{"id":42193,"date":"2019-03-18T00:00:00","date_gmt":"2019-03-17T21:00:00","guid":{"rendered":"https:\/\/prohoster.info\/blog\/blog_prohoster\/sovershenstvo-eto-skukotishha-no-my-budem-k-nemu-stremitsya"},"modified":"2020-02-18T13:45:01","modified_gmt":"2020-02-18T10:45:01","slug":"sovershenstvo-eto-skukotishha-no-my-budem-k-nemu-stremitsya","status":"publish","type":"post","link":"https:\/\/prohoster.info\/sq\/blog\/news\/sovershenstvo-eto-skukotishha-no-my-budem-k-nemu-stremitsya","title":{"rendered":"Perfeksioni \u00ebsht\u00eb monoton, por ne do ta k\u00ebrkojm\u00eb at\u00eb","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

Floriani<\/a><\/noindex> thot\u00eb se p\u00ebrsosm\u00ebria \u00ebsht\u00eb e m\u00ebrzitshme, sepse ne t\u00eb gjith\u00eb zgjidhim probleme. Kur shohim di\u00e7ka jo t\u00eb p\u00ebrsosur, mendja jon\u00eb k\u00ebrkon t\u00eb kuptoj\u00eb \u00e7far\u00eb po ndodh \u2014 b\u00ebhemi kureshtar\u00eb. Nga ana tjet\u00ebr, kur di\u00e7ka \u00ebsht\u00eb tep\u00ebr e \u00e7rregullt ose \u00abe dob\u00ebt\u00bb, e shp\u00ebrfillim si zhurm\u00eb t\u00eb par\u00ebnd\u00ebsishme.<\/p>\n

\"Perfeksioni
\nT\u00eb zgjojm\u00eb kureshtje \u00ebsht\u00eb nj\u00eb gj\u00eb\u2026 por \u00e7far\u00eb i b\u00ebn pap\u00ebrsosm\u00ebrit\u00eb t\u00eb bukura?<\/p>\n

Dallimi midis p\u00ebrsosm\u00ebris\u00eb dhe mjesht\u00ebris\u00eb<\/h3>\n

\nNdoshta e keni lexuar rr\u00ebfimin e famsh\u00ebm t\u00eb Giorgio Vasarit p\u00ebr Giotton, nj\u00eb piktor t\u00eb hersh\u00ebm t\u00eb Rilindjes. N\u00eb k\u00ebt\u00eb histori, Giottos iu k\u00ebrkua t\u00eb provonte mjesht\u00ebrin\u00eb e tij n\u00eb piktur\u00eb. Ai e b\u00ebri k\u00ebt\u00eb duke vizatuar nj\u00eb rreth t\u00eb p\u00ebrsosur pa p\u00ebrdorur asnj\u00eb mjet teknik, p\u00ebrve\u00e7 fur\u00e7\u00ebs s\u00eb tij. Fatkeq\u00ebsisht, nuk isha aty vet\u00eb, por supozoj se rrethi i Giottos nuk ishte i p\u00ebrsosur, por ishte mjesht\u00ebror<\/b>. P\u00ebr t\u00eb shpjeguar ndryshimin mes k\u00ebtyre t\u00eb dyjave, do t'ju tregoj sa mir\u00eb, ose sa keq, vizatoj un\u00eb:<\/p>\n

\"Perfeksioni
\nSi\u00e7 mund ta shihni, vizatimi im \u00ebsht\u00eb larg p\u00ebrsosm\u00ebris\u00eb. Zona e kuqe tregon sa shum\u00eb ndryshon rrethi im nga rrethi ideal i vizatuar nga softueri. Kjo ilustron tensionin midis synimit dhe arritjes<\/b>. Mjesht\u00ebria \u00ebsht\u00eb p\u00ebrpjekja p\u00ebr ta zhdukur k\u00ebt\u00eb zon\u00eb. Dhe zona e kuqe te Giotto ka t\u00eb ngjar\u00eb t\u00eb ket\u00eb qen\u00eb shum\u00eb m\u00eb e vog\u00ebl se imja.<\/p>\n

Mjesht\u00ebria nuk \u00ebsht\u00eb p\u00ebrsosm\u00ebri, por p\u00ebrpjekje drejt p\u00ebrsosm\u00ebris\u00eb.<\/b><\/p><\/blockquote>\n

<\/a><\/noindex><\/p>\n

Nj\u00eb nga gj\u00ebrat q\u00eb i b\u00ebn vizatimet me dor\u00eb magjeps\u00ebse: p\u00ebrpjekja<\/h3>\n

\nNgjarjet sportive jan\u00eb emocionuese p\u00ebr shkak t\u00eb gabimeve, humbjeve, r\u00ebnieve, d\u00ebshtimeve \u2014 dhe luft\u00ebs p\u00ebr t'i shmangur ato. Drama e atlet\u00ebve sh\u00ebrben si metafor\u00eb p\u00ebr p\u00ebrpjekjet personale n\u00eb jet\u00ebn ton\u00eb, p\u00ebr tensionin midis synimeve tona dhe arritjeve tona reale. T\u00eb shoh\u00ebsh nj\u00eb sportist q\u00eb performon n\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrsosur \u00ebsht\u00eb e k\u00ebndshme, por ta shoh\u00ebsh duke luftuar \u00ebsht\u00eb edhe m\u00eb t\u00ebrheq\u00ebse.<\/p>\n

\"Perfeksioni
\nTani mendoj se nj\u00eb lloj i ngjash\u00ebm p\u00ebrpjekjeje mund t\u00eb v\u00ebrehet edhe n\u00eb pikturat e b\u00ebra me dor\u00eb. Ajo q\u00eb i b\u00ebn ato \u00abt\u00eb gjalla\u00bb, \u00abmagjeps\u00ebse\u00bb ose \u00abpersonale\u00bb, nuk \u00ebsht\u00eb domosdoshm\u00ebrisht \u00abstili\u00bb unik i autorit, as \u00abshprehja\u00bb e tij personale. \u00cbsht\u00eb p\u00ebrpjekja e tij p\u00ebr p\u00ebrsosm\u00ebri. T\u00eb v\u00ebzhgosh dik\u00eb duke vizatuar ndonj\u00ebher\u00eb mund t\u00eb tregoj\u00eb k\u00ebt\u00eb p\u00ebrpjekje<\/b>. <\/p>\n