443\u0434\u044c \u0437\u043d\u0430\u0447\u0438\u043c\u043e\u0433\u043e \u0432 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435, \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435, \u0438 \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u043b\u0438 \u044d\u0442\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e\u043c. \u0422\u0435\u0445\u043d\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u0438\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u044e, \u043b\u0435\u0433\u043a\u043e \u043e\u0442\u044b\u0441\u043a\u0430\u0442\u044c, \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u0443\u044e\u0442 \u0438 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u0435 \u043f\u0440\u0438\u043b\u043e\u0436\u0435\u043d\u0438\u044f, \u0434\u043b\u044f \u043f\u0440\u0438\u043c\u0435\u0440\u0430. \u0417\u0434\u0435\u0441\u044c \u0436\u0435 \u043b\u0438\u0448\u044c \u043f\u043e\u043f\u044b\u0442\u043a\u0430 \u0440\u0430\u0437\u043e\u0431\u0440\u0430\u0442\u044c\u0441\u044f \u0432 \u0441\u0430\u043c\u043e\u0439 \u0441\u0443\u0442\u0438 \u044f\u0432\u043b\u0435\u043d\u0438\u044f, \u0432\u0441\u0451 \u0447\u0442\u043e \u0437\u0434\u0435\u0441\u044c \u043d\u0430\u043f\u0438\u0441\u0430\u043d\u043e \u2014 \u044d\u0442\u043e \u0434\u0430\u043b\u0435\u043a\u043e \u043d\u0435 […]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[702],"tags":[],"class_list":["post-38932","post","type-post","status-publish","format-standard","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t